Masanobu Hayashi

Películas

Tokaido Fullhouse
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When Kanbe Nagakichi has his turf taken over by Ano-Toku, the father-in-law of his sworn brother Kira Nikichi sets in motion one of the most violent gang battles in Japanese history. Forced by the situation to choose between family and yakuza honor, Nikichi faces off against the vile combination of Ano-Toku and Kurokoma Katsuzo, villains so low as to ambush their foes using snipers. Nikichi, who owes allegiance to Boss Jirocho of Shimizu asks Jirocho to spare Ano-Toku’s life until events force a showdown between the 30 member Shimizu gang and a force of over 200 men fighting on Ano-Toku’s behalf. Meanwhile, a mysterious samurai may hold the key to deciding the outcome of this battle!
El rebelde
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En el año 1637, en Shimabara durante la era Tokugawa, los campesinos cristianos oprimidos se rebelan contra el Shogunato bajo el amparo del carismático líder Shiro Amakusa.
Miyamoto Musashi
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In this first episode, we are introduced to Takezo, what Musashi used to be before he became the man of legend. His beginning are not exactly auspicious. He sides with the Toyotomi at Sekigahara, and as a result finds himself on the losing side of the historic battle. He and his friend Matahachi manage to escape the slaughter although the latter is wounded in his leg. They stumble across the young Akemi who makes her living with her mother Oko by robbing corpses of their armor and anything else they can sell. Oko takes it into her head to seduce Matahachi, which she does first by skillfully sucking the gangrene from his blood, and then just by sucking.
Chikamatsu's Love in Osaka
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The adopted son of an Osaka courier falls in love with a prostitute and, discovering that she is about to be purchased by a client, steals money from his employer to redeem her. Hunted criminals, the two young lovers take flight to Yamato, but, as in Chikamatsu's other domestic tragedies of love and duty (known as sewamono), they must be pursued and their passion destroyed by death. Favourite Uchida themes, such as the indenturing of a prostitute (cf. YOSHIWARA; A BLOODY SPEAR AT MT. FUJI), and his characteristic emphasis on performance and theatrical artifice re-emerge here; but the daring device of having Chikamatsu appear as a character - not unlike having Shakespeare interpolated into a film adaptation of one of his plays - is just one of many surprises this remarkable film holds. “Extraordinary” (Donald Richie).
Una lanza ensangrentada en el Monte Fuji
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Road movie tragicómica ambientada durante el período Edo. La historia de un samurái, sus dos sirvientes, incluido el portador de lanzas Genpachi, y las diversas personas que conocen en su viaje, incluido un policía que persigue a un ladrón, un niño pequeño y una mujer que será vendida como prostituta.