Sandro Ghenzi

참여 작품

Death of a Friend
Producer
Two young people trickle, steal and exploit prostitutes.
로미오와 줄리엣
Producer
In Shakespeare's classic play, the Montagues and Capulets, two families of Renaissance Italy, have hated each other for years, but the son of one family and the daughter of the other fall desperately in love and secretly marry.
Two Cents Worth of Hope
Producer
The film is the third in director Castellani's "young love" trilogy (the first two being Sotto il sole di Roma (1948) and È primavera...(1950)). The story concerns the romance between Carmela (Fiore) and Antonio (Musolino). The ardor is one-sided at first, but Carmela is a determined young woman, willing to scale and conquer any obstacle in pursuing her heart's desire. Once he's "hooked," Antonio scurries from job to job to prove his financial viability. Faced with the hostility of their parents, Carmela and Antonio symbolically shed themselves of all responsibilities to others in a climactic act of stark-naked bravado.
It's Forever Springtime
Producer
The second of Castellani's trilogy dealing with the less-than-smooth course of young love in postwar Italy (it was filmed just after Sotto il sole di Roma and just before Two Cents Worth of Hope). Leading man Mario Angelotti, loving not wisely but too well, quickly discovers that the penalty for bigamy is two wives. Between his tempestuous Sicilian bride, played by Elena Varzi and his sedate Milanese missus (Irene Gemma), the poor man barely has time to take a breath.
Under the Sun of Rome
Producer
A lovely, incisive portrait of adolescents in the crowded San Giovanni quarter of Rome during the last years of WWII.
Fatalità
Producer
Fatalità
Screenplay
Il cappello da prete
Producer
The baron of Santafusca, descended from a noble family, leads a dissipated life. To pay debts he is forced to sell his house. He tries to steal from the house of a very rich priest and, surprised during the theft, he kills the priest, and then throws the body in an abandoned well. He continues his life of revelries and luxury, until the remorse for the crime trigger a process of self-destruction. The nightmares of the baron, tormented by the only evidence left of the murder, the hat of the priest ,drags him into a daring and hallucinated series of ups and downs to the brink of insanity and jail.