Tarane Alidousti
Nascimento : 1984-01-12, Tehran, Iran
História
Tarane Alidousti is an Iranian actress of theatre and cinema and also a translator who was born in 1984 in Tehran, Iran. She has been featured for the first time in the movie "I'm Taraneh, 15" by Rassoul Sadr Ameli, and this movie can be considered as a turning point in her career. She won the Crystal Simorgh Award for Best First Role Actress from Fajr Festival for this movie. Her other cinematic works include "Caanan" by Mani Haghighi, "Beautiful City" by Asghar Farhadi, "At The End of the 8th Street" by Alireza Amini, and "Seller" by Asghar Farhadi. She also played for the first time in front of Hassan Fathi's camera, in the "Shahrzad" series.
After a confusing interaction in downtown Tehran, a married couple seems to have found their doppelgängers.
Leila
At 40 years old, Leila has spent her whole life taking care of her parents and her four brothers. The family argues constantly and is crushed by debts, in a country caught in the grip of international economic sanctions. As her brothers are trying to make ends meet, Leila formulates a plan: to start a family business that would save them for poverty. While they are in desperate need of financial support, Leila finds out that their father Esmail has secretly been hiding a family heirloom. He had been saving it as an offering to become the new Patriarch of the clan, the highest honor in the Persian tradition. This uncovering will bring chaos to the already fragile family dynamics. As the father's health deteriorates, the actions of each family member will gradually lead the family one step closer to implosion.
A Film By Jafar Sadeghi
Shahrzad
in mention of documentary of Shahrzad , she having no choice because " BozorgAgha - Divan Salar " Order her to marry with Ghobad , and she don't like him ( Ghobad ) because she still thinking about her former lover " Farhad " .
Rana Etesami
Emad e Rana são casados e encenam a montagem da peça teatral "A Morte de um Caixeiro Viajante", de Arthur Miller. Um dia, eles são surpreendidos com o alerta para que eles e todos os moradores do prédio em que vivem deixem o local imediatamente. O problema é que, devido a uma obra próxima, todo o prédio corre o risco de desabamento. Diante deste problema, Emad e Rana passam a morar, provisoriamente, em um apartamento emprestado. É lá que Rana é surpreendida com a entrada de um estranho no banheiro, justamente quando está tomando banho. O susto faz com que ela se machuque seriamente e vá parar no hospital. Entretanto, é o trauma do ocorrido que afeta, cada vez mais, suas vidas.
Samira
A divorced woman leaves Damghan with her child to live and work in Tehran but her ex-husband does everything in his capability to force her to go back.
Arine
On their way back from a wild party, Arine and Nobahar cause a car accident. A mysterious stranger by the name of Toofan offers to cover the costs. This won't be the last time they'll cross his path over the course of the night.
Ghazal suffers her parent's recent death. She was in the car when the accident happened. Now her fiance is the only one left for her, but he can't trust Ghazal's mental health.
Leyla
This twisted Iranian narrative follows a mysterious couple from Tehran as they distribute large bags of money in an impoverished mountain border town. Beginning as a black comedy, the film's mood transforms as the games played by Kaveh (director Mani Haghighi) and Leyla (Taraneh Alidoosti) become increasingly perverse, as they find inventive ways of humiliating the recipients of the cash. The immorality of the central characters is at times sickening, and their chain of lies is often as puzzling to us as they are to the townsfolk depicted onscreen. What is the relationship between the pair and why are they giving away money to the needy? Modest Reception has no easy answers nor pat resolutions - instead Haghighi takes the viewer on an intriguing ride into the dark recesses of the human spirit.
The renovation of a rambling family homestead becomes a metaphor for an unexpected assault on traditional family values when a newly married twenty-something brings her architect husband to draw up the plans for her aunt and uncle’s rehab job.
Niloufar
Niloufar (Taraneh Alidoosti) lives with her family. After an incident happened, her family exposed to a deep trouble: they have to provide a large amount of money to save a family member's life while they have only three days ...
Vandad is notice about his father's death so he comes to Kish. In the same time Parmida is noticed about her mother death so she comes to Kish, too. But they understand that they are in the same boat.
Parastoo
Elly
Após passar anos na Alemanha, Ahmad (Shahab Hosseini) volta ao Irã e seus amigos organizam três dias de comemoração. Sem que o resto do grupo saiba, Sepideh (Golshifteh Farahani) convida para a festa a jovem Elly (Taraneh Alidoosti), professora de sua filha. Ahmad, que acabou de se separar da namorada alemã e gostaria de começar uma nova vida com uma iraniana, vê em Elly a mulher perfeita. No dia seguinte, no entanto, ela desaparece misteriosamente. O clima entre os amigos torna-se amargo e tenso e eles iniciam uma pequena investigação para descobrir o paradeiro da moça.
Mahtab
Mina
Mina has decided to leave her older husband Morteza after ten years of marriage. Next Monday will be her divorce date, which means her first step towards her goal; immigration. However, the arrival of her older sister, Azar, together with the illness of her mother in law is causing her trouble. To her surprise, meanwhile, she finds out she is pregnant.
Woman in audience
A hundred and fourteen famous Iranian theater and cinema actresses and a French star: mute spectators at a theatrical representation of Khosrow and Shirin, a Persian poem from the twelfth century, put on stage by Kiarostami. The development of the text -- long a favorite in Persia and the Middle East -- remains invisible to the viewer of the film, the whole story is told by the faces of the women watching the show.
A collective film of 33 shorts directed by different directors about their feeling about cinema.
Roohi
A última quarta-feira antes do solstício de primavera abre o Ano Novo Persa, as pessoas soltam fogos de artifício seguindo uma tradição zoroastriana antiga. Rouhi, passando seu primeiro dia no novo emprego, se vê no meio de um tipo diferente de fogos de artifício - uma disputa doméstica entre seu novo chefe e a esposa. No dia anterior a sua viagem de férias para Dubai, uma mulher que acredita que seu marido é infiel, pede a ajuda de Roohi, uma jovem enviada por uma agência para limpar a casa. Ela pede a Roohi para marcar uma consulta e recolher informação no salão da mulher de quem ela suspeita. Roohi é noiva, inocente em termos de discórdia conjugal. Ao longo do dia, ela, o casal, seu filho pequeno, a irmã da esposa e seu marido, e a esteticista se envolvem em uma série de trocas, confrontos, e prevaricações. São as suspeitas da esposa injustificadas; está o comportamento dela ameaçando seu casamento? Atos de bondade podem dar errado. E a viagem para Dubai?
Khorshid
Prince Jamshid dreamed that he would fall in love with an unknown girl with marvelous beauty, but he couldn't find her in his country. A painter merchant informed him that his dream girl was the daughter of the Caesar of Rome.
Firoozeh
Akbar, 18, has been held in a rehabilitation centre for committing murder at the age of sixteen. Now, Akbar is transferred to prison to await the day of his execution. A’la, a friend of Akbar, tries desperately to gain the consent of Akbar’s plaintiff so as to stop the execution.
Taraneh
Taraneh is a model 15-year-old Iranian girl, studious and filial, who supports her ailing grandmother with a job at a photo shop and visits her father (who has been imprisoned for reasons never made clear in the film) bearing gifts of cigarettes and magazines. But when Amir, a young man from a well-off family, sets his sights on Taraneh and courts her with an intensity that borders on stalking, her well-ordered life spirals into chaos.