Rosalie Revoyre

Two brothers, Pierre and Vladimir, wonder if their Russian grandparents, Lily and Constantin, worked for the Soviet secret services in Paris during the 1930s and 1940s. Their research begins in Russia. After meetings and conversations, yellowish photos and vodka glasses, a lost world begins to emerge harassing the present.

Annie becomes pregnant. Since she doesn't want to keep the child, she meets a movement that performs illegal abortions. But, in the seventies, Annie will encounter allies and opponents along the way.

After 30 years of exile in Paris, Jana travels back to Vilnius. She wants to see again the lake that Paulius, her first love, called “Walden”.

Eighteen-year-old Victor loses his parents in a car accident three months before his baccalauréat. He is taken in by his godfather Michel, an enigmatic man who lives in the outbuilding of a chateau with his daughter Caroline, a young woman in her twenties.

Who remembers Pierre Céran? Nobody except Louis, his old friend, who is worried about not having any news. Especially since the last time he saw him, Pierre Céran was not well. Louis goes to look for him.

Cébé decides to return to Haiti to finally perform a ceremony she should have performed 24 years ago, following the death of her mother, a Vodou priestess. She hopes to put an end to the misfortunes that have befallen the family.

Daphné, embarazada de tres meses y de vacaciones en el campo, acoge como huésped a Maxime, primo de su pareja, François, que ha tenido que volver a París para cubrir a un compañero hospitalizado. Durante cuatro días, esperando el regreso de François, Daphné y Maxime se van conociendo y desarrollando cierta amistad, contándose sus respectivas experiencias sentimentales.

While he loses his clandestine work, and because he believes that Maroussia and him will no longer be able to love each other as well, Frank leaves to earn as much as she: twelve thousand, just what it takes to have a year before them. No more no less.

A Greek couple, Anna (Katia Goulioni) and Petros (Andreas Konstantinou), have recently moved to a small industrial town in Siberia. It’s a long process to adapt, especially for Anna, since Petros is quite occupied with his job. That will cause a conflict between them and inevitably the couple is distanced. Everything is escalated as for the past period there is no sexual intercourse between them. This slow-paced decay is intensified when an unexpected event occurs, changing everything between them. Balancing between trust and disbelief the haunting suspense evolves.

Al final de los años 50, en Châteauroux, Rachel, modesta oficinista, conoce a Philippe, brillante joven proveniente de una familia burguesa. De esta relación breve pero pasional nacerá una niña, Chantal. Philippe se niega a casarse fuera de su clase social. Rachel deberá criar a su hija ella sola. Poco importa, porque para ella Chantal es su mayor alegría, y es por ella que lucha por conseguir que, a falta de ser un padre presente, Philippe le de, al menos, a su hija su apellido. Una batalla que durará más de diez años y que acabará por quebrar las vidas de Rachel y de Chantal.

Jean is a fireman whose girl friend Albertine died of a horse accident shortly after having left him. He suffers a great pain because he had serious hopes of her coming back home. It’s a double punishment which he attempts to confess to his fellow firemen between two rescue urgencies. His grief and his doubts invade gently the fire station.

Etienne llega a París para estudiar cine en la Sorbona. Conoce a Mathias y Jean-Noël, quienes comparten su pasión por el cine. Pero a medida que pasan el año estudiando, deben enfrentar desafíos de amistad y amor, además de elegir sus batallas artísticas.

Una mañana Pierre deja a Paul. Conduciendo en su Alfa Romeo, atraviesa toda Francia, con sus llanuras, montañas, sin destino preciso. Pierre utiliza Grindr, una aplicación de su móvil que le localiza oportunidades de ligue. Pero Paul también recurre a ella para seguir a Pierre. Al cabo de cuatro días y cuatro noches de encuentros -sexuales o no-, ¿volverán Pierre y Paul a encontrarse?

A film casting in Paris. Young actresses (and actors) try to incarnate the Swiss writer and traveler Annemarie Schwarzenbach (1908-1942). In order to get the role of this emblematic and sulfurous figure of the late 30's, child of the 'lost generation', antifascist and gay, this actors play scenes of her life, try to assume poses of hers from photos, and talk about their own life through the prism of her fascinating and ambiguous personality. A portrait arises, singular and multiple, public biography and intimate memory, drawn up by the woman of the past as well as by the young generation of 2014. Slowly, a reconstituted and collective figure emerges and encounters an own fictitious life.

Neither a fiction nor a documentary, it is a film-dance. Not a narrative, but a journey through the Villeneuve area of Grenoble. No characters, but energies, encounters. The body of a dancer in the city. An essay of re-enchantment.