Margaret Betts
Nacimiento : , New York, New York, USA
Historia
Margaret Betts is an American film director and writer. She's a graduate in English Literature from Princeton University, New Jersey, USA.
Director
Un abogado ayuda al propietario de una funeraria a salvar su negocio familiar de un gigante corporativo. En una estrategia para darle resonancia al caso, el abogado desentierra una compleja red de poder y opresión que obliga a todos a examinar sus prejuicios.
Executive Producer
A mediados de los años 60, la joven de 17 años Cathleen, criada por una madre soltera no religiosa en una zona rural de Tennessee, decide ser una sierva de Dios, pero durante su noviciado comienza a cuestionar su fe católica mientras recibe la formación para convertirse en monja.
Writer
A mediados de los años 60, la joven de 17 años Cathleen, criada por una madre soltera no religiosa en una zona rural de Tennessee, decide ser una sierva de Dios, pero durante su noviciado comienza a cuestionar su fe católica mientras recibe la formación para convertirse en monja.
Director
A mediados de los años 60, la joven de 17 años Cathleen, criada por una madre soltera no religiosa en una zona rural de Tennessee, decide ser una sierva de Dios, pero durante su noviciado comienza a cuestionar su fe católica mientras recibe la formación para convertirse en monja.
Producer
An elderly woman enters a Manhattan subway station only to find herself sitting on a bench beside an elderly man of roughly the same age. As they sit and wait for their train in silence, two complete strangers on a bench, what the audience soon learns that they themselves don't know, is that they once shared the happiest day of their lives, playing together as children. Yet it's now too far back for them to remember anymore, too far back for them to recognize each other anymore. The story then shifts back and forth between the breathtaking landscape of their unconscious', as Isabel Lucas and Oliver Ackland play more youthful representations of how they see themselves inside, and search for the memory they once shared.
Writer
An elderly woman enters a Manhattan subway station only to find herself sitting on a bench beside an elderly man of roughly the same age. As they sit and wait for their train in silence, two complete strangers on a bench, what the audience soon learns that they themselves don't know, is that they once shared the happiest day of their lives, playing together as children. Yet it's now too far back for them to remember anymore, too far back for them to recognize each other anymore. The story then shifts back and forth between the breathtaking landscape of their unconscious', as Isabel Lucas and Oliver Ackland play more youthful representations of how they see themselves inside, and search for the memory they once shared.
Director
An elderly woman enters a Manhattan subway station only to find herself sitting on a bench beside an elderly man of roughly the same age. As they sit and wait for their train in silence, two complete strangers on a bench, what the audience soon learns that they themselves don't know, is that they once shared the happiest day of their lives, playing together as children. Yet it's now too far back for them to remember anymore, too far back for them to recognize each other anymore. The story then shifts back and forth between the breathtaking landscape of their unconscious', as Isabel Lucas and Oliver Ackland play more youthful representations of how they see themselves inside, and search for the memory they once shared.
Director
Told through the eyes of an increasingly empowered heroine, THE CARRIER is a powerful and moving portrait of an unconventional family, set against the backdrop of the growing HIV/AIDS epidemic in Zambia. This lyrical film follows Mutinta Mweemba, a 28-year-old subsistence farmer living in a polygamous marriage. After learning she is HIV positive and pregnant, Mutinta sets out to keep her unborn child virus-free and break the cycle of transmission.
Mayor's Aide
Cuatro años antes, los Tiburones de Miami, dirigidos por el entrenador D'Amato, habían ganado dos campeonatos consecutivos, pero ahora sólo consiguen acumular derrotas. Además, el público escasea y los antiguos ídolos están en el ocaso de sus carreras, particularmente Jack "Cap" Rooney, que a sus 39 años se aferra desesperadamente a lo poco que le queda como jugador profesional. Por otra parte, son frecuentes los conflictos con Christina Pagniacci, la joven presidenta y propietaria del equipo. @fer__mero
