Sandro Ghenzi

Películas

Death of a Friend
Producer
Two young people trickle, steal and exploit prostitutes.
Romeo y Julieta
Producer
Adaptación del clásico de William Shakespeare. La versión de Castellani es probablemente la mejor gracias, sobre todo, a la fidelidad al texto y al acierto de las localizaciones. Los escenarios veroneses, donde se supone que ocurrieron los hechos, son fotografiados admirablemente por Robert Krasker. En 1954 la película fue elegida como mejor film inglés por la British Academy Awards.
Dos centavos de esperanza
Producer
Antonio es el único sostén de su numerosa familia. Quiere casarse con Carmela, pero no tiene dinero y, para colmo, tiene que intentar reunir una dote para su hermana. En tales circunstancias, se verá obligado a trabajar en los más diversos oficios. Última parte de la trilogía neorrealista de comedias dramáticas italianas que Renato Castellani realizó tras la guerra (las otras dos son "È primavera..." y "Sotto il sole di Roma").
It's Forever Springtime
Producer
The second of Castellani's trilogy dealing with the less-than-smooth course of young love in postwar Italy (it was filmed just after Sotto il sole di Roma and just before Two Cents Worth of Hope). Leading man Mario Angelotti, loving not wisely but too well, quickly discovers that the penalty for bigamy is two wives. Between his tempestuous Sicilian bride, played by Elena Varzi and his sedate Milanese missus (Irene Gemma), the poor man barely has time to take a breath.
Under the Sun of Rome
Producer
A lovely, incisive portrait of adolescents in the crowded San Giovanni quarter of Rome during the last years of WWII.
Fatalità
Producer
Fatalità
Screenplay
Il cappello da prete
Producer
The baron of Santafusca, descended from a noble family, leads a dissipated life. To pay debts he is forced to sell his house. He tries to steal from the house of a very rich priest and, surprised during the theft, he kills the priest, and then throws the body in an abandoned well. He continues his life of revelries and luxury, until the remorse for the crime trigger a process of self-destruction. The nightmares of the baron, tormented by the only evidence left of the murder, the hat of the priest ,drags him into a daring and hallucinated series of ups and downs to the brink of insanity and jail.