Masanobu Hayashi

Filmes

Tokaido Fullhouse
Makeup Artist
When Kanbe Nagakichi has his turf taken over by Ano-Toku, the father-in-law of his sworn brother Kira Nikichi sets in motion one of the most violent gang battles in Japanese history. Forced by the situation to choose between family and yakuza honor, Nikichi faces off against the vile combination of Ano-Toku and Kurokoma Katsuzo, villains so low as to ambush their foes using snipers. Nikichi, who owes allegiance to Boss Jirocho of Shimizu asks Jirocho to spare Ano-Toku’s life until events force a showdown between the 30 member Shimizu gang and a force of over 200 men fighting on Ano-Toku’s behalf. Meanwhile, a mysterious samurai may hold the key to deciding the outcome of this battle!
The Christian Revolt
Makeup Artist
In the year 1637 in Shimabara of Tokugawa-era Japan, oppressed peasant Christians revolt against the shogunate with the aid of a charismatic Christian rebel leader Shiro Amakusa.
Miyamoto Musashi 1: Zen and Sword
Makeup Artist
Depois de Takezo (Musashi) e seu amigo Matahachi acabarem no lado perdedor da batalha de Sekigahara, Matahachi decide começar uma nova vida com uma mulher mais velha. Quando Takezo retorna para casa para contar à noiva de Matahachi, Otsu, e mãe, Obaba, o que aconteceu, ele acaba sendo caçado como um fugitivo - e pendurado no topo de uma árvore por um enigmático monge.
Chikamatsu's Love in Osaka
Makeup Artist
The adopted son of an Osaka courier falls in love with a prostitute and, discovering that she is about to be purchased by a client, steals money from his employer to redeem her. Hunted criminals, the two young lovers take flight to Yamato, but, as in Chikamatsu's other domestic tragedies of love and duty (known as sewamono), they must be pursued and their passion destroyed by death. Favourite Uchida themes, such as the indenturing of a prostitute (cf. YOSHIWARA; A BLOODY SPEAR AT MT. FUJI), and his characteristic emphasis on performance and theatrical artifice re-emerge here; but the daring device of having Chikamatsu appear as a character - not unlike having Shakespeare interpolated into a film adaptation of one of his plays - is just one of many surprises this remarkable film holds. “Extraordinary” (Donald Richie).
A Lança Ensanguentada
Makeup Artist
No final do século XVIII, um jovem samurai beberrão viaja com seus dois servos pela estrada de Tokaido, rumo a Edo (atual Tóquio). Ao longo do caminho, são acompanhados por todo tipo de pessoas que fazem o mesmo trajeto: andarilhos, vendedores, artistas, camponeses, um menino órfão e também, segundo as autoridades, um ladrão de identidade desconhecida.