Taylor Roberts

This is a modern interpretation of the bard's tragedy, set in the claustrophobic confines of a stretch limousine which prowls the streets of a contemporary landscape as its agoraphobic passengers struggle for existential meaning in a dog eat dog world where only the fit survive, and tragedy unfolds.

A gifted high-school student flubs her college admissions interviews for the most unexpected reasons in this independent coming-of-age drama. Cynical, world-weary Evie is more interested in taking care of her family than getting into the Ivy League institutions for which she seems destined. Dad Harry spends all his time building model trains in the basement, while workaholic mom Martha depends on Evie to take care of her other daughter, developmentally challenged Emily. When she's not busy reading poetry to her sister Emily, Evie hangs out with James (Fran Kranz), the sensitive boy next door, whose romantic overtures prove too confusing to acknowledge. College also seems too daunting, so Evie deliberately blows one university interview after another in the hopes of staying at home as her sister's keeper. Meanwhile, Evie begins passing off her own poems as Emily's, fuelling the belief that her brain-damaged sister is actually a literary savant.

1953年、ニューイングランド地方。名門女子大、ウェルズリー大学に女性教師キャサリンがカリフォルニアから赴任してくる。彼女は美術史の助教授として就任し、優秀だが米国一保守的といわれるこの大学に自立心を育てるなどの教育方法で新しい風を吹き込もうと意気込んでいた。しかし先輩教師は、学生にとって重要で価値あるものは教育よりもエリートの恋人からもらう婚約指輪、とキャサリンの考えを一蹴する。それでも彼女は期待を込めて初日の授業に臨むが、早速したたかな優等生ベティら女生徒たちの反発に翻弄されてしまう…。