Writer
Мариу и Клаудиа переживают бракоразводный процесс, отмеченный спором об опеке над их двумя детьми. Мариу считает радость главным правилом воспитания, но из-за небрежности или невезения подвергает своих детей нестандартным ситуациям. Клаудиа же амбициозна и сосредоточена на своей работе... Дети живут поочередно с родителями. Разрыв происходит, когда Мариу не разрешают быть со своими детьми, а Клаудиа соглашается на работу в другой стране. С детской мудростью дети приведут родителей к переоценке своих убеждений...
Director
Мариу и Клаудиа переживают бракоразводный процесс, отмеченный спором об опеке над их двумя детьми. Мариу считает радость главным правилом воспитания, но из-за небрежности или невезения подвергает своих детей нестандартным ситуациям. Клаудиа же амбициозна и сосредоточена на своей работе... Дети живут поочередно с родителями. Разрыв происходит, когда Мариу не разрешают быть со своими детьми, а Клаудиа соглашается на работу в другой стране. С детской мудростью дети приведут родителей к переоценке своих убеждений...
A digressive quest, through conversations with various people, about the need humanity has always had to tell stories about itself, about the power and enchantment of fiction.
Self
A retrospective on the life and work of Portuguese director António-Pedro Vasconcelos.
Ministro
Лиссабон, 1933 год. Во время репетиции новой постановки в театре, в парке Майера, есть все: безответная любовь, маленькие личные драмы и постоянная борьба с цензурой и умная попытка обойти её. Но, прежде всего, Парк Майер скрывает тайны, способные разрушить сложившийся образ жизни, в то время, как новое государство начинает ужесточать свой режим, и свобода становится все более ограниченной.
Director
Лиссабон, 1933 год. Во время репетиции новой постановки в театре, в парке Майера, есть все: безответная любовь, маленькие личные драмы и постоянная борьба с цензурой и умная попытка обойти её. Но, прежде всего, Парк Майер скрывает тайны, способные разрушить сложившийся образ жизни, в то время, как новое государство начинает ужесточать свой режим, и свобода становится все более ограниченной.
Director
Documentary short about the April’s Captains and the Carnation Revolution from the point of view of the MFA (Armed Forces Movement)- a coalition of Military officers – namely Captains and Majors – who banded together to overthrow the Authoritarian regime that ruled Portugal for over 40 years.
self
Feature documentary about ex-maverick filmmaker António de Macedo.
Professor de Literatura
Кристина исчезает, Тьягу, ее парень, говорит, что она была похищена. Полицейские, Марку и Мадалена занимаются расследованием дела и пытаются найти истину
Director
Кристина исчезает, Тьягу, ее парень, говорит, что она была похищена. Полицейские, Марку и Мадалена занимаются расследованием дела и пытаются найти истину
Screenplay
Jô is kicked out of home by his father on his birthday. Having no place to go, he takes refuge in the terrace of Rose, who just lost her husband.
Director
Jô is kicked out of home by his father on his birthday. Having no place to go, he takes refuge in the terrace of Rose, who just lost her husband.
Editor
Jô is kicked out of home by his father on his birthday. Having no place to go, he takes refuge in the terrace of Rose, who just lost her husband.
Himself
A documentary about the world of portuguese cinema, with interviews with some critics and directors.
Himself
stage director
Telenovela star Mariana is on the verge of a nervous breakdown: shooting is not going smoothly, her popularity is waning, and she is forever being hounded by paparazzi. Frustrated, Mariana can't find out who is responsible for these invasions of her privacy. It is the feared 'Paparazzo' Gabriela Santos, who's real name is Juan. One day, Juan and Mariana meet by chance and fall in love. Now Juan must do everything he can to prevent Mariana from discovering his true identity.
Director
Telenovela star Mariana is on the verge of a nervous breakdown: shooting is not going smoothly, her popularity is waning, and she is forever being hounded by paparazzi. Frustrated, Mariana can't find out who is responsible for these invasions of her privacy. It is the feared 'Paparazzo' Gabriela Santos, who's real name is Juan. One day, Juan and Mariana meet by chance and fall in love. Now Juan must do everything he can to prevent Mariana from discovering his true identity.
Airplane Passenger (uncredited)
Сюжет закручен вокруг мэра небольшой деревушки в южной Португалии, отказывающего одобрить туристический проект. С приездом тысяч туристов весь старый уклад жизни в деревне был бы непременно нарушен. Для того, чтобы заставить мэра согласиться богатый бизнесмен, имеющий собственный интерес в деле, нанимает Марию. Мария должна соблазнить мэра Мейерелеса, и, шантажируя его, заставить поставить свою подпись. С первого взгляда Мейрелес влюбляется в Марию, и, как ни странно, не сопротивляется «соблазнению».
Screenplay
Сюжет закручен вокруг мэра небольшой деревушки в южной Португалии, отказывающего одобрить туристический проект. С приездом тысяч туристов весь старый уклад жизни в деревне был бы непременно нарушен. Для того, чтобы заставить мэра согласиться богатый бизнесмен, имеющий собственный интерес в деле, нанимает Марию. Мария должна соблазнить мэра Мейерелеса, и, шантажируя его, заставить поставить свою подпись. С первого взгляда Мейрелес влюбляется в Марию, и, как ни странно, не сопротивляется «соблазнению».
Director
Сюжет закручен вокруг мэра небольшой деревушки в южной Португалии, отказывающего одобрить туристический проект. С приездом тысяч туристов весь старый уклад жизни в деревне был бы непременно нарушен. Для того, чтобы заставить мэра согласиться богатый бизнесмен, имеющий собственный интерес в деле, нанимает Марию. Мария должна соблазнить мэра Мейерелеса, и, шантажируя его, заставить поставить свою подпись. С первого взгляда Мейрелес влюбляется в Марию, и, как ни странно, не сопротивляется «соблазнению».
Pianista
Every year, four ex-soldiers who call themselves "Os Imortais" ("The Immortals"), get together with four women to celebrate their war deeds and remember the old days, back in the war. On the summer of 1985, tired of their monotonous lives, they decide to rob a bank. Joaquim Malarranha, a chief inspector from the local police force who is about to retire, crosses their path and chooses to spend his last days of duty trying to solve the robbery. But as he carries on with his investigation, he discovers more than he could have ever imagined...
Screenplay
Every year, four ex-soldiers who call themselves "Os Imortais" ("The Immortals"), get together with four women to celebrate their war deeds and remember the old days, back in the war. On the summer of 1985, tired of their monotonous lives, they decide to rob a bank. Joaquim Malarranha, a chief inspector from the local police force who is about to retire, crosses their path and chooses to spend his last days of duty trying to solve the robbery. But as he carries on with his investigation, he discovers more than he could have ever imagined...
Director
Every year, four ex-soldiers who call themselves "Os Imortais" ("The Immortals"), get together with four women to celebrate their war deeds and remember the old days, back in the war. On the summer of 1985, tired of their monotonous lives, they decide to rob a bank. Joaquim Malarranha, a chief inspector from the local police force who is about to retire, crosses their path and chooses to spend his last days of duty trying to solve the robbery. But as he carries on with his investigation, he discovers more than he could have ever imagined...
Man Reading Financial Times
A woman takes her young son, leaves her husband and moves in with her lover. The boy, desperate to get his parents back together, becomes convinced that if only he can get his father's stolen motorcycle back everything will be fine again, so he sets out to get enough money to buy his father a new one.
Writer
A woman takes her young son, leaves her husband and moves in with her lover. The boy, desperate to get his parents back together, becomes convinced that if only he can get his father's stolen motorcycle back everything will be fine again, so he sets out to get enough money to buy his father a new one.
Director
A woman takes her young son, leaves her husband and moves in with her lover. The boy, desperate to get his parents back together, becomes convinced that if only he can get his father's stolen motorcycle back everything will be fine again, so he sets out to get enough money to buy his father a new one.
Writer
At the end of the nineteenth century, an army force led by Major Mouzinho de Albuquerque, a cavalry officer, imprisoned in Mozambique the great regulative Governor Gungunhana, who had rebelled against Portuguese government and sovereignty
Director
At the end of the nineteenth century, an army force led by Major Mouzinho de Albuquerque, a cavalry officer, imprisoned in Mozambique the great regulative Governor Gungunhana, who had rebelled against Portuguese government and sovereignty
Producer
Some time ago Gerardo knew another man of the same age called Berardo. When he said the name, Berardo expressed his oppinion violently, saying that the «G» was owed him and that Gerardo, since he owned it had somehow stolen something from him. Berardo then tries to get something back which soon goes beyond a baptismal name. Gerardo whitnesses this strange spectacle of himself as a place where, after Berardo, other people try to get something back, something that escapes them about themselves. Three women - Adália, Miranda and Virgínia - are whitnesses to this game
Writer
Abel, 47 years old, two wars - in the colonies and France, emigration - several scars from many battles lost, returns in a jump to Portugal, to his lost village in the northern interior, near the border, from where one day he'd be gone, also from a jump. A letter, from his brother Peter, warned him that everything changed. Even Teresa. Abel catches sight of his childhood in the village hills, the old tribe. From a distance everything seams to be in the same placesa, the old dog is all that remains of the past. In the village the Act of Passion will be performed and Teresa is one of the participants. Abel takes the old gestures and prepares his plan: eliminate one by one Teresa's suitors, to consummate during the act of the Passion, her death ...
Producer
Luís Medeiros, Azorean painter, meets two odd characters in an exhibit in Lisbon: Inês, a charming woman, and Ed, a sneaky man. The two reveal to have with them a precious document that might be threatening to Luís. He brings them back home but his serenity is over due to an unexpected chain of events.
Writer
A newspaper reporter comes across a man and woman arguing on the beach, and after obligingly driving the woman around when she seeks him out, he takes her back to discover that the man has been murdered. The woman takes off, but the reporter, after many twists and turns, runs into her on a train. They start a relationship, but he had better pay closer attention to how he got to know her in the first place.
Director
A newspaper reporter comes across a man and woman arguing on the beach, and after obligingly driving the woman around when she seeks him out, he takes her back to discover that the man has been murdered. The woman takes off, but the reporter, after many twists and turns, runs into her on a train. They start a relationship, but he had better pay closer attention to how he got to know her in the first place.
Executive Producer
The film was to be a documentary, but evolved during production to a fictional film. It nevertheless adheres strictly to the poems and letters exchanged by two of the most outstanding names of the Modernist Movement, Fernando Pessoa (in Lisbon) and Mário de Sá-Carneiro (in Paris). Their endless conversation was dramatically and suddenly terminated.
Executive Producer
The life of a young man, son of an English officer who lets himself become a prisoner of love resulting in fatalism and disgrace.
Narrator (uncredited)
A man exiled in Paris makes various trips to Portugal after the Carnation Revolution. Each trip is represented by a woman.
Screenplay
A man exiled in Paris makes various trips to Portugal after the Carnation Revolution. Each trip is represented by a woman.
Director
A man exiled in Paris makes various trips to Portugal after the Carnation Revolution. Each trip is represented by a woman.
Producer
A story about doomed love between two people from different worlds and the impact in their lives.
Director
Every year, especially in August, thousands of emigrants return to their villages from France, Germany and other countries of immigration. In 1975 these migrants are faced with popular festivities that are celebrated but, now, also with the political turmoil of the post 25 April. Before the revolution, coming back was only limited to those who left the country legally ...
Producer
A young girl, Benilde, so protected by her religious family that she seemingly knows nothing about procreation, insists that her mysterious pregnancy is a miracle; however, her distressed bourgeois family decides that Benilde has lost her mind.
Director
Film directors with hand-held cameras went to the streets of Lisbon from April 25 to May 1, 1974, registering interviews and political events of the Portuguese "Carnations Revolution", as that period would be later known.
Narrator
The Revolution also put an end to the colonial wars in Guinea Bissau, Mozambique and Angola. Vasconcelos recounts the absurdity of this bitter conflict. - Cinema du réel
Writer
The Revolution also put an end to the colonial wars in Guinea Bissau, Mozambique and Angola. Vasconcelos recounts the absurdity of this bitter conflict. - Cinema du réel
Editor
The Revolution also put an end to the colonial wars in Guinea Bissau, Mozambique and Angola. Vasconcelos recounts the absurdity of this bitter conflict. - Cinema du réel
Director
The Revolution also put an end to the colonial wars in Guinea Bissau, Mozambique and Angola. Vasconcelos recounts the absurdity of this bitter conflict. - Cinema du réel
Editor
Artur is in Lisbon for his holidays, wonders aimlessly, and is picked up by Rui, a young man who is into marketing and advertising. Joana is in Lisbon for holidays, but also trying to escape from a mysterious, dark passion. Artur and Joana come together, find common roots in their rural background.
Screenplay
Artur is in Lisbon for his holidays, wonders aimlessly, and is picked up by Rui, a young man who is into marketing and advertising. Joana is in Lisbon for holidays, but also trying to escape from a mysterious, dark passion. Artur and Joana come together, find common roots in their rural background.
Director
Artur is in Lisbon for his holidays, wonders aimlessly, and is picked up by Rui, a young man who is into marketing and advertising. Joana is in Lisbon for holidays, but also trying to escape from a mysterious, dark passion. Artur and Joana come together, find common roots in their rural background.
Camera Operator
This Portuguese drama examines the daily life minutiae and intrigues of two scions of society in the rural village where they live. One is a wealthy landowner, the other a widowed aristocrat who lives in a world of her own.
