Dieudo Hamadi
Nascimento : , Kisangani, Democratic Republic Of Congo
História
Congolese filmmaker.
Producer
For two decades, the victims of the Six-Day War have been fighting in Kisangani for the recognition of this bloody conflict and demanding compensation. Tired of unsuccessful pleas, they have finally decided to voice their claims in Kinshasa, after a long journey on the Congo River.
Writer
For two decades, the victims of the Six-Day War have been fighting in Kisangani for the recognition of this bloody conflict and demanding compensation. Tired of unsuccessful pleas, they have finally decided to voice their claims in Kinshasa, after a long journey on the Congo River.
Director of Photography
For two decades, the victims of the Six-Day War have been fighting in Kisangani for the recognition of this bloody conflict and demanding compensation. Tired of unsuccessful pleas, they have finally decided to voice their claims in Kinshasa, after a long journey on the Congo River.
Director
For two decades, the victims of the Six-Day War have been fighting in Kisangani for the recognition of this bloody conflict and demanding compensation. Tired of unsuccessful pleas, they have finally decided to voice their claims in Kinshasa, after a long journey on the Congo River.
Producer
Centenas de jovens revolucionários vão até as ruas de Kinshasa quando Joseph Kabila, presidente do Congo, se recusa a abdicar do poder no final de seu segundo mandato. Os protestos são recebidos com violência, mas a batalha por eleições livres e pela democracia não pode ser reprimida.
Writer
Centenas de jovens revolucionários vão até as ruas de Kinshasa quando Joseph Kabila, presidente do Congo, se recusa a abdicar do poder no final de seu segundo mandato. Os protestos são recebidos com violência, mas a batalha por eleições livres e pela democracia não pode ser reprimida.
Director of Photography
Centenas de jovens revolucionários vão até as ruas de Kinshasa quando Joseph Kabila, presidente do Congo, se recusa a abdicar do poder no final de seu segundo mandato. Os protestos são recebidos com violência, mas a batalha por eleições livres e pela democracia não pode ser reprimida.
Director
Centenas de jovens revolucionários vão até as ruas de Kinshasa quando Joseph Kabila, presidente do Congo, se recusa a abdicar do poder no final de seu segundo mandato. Os protestos são recebidos com violência, mas a batalha por eleições livres e pela democracia não pode ser reprimida.
Writer
Colonel Honorine Munyole is a robust forty-four-year-old widow and mother of seven young children – four of her own, three adopted. She wields her uniform, beret and black handbag like a protective shield, which her daily work desperately requires. More or less on her own, she runs a small police unit dedicated to protecting women who’ve been raped and children who’ve suffered abuse in the war-plagued regions of the Congo. At the start of Maman Colonelle, she’s transferred from Bukavu to Kisangani, arriving only to discover her future home and office in a desolate state. While she deals with such practical obstacles with suitable feistiness, the traumas and social deformities of the people around her have nightmarish dimensions: the envy surrounding those with state-recognised ‘victim’ status, hope for help from the ‘whites’, depression, helplessness.
Director
Colonel Honorine Munyole is a robust forty-four-year-old widow and mother of seven young children – four of her own, three adopted. She wields her uniform, beret and black handbag like a protective shield, which her daily work desperately requires. More or less on her own, she runs a small police unit dedicated to protecting women who’ve been raped and children who’ve suffered abuse in the war-plagued regions of the Congo. At the start of Maman Colonelle, she’s transferred from Bukavu to Kisangani, arriving only to discover her future home and office in a desolate state. While she deals with such practical obstacles with suitable feistiness, the traumas and social deformities of the people around her have nightmarish dimensions: the envy surrounding those with state-recognised ‘victim’ status, hope for help from the ‘whites’, depression, helplessness.
Director of Photography
In Kisangani, a group of high-school students who cannot afford to pay the teachers' "bonuses" organized themselves to prepare the State exam together.
Writer
In Kisangani, a group of high-school students who cannot afford to pay the teachers' "bonuses" organized themselves to prepare the State exam together.
Director
In Kisangani, a group of high-school students who cannot afford to pay the teachers' "bonuses" organized themselves to prepare the State exam together.
Writer
Documentary about elections in Congo.
Director
Documentary about elections in Congo.
Director
A quartet of powerful, hard-hitting short films that lay bare the disturbing reality of everyday life in the Democratic Republic of Congo.
Director
Taking in the wives of the unemployed, of unpaid government employees, the Kitambo maternity clinic in Kinshasa, Democratic Republic of Congo has to cope with its patients' lack of money. And negotiations are tough between the administration and the women. As long as the bill remains unsettled they are kept at the clinic, which only increases the cost of their stay. And here everything has a price, even a birth certificate. The women's protests against their poor accommodations or their claims that their husbands' pay is overdue can change nothing. The female administrator won't budge an inch. If you've no money, you stay put. "Hold me hostage instead of my wife," offers one man. A long suffering manager, herself at the mercy of the system, must negotiate collateral with them: a celebration dress, a pair of earrings, a suitcase, so they will return and pay in full.