Phuttiphong Aroonpheng
Nacimiento : 1976-01-01, Bangkok, Thailandia
Screenplay
Jimmy, a 40-year-old former popstar turned engineer, is sent to the region of his childhood to supervise the renovation of an old hotel. Once settled, Jimmy finds out the once flamboyant hotel has become a ruin, a maze of narrow corridors and a relic of a bygone era, which still bears the scars of the American occupation. In the heart of this mysterious place, Jimmy will wander between dream and fantasy and retrace his family’s history.
Director
Jimmy, a 40-year-old former popstar turned engineer, is sent to the region of his childhood to supervise the renovation of an old hotel. Once settled, Jimmy finds out the once flamboyant hotel has become a ruin, a maze of narrow corridors and a relic of a bygone era, which still bears the scars of the American occupation. In the heart of this mysterious place, Jimmy will wander between dream and fantasy and retrace his family’s history.
Cinematography
Por un lado, la historia profundamente emotiva de una mujer y, por otro, la del trágico pasado de un país y la explotación de su gente.
Writer
Nobi (Wanlop Rungkumjad), un pescador que vive cerca de la costa de Tailandia, colecciona piedra del bosque para cazar rayas gigantes. Además de las raíces y ramas que yacen en el bosque, también se pueden encontrar cuerpos enterrados. El "mudo" (Aphisit Hama) es uno de esos cuerpos, excepto que cuando no le encuentra, éste está vivo, cubierto en mugre y herido. Nobi lo lleva a casa, le cuida y le da el nombre de Thongchai.
Director
Nobi (Wanlop Rungkumjad), un pescador que vive cerca de la costa de Tailandia, colecciona piedra del bosque para cazar rayas gigantes. Además de las raíces y ramas que yacen en el bosque, también se pueden encontrar cuerpos enterrados. El "mudo" (Aphisit Hama) es uno de esos cuerpos, excepto que cuando no le encuentra, éste está vivo, cubierto en mugre y herido. Nobi lo lleva a casa, le cuida y le da el nombre de Thongchai.
Self
The voice of the people is often neglected, as is sound in film, which the audience doesn’t care about. Two sound recordists are working on the final mix of a short film. Will their sound be heard by someone?
Film Crew in Editing Suite
Las vidas de un director de cine y su musa (que durante la década de los 70 fue una estudiante activista), una camarera que cambia constantemente de empleo, un actor y una actriz están sutilmente conectadas por hilos casi invisibles. El relato muda de piel varias veces para revelar, capa a capa, las complejidades que integran las vidas de estos personajes.
Director of Photography
Laila leaves Bangkok, besieged by law enforcement due to political and social unrest, and embarks on a road trip to the town of Pattani, in the far south of Thailand, along with her brother Sugood and Toi, a friend of his, to visit Sainab, the brothers' aunt, whom they barely know.
Director
A mother and son leave Myanmar in hopes for a better life in Thailand.
Director of Photography
A drama depicting life in different paths. As two men delve deep down in search for what could heal their pains, through the path of imagination, they see themselves in each other.
Director of Photography
Masterfully filmed, atmospheric moment. The period of mourning comes to an end at a temple-like funeral chapel. The final visitors are not mourners, but want to buy off their guilt. The mother wants to see a real confession. And money. The intense emotionality the death of a child evokes is, as it were, sculpted in space while the tension between the mother and the visitors is captured more subliminally by a roving camera.
Director
My mother dreamed that my late father came back home to see her. She strongly believes that it wasn't a dream.
Art Direction
Sequel to the surprise hit about a gay volleyball team having troubles with their success and fame, and how they reunite after they split because of creative differences.