Makeup Artist
When Kanbe Nagakichi has his turf taken over by Ano-Toku, the father-in-law of his sworn brother Kira Nikichi sets in motion one of the most violent gang battles in Japanese history. Forced by the situation to choose between family and yakuza honor, Nikichi faces off against the vile combination of Ano-Toku and Kurokoma Katsuzo, villains so low as to ambush their foes using snipers. Nikichi, who owes allegiance to Boss Jirocho of Shimizu asks Jirocho to spare Ano-Toku’s life until events force a showdown between the 30 member Shimizu gang and a force of over 200 men fighting on Ano-Toku’s behalf. Meanwhile, a mysterious samurai may hold the key to deciding the outcome of this battle!
Makeup Artist
In the year 1637 in Shimabara of Tokugawa-era Japan, oppressed peasant Christians revolt against the shogunate with the aid of a charismatic Christian rebel leader Shiro Amakusa.
Makeup Artist
In this first episode, we are introduced to Takezo, what Musashi used to be before he became the man of legend. His beginning are not exactly auspicious. He sides with the Toyotomi at Sekigahara, and as a result finds himself on the losing side of the historic battle. He and his friend Matahachi manage to escape the slaughter although the latter is wounded in his leg. They stumble across the young Akemi who makes her living with her mother Oko by robbing corpses of their armor and anything else they can sell. Oko takes it into her head to seduce Matahachi, which she does first by skillfully sucking the gangrene from his blood, and then just by sucking.
Makeup Artist
The adopted son of an Osaka courier falls in love with a prostitute and, discovering that she is about to be purchased by a client, steals money from his employer to redeem her. Hunted criminals, the two young lovers take flight to Yamato, but, as in Chikamatsu's other domestic tragedies of love and duty (known as sewamono), they must be pursued and their passion destroyed by death. Favourite Uchida themes, such as the indenturing of a prostitute (cf. YOSHIWARA; A BLOODY SPEAR AT MT. FUJI), and his characteristic emphasis on performance and theatrical artifice re-emerge here; but the daring device of having Chikamatsu appear as a character - not unlike having Shakespeare interpolated into a film adaptation of one of his plays - is just one of many surprises this remarkable film holds. “Extraordinary” (Donald Richie).
Makeup Artist
젊은 사무라이 고즈로는 하인 겐타와 곤파치를 데리고 귀중한 찻잔을 운반하는 중이다. 여정에서 만난 다양한 인간 군상과 예기치 못한 사건들을 통해 사람 사이의 정을 알게 되는 한편 사무라이계급의 위선에 분노하게 된 고즈로. 취중에 칼을 뽑아 소동을 벌이고 마는데...
