This is a modern interpretation of the bard's tragedy, set in the claustrophobic confines of a stretch limousine which prowls the streets of a contemporary landscape as its agoraphobic passengers struggle for existential meaning in a dog eat dog world where only the fit survive, and tragedy unfolds.
A gifted high-school student flubs her college admissions interviews for the most unexpected reasons in this independent coming-of-age drama. Cynical, world-weary Evie is more interested in taking care of her family than getting into the Ivy League institutions for which she seems destined. Dad Harry spends all his time building model trains in the basement, while workaholic mom Martha depends on Evie to take care of her other daughter, developmentally challenged Emily. When she's not busy reading poetry to her sister Emily, Evie hangs out with James (Fran Kranz), the sensitive boy next door, whose romantic overtures prove too confusing to acknowledge. College also seems too daunting, so Evie deliberately blows one university interview after another in the hopes of staying at home as her sister's keeper. Meanwhile, Evie begins passing off her own poems as Emily's, fuelling the belief that her brain-damaged sister is actually a literary savant.
En 1953, Katherine Watson (Julia Roberts) se traslada desde California al campus de la prestigiosa y estricta universidad de Wellesley en Nueva Inglaterra para enseñar historia del arte. En plena postguerra, Watson espera que sus estudiantes, las mejores y las más brillantes del país, aprovechen las oportunidades que se les presentan para emanciparse. Sin embargo, poco después de su llegada, descubre que la prestigiosa institución está anclada en la tradición y el conformismo.
