Rosalie Revoyre

Два брата, Пьер и Владимир, решили выяснить, работали ли их русские бабушка и дедушка, Лиля и Константин, на советские секретные службы в Париже в 1930-х и 1940-х годах. Для этого они едут в Россию. За всеми встречами и словами, пожелтевшими фотографиями и несколькими рюмками водки потерянный мир возникает вновь и преследует настоящее.

Annie becomes pregnant. Since she doesn't want to keep the child, she meets a movement that performs illegal abortions. But, in the seventies, Annie will encounter allies and opponents along the way.

After 30 years of exile in Paris, Jana travels back to Vilnius. She wants to see again the lake that Paulius, her first love, called “Walden”.

Eighteen-year-old Victor loses his parents in a car accident three months before his baccalauréat. He is taken in by his godfather Michel, an enigmatic man who lives in the outbuilding of a chateau with his daughter Caroline, a young woman in her twenties.

Who remembers Pierre Céran? Nobody except Louis, his old friend, who is worried about not having any news. Especially since the last time he saw him, Pierre Céran was not well. Louis goes to look for him.

Cébé decides to return to Haiti to finally perform a ceremony she should have performed 24 years ago, following the death of her mother, a Vodou priestess. She hopes to put an end to the misfortunes that have befallen the family.

Беременная Дафна проводит отпуск в деревне и ждёт, когда к ней присоединится её парень Франсуа. Девушка знакомится с Максимом, двоюродным братом Франсуа, и постепенно их доверительные отношения перерастают в роман.

Франка прогоняют из автомастерской, в которой он работал нелегально. Ему приходится оставить жизнь со своей девушкой Марусей и найти новую работу вдали от дома. Франк и Маруся договариваются о том, что он должен заработать 12 000 евро перед тем, как вернуться обратно. Сможет ли Франк заработать такую сумму? И вернётся ли он с такими деньгами просто так?

A Greek couple, Anna (Katia Goulioni) and Petros (Andreas Konstantinou), have recently moved to a small industrial town in Siberia. It’s a long process to adapt, especially for Anna, since Petros is quite occupied with his job. That will cause a conflict between them and inevitably the couple is distanced. Everything is escalated as for the past period there is no sexual intercourse between them. This slow-paced decay is intensified when an unexpected event occurs, changing everything between them. Balancing between trust and disbelief the haunting suspense evolves.

Рашель — скромная работница из офиса. Неожиданно она встречает Филиппа, молодого человека из богатой и влиятельной семьи. Страсть, которая вспыхивает между героями, приводит к тому, что у них рождается дочь Шанталь. Но Филипп, несмотря на то, что у него теперь есть ребёнок, не желает жениться на девушке, стоящей на более низком уровне социальной лестницы, чем он.

Jean is a fireman whose girl friend Albertine died of a horse accident shortly after having left him. He suffers a great pain because he had serious hopes of her coming back home. It’s a double punishment which he attempts to confess to his fellow firemen between two rescue urgencies. His grief and his doubts invade gently the fire station.

Etienne comes to Paris to study filmmaking at the Sorbonne. He meets Mathias and Jean-Noël who share his passion for films. But as they spend the year studying, they have to face friendship and love challenges as well as choosing their artistic battles.

A man leaves everything behind to travel aimlessly through France, letting himself be guided only by the people and landscapes he encounters: four days and four nights of wandering, during which his lover tries to locate him via Grindr, a smartphone dating app.

A film casting in Paris. Young actresses (and actors) try to incarnate the Swiss writer and traveler Annemarie Schwarzenbach (1908-1942). In order to get the role of this emblematic and sulfurous figure of the late 30's, child of the 'lost generation', antifascist and gay, this actors play scenes of her life, try to assume poses of hers from photos, and talk about their own life through the prism of her fascinating and ambiguous personality. A portrait arises, singular and multiple, public biography and intimate memory, drawn up by the woman of the past as well as by the young generation of 2014. Slowly, a reconstituted and collective figure emerges and encounters an own fictitious life.

Neither a fiction nor a documentary, it is a film-dance. Not a narrative, but a journey through the Villeneuve area of Grenoble. No characters, but energies, encounters. The body of a dancer in the city. An essay of re-enchantment.