Phuttiphong Aroonpheng

Jimmy, a 40-year-old former popstar turned engineer, is sent to the region of his childhood to supervise the renovation of an old hotel. Once settled, Jimmy finds out the once flamboyant hotel has become a ruin, a maze of narrow corridors and a relic of a bygone era, which still bears the scars of the American occupation. In the heart of this mysterious place, Jimmy will wander between dream and fantasy and retrace his family’s history.

Jimmy, a 40-year-old former popstar turned engineer, is sent to the region of his childhood to supervise the renovation of an old hotel. Once settled, Jimmy finds out the once flamboyant hotel has become a ruin, a maze of narrow corridors and a relic of a bygone era, which still bears the scars of the American occupation. In the heart of this mysterious place, Jimmy will wander between dream and fantasy and retrace his family’s history.

A spiritual time-shifting drama following a woman from her carefree 20s in 1960s rural Thailand to present-day Bangkok as an older army general's wife.

Недалеко от прибрежной деревушки в Таиланде, на берегу моря, где утонули тысячи беженцев-рохинджа, местный рыбак нашёл в лесу человека в бессознательном состоянии. Он спасает незнакомца, который не говорит ни слова, предлагает ему свою дружбу и даёт имя Тонгчай. Когда же рыбак пропадает без вести в море, Тонгчай начинает занимать его место в жизни, в доме, на работе и в сердце бывшей жены.

Недалеко от прибрежной деревушки в Таиланде, на берегу моря, где утонули тысячи беженцев-рохинджа, местный рыбак нашёл в лесу человека в бессознательном состоянии. Он спасает незнакомца, который не говорит ни слова, предлагает ему свою дружбу и даёт имя Тонгчай. Когда же рыбак пропадает без вести в море, Тонгчай начинает занимать его место в жизни, в доме, на работе и в сердце бывшей жены.

The voice of the people is often neglected, as is sound in film, which the audience doesn’t care about. Two sound recordists are working on the final mix of a short film. Will their sound be heard by someone?

A film director and her muse who was a student activist in the 1970s, a waitress who keeps changing jobs, an actor and an actress, all live loosely connected to each other by almost invisible threads. The narrative sheds its skin several times to reveal layer upon layer of the complexities that make up the characters’ lives.

Laila leaves Bangkok, besieged by law enforcement due to political and social unrest, and embarks on a road trip to the town of Pattani, in the far south of Thailand, along with her brother Sugood and Toi, a friend of his, to visit Sainab, the brothers' aunt, whom they barely know.

A mother and son leave Myanmar in hopes for a better life in Thailand.

A drama depicting life in different paths. As two men delve deep down in search for what could heal their pains, through the path of imagination, they see themselves in each other.

Masterfully filmed, atmospheric moment. The period of mourning comes to an end at a temple-like funeral chapel. The final visitors are not mourners, but want to buy off their guilt. The mother wants to see a real confession. And money. The intense emotionality the death of a child evokes is, as it were, sculpted in space while the tension between the mother and the visitors is captured more subliminally by a roving camera.

My mother dreamed that my late father came back home to see her. She strongly believes that it wasn't a dream.

Sequel to the surprise hit about a gay volleyball team having troubles with their success and fame, and how they reunite after they split because of creative differences.