Dieudo Hamadi
출생 : , Kisangani, Democratic Republic Of Congo
약력
Congolese filmmaker.
Producer
For two decades, the victims of the Six-Day War have been fighting in Kisangani for the recognition of this bloody conflict and demanding compensation. Tired of unsuccessful pleas, they have finally decided to voice their claims in Kinshasa, after a long journey on the Congo River.
Writer
For two decades, the victims of the Six-Day War have been fighting in Kisangani for the recognition of this bloody conflict and demanding compensation. Tired of unsuccessful pleas, they have finally decided to voice their claims in Kinshasa, after a long journey on the Congo River.
Director of Photography
For two decades, the victims of the Six-Day War have been fighting in Kisangani for the recognition of this bloody conflict and demanding compensation. Tired of unsuccessful pleas, they have finally decided to voice their claims in Kinshasa, after a long journey on the Congo River.
Director
For two decades, the victims of the Six-Day War have been fighting in Kisangani for the recognition of this bloody conflict and demanding compensation. Tired of unsuccessful pleas, they have finally decided to voice their claims in Kinshasa, after a long journey on the Congo River.
Producer
Christian, Ben and Jean-Marie are fighting for political change of power and free elections in their country, the Democratic Republic of the Congo. But the incumbent President refuses to relinquish power. How can the course of events be changed? Must they join forces with the historical opposition leader and his powerful party? Is dialogue still possible or must they resign themselves to a popular uprising and the risk of a blood bath?
Writer
Christian, Ben and Jean-Marie are fighting for political change of power and free elections in their country, the Democratic Republic of the Congo. But the incumbent President refuses to relinquish power. How can the course of events be changed? Must they join forces with the historical opposition leader and his powerful party? Is dialogue still possible or must they resign themselves to a popular uprising and the risk of a blood bath?
Director of Photography
Christian, Ben and Jean-Marie are fighting for political change of power and free elections in their country, the Democratic Republic of the Congo. But the incumbent President refuses to relinquish power. How can the course of events be changed? Must they join forces with the historical opposition leader and his powerful party? Is dialogue still possible or must they resign themselves to a popular uprising and the risk of a blood bath?
Director
Christian, Ben and Jean-Marie are fighting for political change of power and free elections in their country, the Democratic Republic of the Congo. But the incumbent President refuses to relinquish power. How can the course of events be changed? Must they join forces with the historical opposition leader and his powerful party? Is dialogue still possible or must they resign themselves to a popular uprising and the risk of a blood bath?
Writer
‘마마 콜로넬’로 더 잘 알려진 오노린 대령은 콩고경찰대 소속으로 아동 보호와 성폭력 근절을 위해 앞장서고 있다. 콩고 동부에 위치한 부카부에서 15년 넘게 일한 그녀는 어느 날 갑자기 키상가니로 발령이 나고, 그곳에서 새로운 도전에 직면한다. 여성이 매우 용감하고 집요하게 정의를 실현하기 위해 노력하는 모습을 담아낸 이 작품은 콩고민주공화국에서 자행되는 여성 및 아동에 대한 폭력 문제를 조명하고, 과거 내전의 상처를 극복하는 것이 얼마나 어려운 일인지 이야기한다.
Director
‘마마 콜로넬’로 더 잘 알려진 오노린 대령은 콩고경찰대 소속으로 아동 보호와 성폭력 근절을 위해 앞장서고 있다. 콩고 동부에 위치한 부카부에서 15년 넘게 일한 그녀는 어느 날 갑자기 키상가니로 발령이 나고, 그곳에서 새로운 도전에 직면한다. 여성이 매우 용감하고 집요하게 정의를 실현하기 위해 노력하는 모습을 담아낸 이 작품은 콩고민주공화국에서 자행되는 여성 및 아동에 대한 폭력 문제를 조명하고, 과거 내전의 상처를 극복하는 것이 얼마나 어려운 일인지 이야기한다.
Director of Photography
In Kisangani, a group of high-school students who cannot afford to pay the teachers' "bonuses" organized themselves to prepare the State exam together.
Writer
In Kisangani, a group of high-school students who cannot afford to pay the teachers' "bonuses" organized themselves to prepare the State exam together.
Director
In Kisangani, a group of high-school students who cannot afford to pay the teachers' "bonuses" organized themselves to prepare the State exam together.
Writer
Documentary about elections in Congo.
Director
Documentary about elections in Congo.
Director
A quartet of powerful, hard-hitting short films that lay bare the disturbing reality of everyday life in the Democratic Republic of Congo.
Director
Taking in the wives of the unemployed, of unpaid government employees, the Kitambo maternity clinic in Kinshasa, Democratic Republic of Congo has to cope with its patients' lack of money. And negotiations are tough between the administration and the women. As long as the bill remains unsettled they are kept at the clinic, which only increases the cost of their stay. And here everything has a price, even a birth certificate. The women's protests against their poor accommodations or their claims that their husbands' pay is overdue can change nothing. The female administrator won't budge an inch. If you've no money, you stay put. "Hold me hostage instead of my wife," offers one man. A long suffering manager, herself at the mercy of the system, must negotiate collateral with them: a celebration dress, a pair of earrings, a suitcase, so they will return and pay in full.