Tarane Alidousti
출생 : 1984-01-12, Tehran, Iran
약력
Tarane Alidousti is an Iranian actress of theatre and cinema and also a translator who was born in 1984 in Tehran, Iran. She has been featured for the first time in the movie "I'm Taraneh, 15" by Rassoul Sadr Ameli, and this movie can be considered as a turning point in her career. She won the Crystal Simorgh Award for Best First Role Actress from Fajr Festival for this movie. Her other cinematic works include "Caanan" by Mani Haghighi, "Beautiful City" by Asghar Farhadi, "At The End of the 8th Street" by Alireza Amini, and "Seller" by Asghar Farhadi. She also played for the first time in front of Hassan Fathi's camera, in the "Shahrzad" series.
After a confusing interaction in downtown Tehran, a married couple seems to have found their doppelgängers.
Leila
마흔 나이의 여자 레일라는 부모와 네 명의 형제를 돌보느라 여념이 없다. 집안의 남자들은 각자 먹고 사느라 열심이지만 그 누구도 가난에서 벗어나지 못한다. 형편이 좋지 못한 데도 아버지는 가문의 수장이 되는 꿈을 버리지 못한다. 일정한 재산을 갖다 바쳐야 수장이 될 수 있기에 아버지는 가족 몰래 감춰둔 금을 팔려고 한다. 레일라는 가족 모두가 먹고 살 수 있는 가게를 운영하는 꿈을 꾸지만 아들들의 생각은 다르다. 일확천금을 노리는 아들들 때문에 레일라의 꿈도, 아버지의 꿈도 산산조각 난다.
A Film By Jafar Sadeghi
Shahrzad
in mention of documentary of Shahrzad , she having no choice because " BozorgAgha - Divan Salar " Order her to marry with Ghobad , and she don't like him ( Ghobad ) because she still thinking about her former lover " Farhad " .
Rana Etesami
연극 ‘세일즈맨의 죽음’을 준비 중인 젊은 부부 ‘라나’와 ‘에마드’. 살고 있던 건물이 붕괴될 위기에 처하자 이전 세입자의 물건들이 남아 있는 기이한 느낌의 아파트로 이사를 간다. 하지만 남편 '에마드'가 집을 비운 어느 날, 그들의 삶이 송두리째 바뀌는 사건이 일어나는데...
Samira
A divorced woman leaves Damghan with her child to live and work in Tehran but her ex-husband does everything in his capability to force her to go back.
Arine
On their way back from a wild party, Arine and Nobahar cause a car accident. A mysterious stranger by the name of Toofan offers to cover the costs. This won't be the last time they'll cross his path over the course of the night.
Ghazal suffers her parent's recent death. She was in the car when the accident happened. Now her fiance is the only one left for her, but he can't trust Ghazal's mental health.
Leyla
This twisted Iranian narrative follows a mysterious couple from Tehran as they distribute large bags of money in an impoverished mountain border town. Beginning as a black comedy, the film's mood transforms as the games played by Kaveh (director Mani Haghighi) and Leyla (Taraneh Alidoosti) become increasingly perverse, as they find inventive ways of humiliating the recipients of the cash. The immorality of the central characters is at times sickening, and their chain of lies is often as puzzling to us as they are to the townsfolk depicted onscreen. What is the relationship between the pair and why are they giving away money to the needy? Modest Reception has no easy answers nor pat resolutions - instead Haghighi takes the viewer on an intriguing ride into the dark recesses of the human spirit.
The renovation of a rambling family homestead becomes a metaphor for an unexpected assault on traditional family values when a newly married twenty-something brings her architect husband to draw up the plans for her aunt and uncle’s rehab job.
Niloufar
Niloufar (Taraneh Alidoosti) lives with her family. After an incident happened, her family exposed to a deep trouble: they have to provide a large amount of money to save a family member's life while they have only three days ...
Vandad is notice about his father's death so he comes to Kish. In the same time Parmida is noticed about her mother death so she comes to Kish, too. But they understand that they are in the same boat.
Parastoo
Elly
한 가족이 교외로 여행을 떠나게 된다. 우연히 동행하게 된 엘리의 의문의 실종으로 인해 가족들의 여행은 즐거움에서 악몽으로 변해가고, 엘리가 사라진 후 가족 간에 묻어 둔 황폐한 관계가 떠오르게 되는데...
Mahtab
Mina
Mina has decided to leave her older husband Morteza after ten years of marriage. Next Monday will be her divorce date, which means her first step towards her goal; immigration. However, the arrival of her older sister, Azar, together with the illness of her mother in law is causing her trouble. To her surprise, meanwhile, she finds out she is pregnant.
Woman in audience
A hundred and fourteen famous Iranian theater and cinema actresses and a French star: mute spectators at a theatrical representation of Khosrow and Shirin, a Persian poem from the twelfth century, put on stage by Kiarostami. The development of the text -- long a favorite in Persia and the Middle East -- remains invisible to the viewer of the film, the whole story is told by the faces of the women watching the show.
칸영화제 60주년을 기념하여 조직위원장 질 자콥이 직접 제작과 편집을 맡고, ‘영화관(館)’ 하면 떠오르는 느낌을 주제로 역대 황금종려상 수상 감독 35명이 3분짜리 스케치 33편을 찍어 완성된 영화. 거장들의 개성 넘치는 작품 속에 그들만의 영화관(觀)이 엿보인다.
Roohi
이란의 설날인 3월 21일이 다가오자 온통 거리는 폭죽 소리로 가득하다. 곧 결혼할 생각에 들떠 있는 가정부 루이는 새해맞이 대청소를 도와주기 위해 모테자의 집을 찾아간다. 새해맞이의 흥겨운 분위기에도 불구하고 그녀가 찾아간 집은 긴장으로 가득하다. 모즈데는 남편인 모테자가 같은 아파트 옆집에 사는 이혼녀와 바람이 났다고 의심하고 남편은 강력하게 부정한다. 두 사람의 다툼 속에 루이가 본의 아니게 말려든다.
Khorshid
Prince Jamshid dreamed that he would fall in love with an unknown girl with marvelous beauty, but he couldn't find her in his country. A painter merchant informed him that his dream girl was the daughter of the Caesar of Rome.
Firoozeh
Akbar, 18, has been held in a rehabilitation centre for committing murder at the age of sixteen. Now, Akbar is transferred to prison to await the day of his execution. A’la, a friend of Akbar, tries desperately to gain the consent of Akbar’s plaintiff so as to stop the execution.
Taraneh
Taraneh is a model 15-year-old Iranian girl, studious and filial, who supports her ailing grandmother with a job at a photo shop and visits her father (who has been imprisoned for reasons never made clear in the film) bearing gifts of cigarettes and magazines. But when Amir, a young man from a well-off family, sets his sights on Taraneh and courts her with an intensity that borders on stalking, her well-ordered life spirals into chaos.