Margaret Betts
Nascimento : , New York, New York, USA
História
Margaret Betts is an American film director and writer. She's a graduate in English Literature from Princeton University, New Jersey, USA.
Director
A lawyer helps a funeral home owner save his family business from a corporate behemoth. In a move to bring resonance to a dry case, the lawyer digs up a complex web of race, power, and oppression that forces everyone to examine prejudices.
Executive Producer
No início da década de 1960, à altura do Concílio Vaticano II, a jovem Cathleen decide se tornar freira, para espanto de sua mãe agnóstica. No convento, ela se vê em um ambiente dominado pela devoção e pelas estritas regras da madre superiora. Uma história de amadurecimento tendo como pano de fundo as radicais mudanças da igreja católica à época, o filme retrata um grupo de mulheres e suas autodescobertas de fé e de paixão para além da religião.
Writer
No início da década de 1960, à altura do Concílio Vaticano II, a jovem Cathleen decide se tornar freira, para espanto de sua mãe agnóstica. No convento, ela se vê em um ambiente dominado pela devoção e pelas estritas regras da madre superiora. Uma história de amadurecimento tendo como pano de fundo as radicais mudanças da igreja católica à época, o filme retrata um grupo de mulheres e suas autodescobertas de fé e de paixão para além da religião.
Director
No início da década de 1960, à altura do Concílio Vaticano II, a jovem Cathleen decide se tornar freira, para espanto de sua mãe agnóstica. No convento, ela se vê em um ambiente dominado pela devoção e pelas estritas regras da madre superiora. Uma história de amadurecimento tendo como pano de fundo as radicais mudanças da igreja católica à época, o filme retrata um grupo de mulheres e suas autodescobertas de fé e de paixão para além da religião.
Producer
An elderly woman enters a Manhattan subway station only to find herself sitting on a bench beside an elderly man of roughly the same age. As they sit and wait for their train in silence, two complete strangers on a bench, what the audience soon learns that they themselves don't know, is that they once shared the happiest day of their lives, playing together as children. Yet it's now too far back for them to remember anymore, too far back for them to recognize each other anymore. The story then shifts back and forth between the breathtaking landscape of their unconscious', as Isabel Lucas and Oliver Ackland play more youthful representations of how they see themselves inside, and search for the memory they once shared.
Writer
An elderly woman enters a Manhattan subway station only to find herself sitting on a bench beside an elderly man of roughly the same age. As they sit and wait for their train in silence, two complete strangers on a bench, what the audience soon learns that they themselves don't know, is that they once shared the happiest day of their lives, playing together as children. Yet it's now too far back for them to remember anymore, too far back for them to recognize each other anymore. The story then shifts back and forth between the breathtaking landscape of their unconscious', as Isabel Lucas and Oliver Ackland play more youthful representations of how they see themselves inside, and search for the memory they once shared.
Director
An elderly woman enters a Manhattan subway station only to find herself sitting on a bench beside an elderly man of roughly the same age. As they sit and wait for their train in silence, two complete strangers on a bench, what the audience soon learns that they themselves don't know, is that they once shared the happiest day of their lives, playing together as children. Yet it's now too far back for them to remember anymore, too far back for them to recognize each other anymore. The story then shifts back and forth between the breathtaking landscape of their unconscious', as Isabel Lucas and Oliver Ackland play more youthful representations of how they see themselves inside, and search for the memory they once shared.
Director
Told through the eyes of an increasingly empowered heroine, THE CARRIER is a powerful and moving portrait of an unconventional family, set against the backdrop of the growing HIV/AIDS epidemic in Zambia. This lyrical film follows Mutinta Mweemba, a 28-year-old subsistence farmer living in a polygamous marriage. After learning she is HIV positive and pregnant, Mutinta sets out to keep her unborn child virus-free and break the cycle of transmission.
Mayor's Aide
Um íntimo olhar sobre os bastidores do futebol americano, passando desde os jogadores até os treinadores, a mídia e os donos de times, que controlam o jogo como um grande negócio que lucra milhões de dólares todo ano.
