Tarane Alidousti

Tarane Alidousti

Nacimiento : 1984-01-12, Tehran, Iran

Historia

Tarane Alidousti is an Iranian actress of theatre and cinema and also a translator who was born in 1984 in Tehran, Iran. She has been featured for the first time in the movie "I'm Taraneh, 15" by Rassoul Sadr Ameli, and this movie can be considered as a turning point in her career. She won the Crystal Simorgh Award for Best First Role Actress from Fajr Festival for this movie. Her other cinematic works include "Caanan" by Mani Haghighi, "Beautiful City" by Asghar Farhadi, "At The End of the 8th Street" by Alireza Amini, and "Seller" by Asghar Farhadi. She also played for the first time in front of Hassan Fathi's camera, in the "Shahrzad" series.

Perfil

Tarane Alidousti
Tarane Alidousti
Tarane Alidousti
Tarane Alidousti
Tarane Alidousti

Películas

Subtraction
After a confusing interaction in downtown Tehran, a married couple seems to have found their doppelgängers.
Leila's Brothers
Leila
At 40 years old, Leila has spent her whole life taking care of her parents and her four brothers. The family argues constantly and is crushed by debts, in a country caught in the grip of international economic sanctions. As her brothers are trying to make ends meet, Leila formulates a plan: to start a family business that would save them for poverty. While they are in desperate need of financial support, Leila finds out that their father Esmail has secretly been hiding a family heirloom. He had been saving it as an offering to become the new Patriarch of the clan, the highest honor in the Persian tradition. This uncovering will bring chaos to the already fragile family dynamics. As the father's health deteriorates, the actions of each family member will gradually lead the family one step closer to implosion.
Hamid's Symphony
A Film By Jafar Sadeghi
Shahrzad
Shahrzad
in mention of documentary of Shahrzad , she having no choice because " BozorgAgha - Divan Salar " Order her to marry with Ghobad , and she don't like him ( Ghobad ) because she still thinking about her former lover " Farhad " .
El viajante
Rana Etesami
Emad y Rana deben dejar su piso en el centro de Teherán a causa de los trabajos que se están efectuando y que amenazan el edificio. Se instalan en otro lugar, pero un incidente relacionado con el anterior inquilino cambiará dramáticamente la vida de la joven pareja.
Absolute Rest
Samira
A divorced woman leaves Damghan with her child to live and work in Tehran but her ex-husband does everything in his capability to force her to go back.
Atomic Heart Mother
Arine
On their way back from a wild party, Arine and Nobahar cause a car accident. A mysterious stranger by the name of Toofan offers to cover the costs. This won't be the last time they'll cross his path over the course of the night.
Shallow Yellow Sky
Ghazal suffers her parent's recent death. She was in the car when the accident happened. Now her fiance is the only one left for her, but he can't trust Ghazal's mental health.
Modest Reception
Leyla
This twisted Iranian narrative follows a mysterious couple from Tehran as they distribute large bags of money in an impoverished mountain border town. Beginning as a black comedy, the film's mood transforms as the games played by Kaveh (director Mani Haghighi) and Leyla (Taraneh Alidoosti) become increasingly perverse, as they find inventive ways of humiliating the recipients of the cash. The immorality of the central characters is at times sickening, and their chain of lies is often as puzzling to us as they are to the townsfolk depicted onscreen. What is the relationship between the pair and why are they giving away money to the needy? Modest Reception has no easy answers nor pat resolutions - instead Haghighi takes the viewer on an intriguing ride into the dark recesses of the human spirit.
Wedlock
The renovation of a rambling family homestead becomes a metaphor for an unexpected assault on traditional family values when a newly married twenty-something brings her architect husband to draw up the plans for her aunt and uncle’s rehab job.
At the End of 8th Street
Niloufar
Niloufar (Taraneh Alidoosti) lives with her family. After an incident happened, her family exposed to a deep trouble: they have to provide a large amount of money to save a family member's life while they have only three days ...
Whatever God Wants
Vandad is notice about his father's death so he comes to Kish. In the same time Parmida is noticed about her mother death so she comes to Kish, too. But they understand that they are in the same boat.
Life with Closed Eyes
Parastoo
A propósito de Elly
Elly
Ahmad, un iraní que vive en Alemania desde hace años, regresa de vacaciones a su país natal. Sus amigos de la Universidad celebran su llegada con una excursión de tres días en el mar Caspio. Su amiga Sepideh, que sabe que acaba de divorciarse de una alemana, invita a Elly, la maestra de su hija. Al día siguiente, Elly desaparece sin dejar rastro, y todos culpan a Sepideh por haberla invitado. Poco a poco, la verdad sobre Elly acaba por salir a la luz. Seleccionada por Irán como candidata al Oscar 2010 en la categoría de película de habla no inglesa.
Doubt
Mahtab
En 1964, en una parroquia del Bronx, un apasionado y carismático sacerdote, el padre Flynn (Seymour Hoffman) intenta cambiar las rígidas normas del colegio, que durante años han sido celosamente salvaguardadas por la hermana Aloysius Beauvier (Meryl Streep), una estricta directora que cree firmemente en el poder de la disciplina. Soplan vientos de cambio político; prueba de ello es que el colegio ha aceptado al primer alumno negro, Donald Miller. Pero cuando la hermana James (Amy Adams) le cuenta inocentemente a la hermana Aloysius que parece que el padre Flynn presta demasiada atención a Donald, la superiora, sin contar con una sola prueba, comienza una cruzada personal para sacar a la luz la verdad y expulsar a Flynn del colegio por abusar del alumno. Esta batalla amenaza con desgarrar la comunidad de manera irreversible. Basada en una obra ganadora del Premio Pulitzter y de un Premio Toni en su adaptación teatral. (FILMAFFINITY)
Canaan
Mina
Mina ha decidido abandonar a su marido Morteza después de diez años de matrimonio. El próximo lunes será la fecha del divorcio, lo que significa el primer paso hacia su meta, la inmigración. Sin embargo, la llegada de su hermana mayor, Azar, junto con la enfermedad de su suegra está causándole problemas. Para su sorpresa, se entera de que está embarazada.
Shirin
Woman in audience
La película muestra a las espectadoras (todas mujeres) de una sala de cine que están viendo una película basada en un cuento persa, cuya protagonista, la heroína Shirin, ha huido de un harén y viaja en busca del amor. (FILMAFFINITY)
A cada uno su cine (Chacun son cinéma)
Reunión de 33 cortometrajes de unos tres minutos cada uno realizados por 35 directores con motivo del 60 aniversario del Festival de Cannes.
Fireworks wednesday
Roohi
Tres días antes del Año Nuevo iraní, Rouhi es contratada como criada por Morteza y Mojdeh, un matrimonio que vive con su hijo. Mojdeh sospecha que su marido le es infiel. Rouhi observa las relaciones y circunstancias que rodean la vida de esa familia durante el "Miércoles de Fuegos".
Jamshid and Khorshid
Khorshid
Prince Jamshid dreamed that he would fall in love with an unknown girl with marvelous beauty, but he couldn't find her in his country. A painter merchant informed him that his dream girl was the daughter of the Caesar of Rome.
Beautiful city
Firoozeh
Tras haber cometido un asesinato y ser condenado a muerte, Akbar ha pasado dos años en un centro de rehabilitación. Recién cumplidos los dieciocho, sólo le queda esperar el día de su ejecución; pero un amigo suyo hará todo lo posible por evitar su ejecución.
Man, Taraneh, panzdah sal daram
Taraneh
Taraneh es una niña iraní modelo de 15 años, estudiosa y filial, que apoya a su abuela enferma con un trabajo en una tienda de fotografía y visita a su padre (quien ha sido encarcelado por razones que nunca se aclararon en la película) con regalos de cigarrillos y revistas. Pero cuando Amir, un joven de una familia acomodada, mira a Taraneh y la corteja con una intensidad que bordea el acecho, su vida bien ordenada se convierte en un caos.