Margaret Betts

A lawyer helps a funeral home owner save his family business from a corporate behemoth. In a move to bring resonance to a dry case, the lawyer digs up a complex web of race, power, and oppression that forces everyone to examine prejudices.

In the early 1960s, during the Vatican II era, a young woman training to become a nun struggles with issues of faith, sexuality and the changing church.

In the early 1960s, during the Vatican II era, a young woman training to become a nun struggles with issues of faith, sexuality and the changing church.

In the early 1960s, during the Vatican II era, a young woman training to become a nun struggles with issues of faith, sexuality and the changing church.

An elderly woman enters a Manhattan subway station only to find herself sitting on a bench beside an elderly man of roughly the same age. As they sit and wait for their train in silence, two complete strangers on a bench, what the audience soon learns that they themselves don't know, is that they once shared the happiest day of their lives, playing together as children. Yet it's now too far back for them to remember anymore, too far back for them to recognize each other anymore. The story then shifts back and forth between the breathtaking landscape of their unconscious', as Isabel Lucas and Oliver Ackland play more youthful representations of how they see themselves inside, and search for the memory they once shared.

An elderly woman enters a Manhattan subway station only to find herself sitting on a bench beside an elderly man of roughly the same age. As they sit and wait for their train in silence, two complete strangers on a bench, what the audience soon learns that they themselves don't know, is that they once shared the happiest day of their lives, playing together as children. Yet it's now too far back for them to remember anymore, too far back for them to recognize each other anymore. The story then shifts back and forth between the breathtaking landscape of their unconscious', as Isabel Lucas and Oliver Ackland play more youthful representations of how they see themselves inside, and search for the memory they once shared.

An elderly woman enters a Manhattan subway station only to find herself sitting on a bench beside an elderly man of roughly the same age. As they sit and wait for their train in silence, two complete strangers on a bench, what the audience soon learns that they themselves don't know, is that they once shared the happiest day of their lives, playing together as children. Yet it's now too far back for them to remember anymore, too far back for them to recognize each other anymore. The story then shifts back and forth between the breathtaking landscape of their unconscious', as Isabel Lucas and Oliver Ackland play more youthful representations of how they see themselves inside, and search for the memory they once shared.

Told through the eyes of an increasingly empowered heroine, THE CARRIER is a powerful and moving portrait of an unconventional family, set against the backdrop of the growing HIV/AIDS epidemic in Zambia. This lyrical film follows Mutinta Mweemba, a 28-year-old subsistence farmer living in a polygamous marriage. After learning she is HIV positive and pregnant, Mutinta sets out to keep her unborn child virus-free and break the cycle of transmission.

亡父の後を継ぎ、アメフト・チームのオーナーとなったクリスティーナ。ビジネスにしか関心がない彼女は、熱血漢のヘッド・コーチ、トニーと衝突してばかりだが……。アメリカン・フットボールを題材に描いた感動のスポーツ映画。