Dieudo Hamadi

Dieudo Hamadi

Nacimiento : , Kisangani, Democratic Republic Of Congo

Historia

Congolese filmmaker.

Perfil

Dieudo Hamadi

Películas

Río abajo hacia Kinshasa
Producer
Desde hace dos décadas, las víctimas de la Guerra de los Seis Días en la República Democrática del Congo luchan en Kisangani para que se reconozca oficialmente el sangriento conflicto y se les indemnice. Al no obtener respuesta alguna, deciden llevar sus reivindicaciones a Kinshasa y realizan el largo viaje por el río Congo.
Río abajo hacia Kinshasa
Writer
Desde hace dos décadas, las víctimas de la Guerra de los Seis Días en la República Democrática del Congo luchan en Kisangani para que se reconozca oficialmente el sangriento conflicto y se les indemnice. Al no obtener respuesta alguna, deciden llevar sus reivindicaciones a Kinshasa y realizan el largo viaje por el río Congo.
Río abajo hacia Kinshasa
Director of Photography
Desde hace dos décadas, las víctimas de la Guerra de los Seis Días en la República Democrática del Congo luchan en Kisangani para que se reconozca oficialmente el sangriento conflicto y se les indemnice. Al no obtener respuesta alguna, deciden llevar sus reivindicaciones a Kinshasa y realizan el largo viaje por el río Congo.
Río abajo hacia Kinshasa
Director
Desde hace dos décadas, las víctimas de la Guerra de los Seis Días en la República Democrática del Congo luchan en Kisangani para que se reconozca oficialmente el sangriento conflicto y se les indemnice. Al no obtener respuesta alguna, deciden llevar sus reivindicaciones a Kinshasa y realizan el largo viaje por el río Congo.
Kinshasa Makambo
Producer
En enero de 2015, el Presidente de la República Democrática del Congo, Joseph Kabila, recurrió a una enmienda constitucional para poder ser elegido presidente por tercera vez. Esta película documenta las manifestaciones posteriores y sigue a tres personas de la resistencia.
Kinshasa Makambo
Writer
En enero de 2015, el Presidente de la República Democrática del Congo, Joseph Kabila, recurrió a una enmienda constitucional para poder ser elegido presidente por tercera vez. Esta película documenta las manifestaciones posteriores y sigue a tres personas de la resistencia.
Kinshasa Makambo
Director of Photography
En enero de 2015, el Presidente de la República Democrática del Congo, Joseph Kabila, recurrió a una enmienda constitucional para poder ser elegido presidente por tercera vez. Esta película documenta las manifestaciones posteriores y sigue a tres personas de la resistencia.
Kinshasa Makambo
Director
En enero de 2015, el Presidente de la República Democrática del Congo, Joseph Kabila, recurrió a una enmienda constitucional para poder ser elegido presidente por tercera vez. Esta película documenta las manifestaciones posteriores y sigue a tres personas de la resistencia.
Mama Colonel
Writer
Colonel Honorine Munyole is a robust forty-four-year-old widow and mother of seven young children – four of her own, three adopted. She wields her uniform, beret and black handbag like a protective shield, which her daily work desperately requires. More or less on her own, she runs a small police unit dedicated to protecting women who’ve been raped and children who’ve suffered abuse in the war-plagued regions of the Congo. At the start of Maman Colonelle, she’s transferred from Bukavu to Kisangani, arriving only to discover her future home and office in a desolate state. While she deals with such practical obstacles with suitable feistiness, the traumas and social deformities of the people around her have nightmarish dimensions: the envy surrounding those with state-recognised ‘victim’ status, hope for help from the ‘whites’, depression, helplessness.
Mama Colonel
Director
Colonel Honorine Munyole is a robust forty-four-year-old widow and mother of seven young children – four of her own, three adopted. She wields her uniform, beret and black handbag like a protective shield, which her daily work desperately requires. More or less on her own, she runs a small police unit dedicated to protecting women who’ve been raped and children who’ve suffered abuse in the war-plagued regions of the Congo. At the start of Maman Colonelle, she’s transferred from Bukavu to Kisangani, arriving only to discover her future home and office in a desolate state. While she deals with such practical obstacles with suitable feistiness, the traumas and social deformities of the people around her have nightmarish dimensions: the envy surrounding those with state-recognised ‘victim’ status, hope for help from the ‘whites’, depression, helplessness.
National Diploma
Director of Photography
In Kisangani, a group of high-school students who cannot afford to pay the teachers' "bonuses" organized themselves to prepare the State exam together.
National Diploma
Writer
In Kisangani, a group of high-school students who cannot afford to pay the teachers' "bonuses" organized themselves to prepare the State exam together.
National Diploma
Director
In Kisangani, a group of high-school students who cannot afford to pay the teachers' "bonuses" organized themselves to prepare the State exam together.
Atalaku
Writer
Documentary about elections in Congo.
Atalaku
Director
Documentary about elections in Congo.
Congo in Four Acts
Director
A quartet of powerful, hard-hitting short films that lay bare the disturbing reality of everyday life in the Democratic Republic of Congo.
Ladies in Waiting
Director
Taking in the wives of the unemployed, of unpaid government employees, the Kitambo maternity clinic in Kinshasa, Democratic Republic of Congo has to cope with its patients' lack of money. And negotiations are tough between the administration and the women. As long as the bill remains unsettled they are kept at the clinic, which only increases the cost of their stay. And here everything has a price, even a birth certificate. The women's protests against their poor accommodations or their claims that their husbands' pay is overdue can change nothing. The female administrator won't budge an inch. If you've no money, you stay put. "Hold me hostage instead of my wife," offers one man. A long suffering manager, herself at the mercy of the system, must negotiate collateral with them: a celebration dress, a pair of earrings, a suitcase, so they will return and pay in full.