Rosalie Revoyre

피에르와 블라디미르 형제는 러시아인인 조부모님이 1930~40년대에 파리의 소련 공산당 정보국에서 일했는지 의문을 품고 러시아로 향한다. 모든 만남과 대화들, 노랗게 바래 버린 사진들과 보드카를 뒤로 한 채 이들은 과거를 마주하고, 잃어버린 세계는 되살아나 현재를 괴롭히게 된다.

Annie becomes pregnant. Since she doesn't want to keep the child, she meets a movement that performs illegal abortions. But, in the seventies, Annie will encounter allies and opponents along the way.

야나는 파리에서의 30년 망명 생활 후, 리투아니아 공화국의 수도이자 자신의 고향인 빌뉴스를 방문한다. 그녀는 숲으로 가려져 비교적 인적이 드물었으며, 그녀의 첫사랑이었던 파울리어스가 '월든'이라 명명했던 호수를 다시 보고 싶다. 희미한 기억에 의존해 호수를 찾아가는 여정은 그녀가 처음으로 느꼈던 사랑의 감정과 공산주의 몰락 전의 암시장 그리고 자유를 갈망했던 30년 전의 기억을 다시 되새기는 과정이 된다.

Eighteen-year-old Victor loses his parents in a car accident three months before his baccalauréat. He is taken in by his godfather Michel, an enigmatic man who lives in the outbuilding of a chateau with his daughter Caroline, a young woman in her twenties.

Who remembers Pierre Céran? Nobody except Louis, his old friend, who is worried about not having any news. Especially since the last time he saw him, Pierre Céran was not well. Louis goes to look for him.

Cébé decides to return to Haiti to finally perform a ceremony she should have performed 24 years ago, following the death of her mother, a Vodou priestess. She hopes to put an end to the misfortunes that have befallen the family.

임신 삼 개월 차인 다프네는 시골 별장에서 남편 프랑소와와 여름 휴가 중이다. 남편이 출장을 간 사이, 그녀는 생면부지인 남편의 친척 막심을 별장에 홀로 맞이한다. 둘은 각자 지나간 연애사와 현재 진행형인 연애를 서로에게 털어놓으며 점차 가까워진다.

While he loses his clandestine work, and because he believes that Maroussia and him will no longer be able to love each other as well, Frank leaves to earn as much as she: twelve thousand, just what it takes to have a year before them. No more no less.

A Greek couple, Anna (Katia Goulioni) and Petros (Andreas Konstantinou), have recently moved to a small industrial town in Siberia. It’s a long process to adapt, especially for Anna, since Petros is quite occupied with his job. That will cause a conflict between them and inevitably the couple is distanced. Everything is escalated as for the past period there is no sexual intercourse between them. This slow-paced decay is intensified when an unexpected event occurs, changing everything between them. Balancing between trust and disbelief the haunting suspense evolves.

Scene #1. 필연적 만남 - 여자와 남자. 단번에 빠져들어 뜨겁게 타오르다. “우리 사랑은 필연적인 만남이야” Scene #2. 예정된 이별 - 남자가 떠난 후, 여자는 임신을 알게 된다. “아이가 생겼다고 달라지는 건 없어” Scene #3. 잘못된 재회 - 다시 찾아온 남자. 모녀의 인생이 흔들린다. “엄마, 왜 아빠를 사랑했어?”

Jean is a fireman whose girl friend Albertine died of a horse accident shortly after having left him. He suffers a great pain because he had serious hopes of her coming back home. It’s a double punishment which he attempts to confess to his fellow firemen between two rescue urgencies. His grief and his doubts invade gently the fire station.

파리 8대학에 입학한 에티엔은 마티아스와 장 노엘을 마난다. 20대의 젊은 그들은 함께 영화를 보고, 영화에 대한 열정을 토로하며, 때로는 논쟁을 벌이기도 한다. 프랑스 파리를 무대로 파리지엥과 파리지엔의 에술적 도전, 그리고 우정과 사랑이 펼쳐진다.

A man leaves everything behind to travel aimlessly through France, letting himself be guided only by the people and landscapes he encounters: four days and four nights of wandering, during which his lover tries to locate him via Grindr, a smartphone dating app.

A film casting in Paris. Young actresses (and actors) try to incarnate the Swiss writer and traveler Annemarie Schwarzenbach (1908-1942). In order to get the role of this emblematic and sulfurous figure of the late 30's, child of the 'lost generation', antifascist and gay, this actors play scenes of her life, try to assume poses of hers from photos, and talk about their own life through the prism of her fascinating and ambiguous personality. A portrait arises, singular and multiple, public biography and intimate memory, drawn up by the woman of the past as well as by the young generation of 2014. Slowly, a reconstituted and collective figure emerges and encounters an own fictitious life.

Neither a fiction nor a documentary, it is a film-dance. Not a narrative, but a journey through the Villeneuve area of Grenoble. No characters, but energies, encounters. The body of a dancer in the city. An essay of re-enchantment.