Sylvie Verheyde

Nacimiento : 1967-01-01,

Historia

After studying geography, music and drawing, Sylvie Verheyde stood out with her short films (Entre Chien et Loups, La Maison verte) at the start of the 90s, which won awards at festivals. The young woman then embarked on the writing and directing of A Brother, her first feature film, which was released in cinemas in 1997. Selected at the 50th Cannes Film Festival in the Cinemas section in France, this film which stages the revolts of a sister and her brother is hailed by the critics, winning the Cyril Collard Prize in 1998 and offering the César for Best Female Newcomer to Emma de Caunes. In 2000, Sylvie Verheyde reunited with Emma de Caunes for Princesses, in which she also directed Jean-Hugues Anglade. She then worked for the small screen, notably signing the television films Un amour de femme and Sang froid, which won an award at the La Rochelle Festival. In 2007, after a parenthesis of seven years, the filmmaker returned to the cinema by signing the screenplay for the action film Scorpion, carried by Clovis Cornillac. In 2008, she directed Stella, her third feature film, which explores the daily life of a young high school student. Guillaume Depardieu appears there in one of his very last roles.

Películas

Stella in Love
Costume Design
For Stella, it’s her final year. But she says she doesn’t care! That year, she discovers the famous Parisian club, the Bains Douches, 80’s and its crazy nights. Her friends are just studying, her father has left with another woman and her mother is depressed. And then there is André who dances like a God… That year will decide her whole life. She pretends not to think about it…
Stella in Love
Writer
For Stella, it’s her final year. But she says she doesn’t care! That year, she discovers the famous Parisian club, the Bains Douches, 80’s and its crazy nights. Her friends are just studying, her father has left with another woman and her mother is depressed. And then there is André who dances like a God… That year will decide her whole life. She pretends not to think about it…
Stella in Love
Director
For Stella, it’s her final year. But she says she doesn’t care! That year, she discovers the famous Parisian club, the Bains Douches, 80’s and its crazy nights. Her friends are just studying, her father has left with another woman and her mother is depressed. And then there is André who dances like a God… That year will decide her whole life. She pretends not to think about it…
Alta costura
Screenplay
Esther está al final de su carrera como jefa de costureras en el taller de Dior Avenue Montaigne. Un día, una mujer de 20 años, Jade, le roba el bolso en el metro. En lugar de llamar a la policía, decide hacerse cargo de Jade.
Madame Claude
Writer
París, años 60. La influencia de Madame Claude va más allá de la prostitución... hasta que una joven acomodada amenaza con cambiarlo todo.
Madame Claude
Director
París, años 60. La influencia de Madame Claude va más allá de la prostitución... hasta que una joven acomodada amenaza con cambiarlo todo.
You Deserve a Lover
Ava
Lila has just broken up with her cheating boyfriend and is disappointed, frustrated and hurt. Looking for love and intimacy, she engages in a series of short-term relationships, while her friends offer up bad advice and her ex tries to win her back.
Sex Doll
Writer
Situada en el mundo de las escorts de lujo en Londres, cuenta la historia de Virginie y de Rupert, un hombre que rescata a las chicas de la trata de blancas.
Sex Doll
Director
Situada en el mundo de las escorts de lujo en Londres, cuenta la historia de Virginie y de Rupert, un hombre que rescata a las chicas de la trata de blancas.
Papa Was Not a Rolling Stone
Dialogue
The 1980s. Stéphanie grows up in La Courneuve, on the outskirts of Paris, in a home where her mother is rarely there and her step-father is brutal. She quickly decides to escape her morose everyday life. Thanks to her grandmother's love, reading, her passion for dance, and for French pop-star Jean-Jacques Goldman, Stéphanie copes in this colorful neighborhood where friendship is primordial. One day, she knows that she'll leave this place to lead the life she's always dreamed of.
Papa Was Not a Rolling Stone
Adaptation
The 1980s. Stéphanie grows up in La Courneuve, on the outskirts of Paris, in a home where her mother is rarely there and her step-father is brutal. She quickly decides to escape her morose everyday life. Thanks to her grandmother's love, reading, her passion for dance, and for French pop-star Jean-Jacques Goldman, Stéphanie copes in this colorful neighborhood where friendship is primordial. One day, she knows that she'll leave this place to lead the life she's always dreamed of.
Papa Was Not a Rolling Stone
Scenario Writer
The 1980s. Stéphanie grows up in La Courneuve, on the outskirts of Paris, in a home where her mother is rarely there and her step-father is brutal. She quickly decides to escape her morose everyday life. Thanks to her grandmother's love, reading, her passion for dance, and for French pop-star Jean-Jacques Goldman, Stéphanie copes in this colorful neighborhood where friendship is primordial. One day, she knows that she'll leave this place to lead the life she's always dreamed of.
Confession of a Child of the Century
Screenplay
París, 1830: Octave, traicionado por su amante se hunde en la desesperación y en el libertinaje. La muerte de su padre lo lleva a la Campiña, donde conoce a Brigitte, una viuda 10 años mayor que él, de la que se enamora perdidamente.
Confession of a Child of the Century
Director
París, 1830: Octave, traicionado por su amante se hunde en la desesperación y en el libertinaje. La muerte de su padre lo lleva a la Campiña, donde conoce a Brigitte, una viuda 10 años mayor que él, de la que se enamora perdidamente.
Stella
Screenplay
Paris, 1977. Eleven year old Stella knows poker better than grammar when she starts the year at a prestigious new school. There, she discovers the possibilities of a whole new world outside her parents' bar.
Stella
Director
Paris, 1977. Eleven year old Stella knows poker better than grammar when she starts the year at a prestigious new school. There, she discovers the possibilities of a whole new world outside her parents' bar.
Cold Blooded
Director
"Cold Blooded" - The meeting between a fragile woman and a depressed soldier builds a dangerous alliance.
Scorpion
Writer
Featuring a mix of Thai Boxing and Ultimate Fighting, SCORPION has been dubbed The French Fight Club. It stars Jerome Le Banner, who is also known as Hyper Battle Cyborg and The Bulldog of Paris, a true kickboxer, famous for his aggressive style - 43 of his 57 wins have come by knockout.
Amor de mujer
Producer
Jeanne es una exitosa osteópata, se siente desesperadamente sola en su vida como madre y esposa. Su esposo e hijo le dan estabilidad a su vida, pero ella busca algo más, sintiendo que su juventud va desapareciendo. Así conoce en una fiesta de cumpleaños a Marie, una bailarina profesional con la que descubre una química inmediata. Aun dudando Jeanne se inscribe en la clase de baile de Marie, con quien comienza un romance y descrubre una sensualidad y vitalidad que antes no había conocido, además de un sentimiento poco familiar para ella: pasión hacia otra mujer. Su familia y conocidos no aprueban su amor, pero Marie con su libertad le permite olvidarse de los demás. Aun así, Jeanne tiene que decidir entre Marie y su familia después que su marido descubre su romance. (FILMAFFINITY)
Amor de mujer
Director
Jeanne es una exitosa osteópata, se siente desesperadamente sola en su vida como madre y esposa. Su esposo e hijo le dan estabilidad a su vida, pero ella busca algo más, sintiendo que su juventud va desapareciendo. Así conoce en una fiesta de cumpleaños a Marie, una bailarina profesional con la que descubre una química inmediata. Aun dudando Jeanne se inscribe en la clase de baile de Marie, con quien comienza un romance y descrubre una sensualidad y vitalidad que antes no había conocido, además de un sentimiento poco familiar para ella: pasión hacia otra mujer. Su familia y conocidos no aprueban su amor, pero Marie con su libertad le permite olvidarse de los demás. Aun así, Jeanne tiene que decidir entre Marie y su familia después que su marido descubre su romance. (FILMAFFINITY)
Amor de mujer
Writer
Jeanne es una exitosa osteópata, se siente desesperadamente sola en su vida como madre y esposa. Su esposo e hijo le dan estabilidad a su vida, pero ella busca algo más, sintiendo que su juventud va desapareciendo. Así conoce en una fiesta de cumpleaños a Marie, una bailarina profesional con la que descubre una química inmediata. Aun dudando Jeanne se inscribe en la clase de baile de Marie, con quien comienza un romance y descrubre una sensualidad y vitalidad que antes no había conocido, además de un sentimiento poco familiar para ella: pasión hacia otra mujer. Su familia y conocidos no aprueban su amor, pero Marie con su libertad le permite olvidarse de los demás. Aun así, Jeanne tiene que decidir entre Marie y su familia después que su marido descubre su romance. (FILMAFFINITY)
Princesses
Screenplay
Johan has three children with different women. Two adult daughters: Sophie and Virginie, and a young son in Amsterdam. Loïc gave Johan diamonds of a criminal origin. Her husband Simon thought they were his and murdered her. Then he set out his hunt for the diamonds and for killing Johan. The police thought that Johan had murdered Loïc and called his daughters, who had not known about each other. Afterwards Sophie receives a note to take a certain train to Amsterdam. A young boy gives Virginie the oral message "The treasure is in the trout". She immediately understands that this trout must be in her mother's freezer, unknown to the mother. Both girls take the train. Simon contacts them as a helpful fellow-passenger. The girls soon detect his aim of murdering them. In Brussels they escape the train. Virginie steals a car but is not as good at driving as at stealing (she will prove this again).
Princesses
Director
Johan has three children with different women. Two adult daughters: Sophie and Virginie, and a young son in Amsterdam. Loïc gave Johan diamonds of a criminal origin. Her husband Simon thought they were his and murdered her. Then he set out his hunt for the diamonds and for killing Johan. The police thought that Johan had murdered Loïc and called his daughters, who had not known about each other. Afterwards Sophie receives a note to take a certain train to Amsterdam. A young boy gives Virginie the oral message "The treasure is in the trout". She immediately understands that this trout must be in her mother's freezer, unknown to the mother. Both girls take the train. Simon contacts them as a helpful fellow-passenger. The girls soon detect his aim of murdering them. In Brussels they escape the train. Virginie steals a car but is not as good at driving as at stealing (she will prove this again).
A Brother...
Writer
Loic and Sophie are siblings living with their mother in a block of flats. The impetuous, promiscuous Loic is a talented photographer about to make it to the big time, but being pulled back by loyalty to his best friend and ex-lover, both junkies. Sophie, a schoolgirl on holidays, is quietly undergoing a sexual awakening, observing from a distance Loic's milieu; she begins an affair with his business partner to Loic's quasi-incestuous disapproval. Loic is spotted by a prominent editor, but becomes increasingly unhinged, by his friend's violent struggles with dealers, by his lover's demands, by Sophie's 'betrayal', by his own 'demons'. Tragedy inevitably strikes.
A Brother...
Director
Loic and Sophie are siblings living with their mother in a block of flats. The impetuous, promiscuous Loic is a talented photographer about to make it to the big time, but being pulled back by loyalty to his best friend and ex-lover, both junkies. Sophie, a schoolgirl on holidays, is quietly undergoing a sexual awakening, observing from a distance Loic's milieu; she begins an affair with his business partner to Loic's quasi-incestuous disapproval. Loic is spotted by a prominent editor, but becomes increasingly unhinged, by his friend's violent struggles with dealers, by his lover's demands, by Sophie's 'betrayal', by his own 'demons'. Tragedy inevitably strikes.
Tell Me Yes, Tell Me No
Cécile thinks one thing and its opposite. She wants one thing and its opposite. She doesn't know what she thinks or what she wants. So she talks about one thing and its opposite.