António-Pedro Vasconcelos

A digressive quest, through conversations with various people, about the need humanity has always had to tell stories about itself, about the power and enchantment of fiction.

A retrospective on the life and work of Portuguese director António-Pedro Vasconcelos.

Parque Mayer was the park off all the emotions and amusements in the 1930' s. Under the dictatorship of Oliveira Salazar and his police, many people came to have fun in its theaters attending the portuguese kind of play called 'revista'. A writer called Mario Pintor (paintor) is writing a play in which a new actress (Deolinda) will star as the main role, while an already famous actor named Eduardo tries to seduce this recent arrival.

Parque Mayer was the park off all the emotions and amusements in the 1930' s. Under the dictatorship of Oliveira Salazar and his police, many people came to have fun in its theaters attending the portuguese kind of play called 'revista'. A writer called Mario Pintor (paintor) is writing a play in which a new actress (Deolinda) will star as the main role, while an already famous actor named Eduardo tries to seduce this recent arrival.

Documentary short about the April’s Captains and the Carnation Revolution from the point of view of the MFA (Armed Forces Movement)- a coalition of Military officers – namely Captains and Majors – who banded together to overthrow the Authoritarian regime that ruled Portugal for over 40 years.

Feature documentary about ex-maverick filmmaker António de Macedo.

Cristina disappears. Tiago, her boyfriend, says that she was kidnapped, two police officers (Marco and Madalena) investigate the case and try to find the truth.

Cristina disappears. Tiago, her boyfriend, says that she was kidnapped, two police officers (Marco and Madalena) investigate the case and try to find the truth.

Jô is kicked out of home by his father on his birthday. Having no place to go, he takes refuge in the terrace of Rose, who just lost her husband.

Jô is kicked out of home by his father on his birthday. Having no place to go, he takes refuge in the terrace of Rose, who just lost her husband.

Jô is kicked out of home by his father on his birthday. Having no place to go, he takes refuge in the terrace of Rose, who just lost her husband.

A documentary about the world of portuguese cinema, with interviews with some critics and directors.

Telenovela star Mariana is on the verge of a nervous breakdown: shooting is not going smoothly, her popularity is waning, and she is forever being hounded by paparazzi. Frustrated, Mariana can't find out who is responsible for these invasions of her privacy. It is the feared 'Paparazzo' Gabriela Santos, who's real name is Juan. One day, Juan and Mariana meet by chance and fall in love. Now Juan must do everything he can to prevent Mariana from discovering his true identity.

Telenovela star Mariana is on the verge of a nervous breakdown: shooting is not going smoothly, her popularity is waning, and she is forever being hounded by paparazzi. Frustrated, Mariana can't find out who is responsible for these invasions of her privacy. It is the feared 'Paparazzo' Gabriela Santos, who's real name is Juan. One day, Juan and Mariana meet by chance and fall in love. Now Juan must do everything he can to prevent Mariana from discovering his true identity.

A powerful entrepreneur wants to build an exclusive resort hotel in Villanova, but he discovers the location he has in mind is protected by local land-use regulations. He hires Maria, a beautiful and elegant prostitute, to seduce the mayor, leaving him open to blackmail if he won't give the entrepreneur what he wants. Maria has no trouble twisting Meireles around her finger, but police detectives Madeira and Neves get wind of the plan and set out to expose the plot...

A powerful entrepreneur wants to build an exclusive resort hotel in Villanova, but he discovers the location he has in mind is protected by local land-use regulations. He hires Maria, a beautiful and elegant prostitute, to seduce the mayor, leaving him open to blackmail if he won't give the entrepreneur what he wants. Maria has no trouble twisting Meireles around her finger, but police detectives Madeira and Neves get wind of the plan and set out to expose the plot...

A powerful entrepreneur wants to build an exclusive resort hotel in Villanova, but he discovers the location he has in mind is protected by local land-use regulations. He hires Maria, a beautiful and elegant prostitute, to seduce the mayor, leaving him open to blackmail if he won't give the entrepreneur what he wants. Maria has no trouble twisting Meireles around her finger, but police detectives Madeira and Neves get wind of the plan and set out to expose the plot...

Every year, four ex-soldiers who call themselves "Os Imortais" ("The Immortals"), get together with four women to celebrate their war deeds and remember the old days, back in the war. On the summer of 1985, tired of their monotonous lives, they decide to rob a bank. Joaquim Malarranha, a chief inspector from the local police force who is about to retire, crosses their path and chooses to spend his last days of duty trying to solve the robbery. But as he carries on with his investigation, he discovers more than he could have ever imagined...

Every year, four ex-soldiers who call themselves "Os Imortais" ("The Immortals"), get together with four women to celebrate their war deeds and remember the old days, back in the war. On the summer of 1985, tired of their monotonous lives, they decide to rob a bank. Joaquim Malarranha, a chief inspector from the local police force who is about to retire, crosses their path and chooses to spend his last days of duty trying to solve the robbery. But as he carries on with his investigation, he discovers more than he could have ever imagined...

Every year, four ex-soldiers who call themselves "Os Imortais" ("The Immortals"), get together with four women to celebrate their war deeds and remember the old days, back in the war. On the summer of 1985, tired of their monotonous lives, they decide to rob a bank. Joaquim Malarranha, a chief inspector from the local police force who is about to retire, crosses their path and chooses to spend his last days of duty trying to solve the robbery. But as he carries on with his investigation, he discovers more than he could have ever imagined...

Jaime es un muchacho de 13 años que vive en Oporto con su madre, quien ha dejado a su padre, y el amante de ésta. El niño está haciendo todo lo posible para que sus padres arreglen sus problemas y vuelvan a estar juntos. Piensa que la separación fue causada por el robo de la motocicleta de su padre, lo que provocó que éste perdiera su trabajo. Por tanto, Jaime comienza a trabajar para conseguir dinero con la intención de comprar una nueva motocicleta.

Jaime es un muchacho de 13 años que vive en Oporto con su madre, quien ha dejado a su padre, y el amante de ésta. El niño está haciendo todo lo posible para que sus padres arreglen sus problemas y vuelvan a estar juntos. Piensa que la separación fue causada por el robo de la motocicleta de su padre, lo que provocó que éste perdiera su trabajo. Por tanto, Jaime comienza a trabajar para conseguir dinero con la intención de comprar una nueva motocicleta.

Jaime es un muchacho de 13 años que vive en Oporto con su madre, quien ha dejado a su padre, y el amante de ésta. El niño está haciendo todo lo posible para que sus padres arreglen sus problemas y vuelvan a estar juntos. Piensa que la separación fue causada por el robo de la motocicleta de su padre, lo que provocó que éste perdiera su trabajo. Por tanto, Jaime comienza a trabajar para conseguir dinero con la intención de comprar una nueva motocicleta.

At the end of the nineteenth century, an army force led by Major Mouzinho de Albuquerque, a cavalry officer, imprisoned in Mozambique the great regulative Governor Gungunhana, who had rebelled against Portuguese government and sovereignty

At the end of the nineteenth century, an army force led by Major Mouzinho de Albuquerque, a cavalry officer, imprisoned in Mozambique the great regulative Governor Gungunhana, who had rebelled against Portuguese government and sovereignty

Some time ago Gerardo knew another man of the same age called Berardo. When he said the name, Berardo expressed his oppinion violently, saying that the «G» was owed him and that Gerardo, since he owned it had somehow stolen something from him. Berardo then tries to get something back which soon goes beyond a baptismal name. Gerardo whitnesses this strange spectacle of himself as a place where, after Berardo, other people try to get something back, something that escapes them about themselves. Three women - Adália, Miranda and Virgínia - are whitnesses to this game

Abel, 47 years old, two wars - in the colonies and France, emigration - several scars from many battles lost, returns in a jump to Portugal, to his lost village in the northern interior, near the border, from where one day he'd be gone, also from a jump. A letter, from his brother Peter, warned him that everything changed. Even Teresa. Abel catches sight of his childhood in the village hills, the old tribe. From a distance everything seams to be in the same placesa, the old dog is all that remains of the past. In the village the Act of Passion will be performed and Teresa is one of the participants. Abel takes the old gestures and prepares his plan: eliminate one by one Teresa's suitors, to consummate during the act of the Passion, her death ...

Luís Medeiros, Azorean painter, meets two odd characters in an exhibit in Lisbon: Inês, a charming woman, and Ed, a sneaky man. The two reveal to have with them a precious document that might be threatening to Luís. He brings them back home but his serenity is over due to an unexpected chain of events.

A newspaper reporter comes across a man and woman arguing on the beach, and after obligingly driving the woman around when she seeks him out, he takes her back to discover that the man has been murdered. The woman takes off, but the reporter, after many twists and turns, runs into her on a train. They start a relationship, but he had better pay closer attention to how he got to know her in the first place.

A newspaper reporter comes across a man and woman arguing on the beach, and after obligingly driving the woman around when she seeks him out, he takes her back to discover that the man has been murdered. The woman takes off, but the reporter, after many twists and turns, runs into her on a train. They start a relationship, but he had better pay closer attention to how he got to know her in the first place.

The film was to be a documentary, but evolved during production to a fictional film. It nevertheless adheres strictly to the poems and letters exchanged by two of the most outstanding names of the Modernist Movement, Fernando Pessoa (in Lisbon) and Mário de Sá-Carneiro (in Paris). Their endless conversation was dramatically and suddenly terminated.

Narra la historia de amor del escritor Camilo Castelo Branco por Fanny Owen, una muchacha de origen inglés que, por su parte, se enamora de un compañero, amigo y rival del escritor, José Augusto.

A man exiled in Paris makes various trips to Portugal after the Carnation Revolution. Each trip is represented by a woman.

A man exiled in Paris makes various trips to Portugal after the Carnation Revolution. Each trip is represented by a woman.

A man exiled in Paris makes various trips to Portugal after the Carnation Revolution. Each trip is represented by a woman.

A story about doomed love between two people from different worlds and the impact in their lives.

Every year, especially in August, thousands of emigrants return to their villages from France, Germany and other countries of immigration. In 1975 these migrants are faced with popular festivities that are celebrated but, now, also with the political turmoil of the post 25 April. Before the revolution, coming back was only limited to those who left the country legally ...

A young girl, Benilde, so protected by her religious family that she seemingly knows nothing about procreation, insists that her mysterious pregnancy is a miracle; however, her distressed bourgeois family decides that Benilde has lost her mind.

Film directors with hand-held cameras went to the streets of Lisbon from April 25 to May 1, 1974, registering interviews and political events of the Portuguese "Carnations Revolution", as that period would be later known.

The Revolution also put an end to the colonial wars in Guinea Bissau, Mozambique and Angola. Vasconcelos recounts the absurdity of this bitter conflict. - Cinema du réel

The Revolution also put an end to the colonial wars in Guinea Bissau, Mozambique and Angola. Vasconcelos recounts the absurdity of this bitter conflict. - Cinema du réel

The Revolution also put an end to the colonial wars in Guinea Bissau, Mozambique and Angola. Vasconcelos recounts the absurdity of this bitter conflict. - Cinema du réel

The Revolution also put an end to the colonial wars in Guinea Bissau, Mozambique and Angola. Vasconcelos recounts the absurdity of this bitter conflict. - Cinema du réel

Artur is in Lisbon for his holidays, wonders aimlessly, and is picked up by Rui, a young man who is into marketing and advertising. Joana is in Lisbon for holidays, but also trying to escape from a mysterious, dark passion. Artur and Joana come together, find common roots in their rural background.

Artur is in Lisbon for his holidays, wonders aimlessly, and is picked up by Rui, a young man who is into marketing and advertising. Joana is in Lisbon for holidays, but also trying to escape from a mysterious, dark passion. Artur and Joana come together, find common roots in their rural background.

Artur is in Lisbon for his holidays, wonders aimlessly, and is picked up by Rui, a young man who is into marketing and advertising. Joana is in Lisbon for holidays, but also trying to escape from a mysterious, dark passion. Artur and Joana come together, find common roots in their rural background.

Retrato social típica de un país aislado y pobre, víctima de una ideología totalitaria. "Un universo parada y opresiva rural, roto por ausencias, desacuerdos o silencios, centrado en una pareja - Maria dos Prazeres, Álvaro Silvestre. Estado civil compromiso de relaciones, que se hizo añicos por el conflicto latente de pasiones, debilidades y deseos reprimidos ". Cit:. José de Matos-Cruz en Cais do mira, ed. Portuguesa Cinemateca, 1,999.