Sylvie Verheyde
出生 : 1967-01-01,
略歴
After studying geography, music and drawing, Sylvie Verheyde stood out with her short films (Entre Chien et Loups, La Maison verte) at the start of the 90s, which won awards at festivals. The young woman then embarked on the writing and directing of A Brother, her first feature film, which was released in cinemas in 1997. Selected at the 50th Cannes Film Festival in the Cinemas section in France, this film which stages the revolts of a sister and her brother is hailed by the critics, winning the Cyril Collard Prize in 1998 and offering the César for Best Female Newcomer to Emma de Caunes.
In 2000, Sylvie Verheyde reunited with Emma de Caunes for Princesses, in which she also directed Jean-Hugues Anglade. She then worked for the small screen, notably signing the television films Un amour de femme and Sang froid, which won an award at the La Rochelle Festival. In 2007, after a parenthesis of seven years, the filmmaker returned to the cinema by signing the screenplay for the action film Scorpion, carried by Clovis Cornillac. In 2008, she directed Stella, her third feature film, which explores the daily life of a young high school student. Guillaume Depardieu appears there in one of his very last roles.
Costume Design
For Stella, it’s her final year. But she says she doesn’t care! That year, she discovers the famous Parisian club, the Bains Douches, 80’s and its crazy nights. Her friends are just studying, her father has left with another woman and her mother is depressed. And then there is André who dances like a God… That year will decide her whole life. She pretends not to think about it…
Writer
For Stella, it’s her final year. But she says she doesn’t care! That year, she discovers the famous Parisian club, the Bains Douches, 80’s and its crazy nights. Her friends are just studying, her father has left with another woman and her mother is depressed. And then there is André who dances like a God… That year will decide her whole life. She pretends not to think about it…
Director
For Stella, it’s her final year. But she says she doesn’t care! That year, she discovers the famous Parisian club, the Bains Douches, 80’s and its crazy nights. Her friends are just studying, her father has left with another woman and her mother is depressed. And then there is André who dances like a God… That year will decide her whole life. She pretends not to think about it…
Screenplay
Esther is at the end of her career as Head Seamstress at Dior Avenue Montaigne workshop. One day, she gets her handbag stolen in the metro by a 20 years old girl, Jade. Instead of calling the police she decides to take care of Jade. She sees in her the opportunity to pass on her skills, the craft of dressmaking, her only wealth. In the frenetic world of Haute Couture, Esther will give Jade la beauté du geste, a way to reach beyond herself.
Writer
Paris, the late 1960s. Madame Claude is at the head of a flourishing business dedicated to prostitution that gives her power over both the french political and criminal worlds. But the end of her empire is closer than she thinks.
Director
Paris, the late 1960s. Madame Claude is at the head of a flourishing business dedicated to prostitution that gives her power over both the french political and criminal worlds. But the end of her empire is closer than she thinks.
Ava
Lila has just broken up with her cheating boyfriend and is disappointed, frustrated and hurt. Looking for love and intimacy, she engages in a series of short-term relationships, while her friends offer up bad advice and her ex tries to win her back.
Writer
孤独な高級コールガールが、謎めいた若い男と出会う。自分と似た影を持つ彼に、次第に心惹かれる娼婦だったが…。
Director
孤独な高級コールガールが、謎めいた若い男と出会う。自分と似た影を持つ彼に、次第に心惹かれる娼婦だったが…。
Dialogue
The 1980s. Stéphanie grows up in La Courneuve, on the outskirts of Paris, in a home where her mother is rarely there and her step-father is brutal. She quickly decides to escape her morose everyday life. Thanks to her grandmother's love, reading, her passion for dance, and for French pop-star Jean-Jacques Goldman, Stéphanie copes in this colorful neighborhood where friendship is primordial. One day, she knows that she'll leave this place to lead the life she's always dreamed of.
Adaptation
The 1980s. Stéphanie grows up in La Courneuve, on the outskirts of Paris, in a home where her mother is rarely there and her step-father is brutal. She quickly decides to escape her morose everyday life. Thanks to her grandmother's love, reading, her passion for dance, and for French pop-star Jean-Jacques Goldman, Stéphanie copes in this colorful neighborhood where friendship is primordial. One day, she knows that she'll leave this place to lead the life she's always dreamed of.
Scenario Writer
The 1980s. Stéphanie grows up in La Courneuve, on the outskirts of Paris, in a home where her mother is rarely there and her step-father is brutal. She quickly decides to escape her morose everyday life. Thanks to her grandmother's love, reading, her passion for dance, and for French pop-star Jean-Jacques Goldman, Stéphanie copes in this colorful neighborhood where friendship is primordial. One day, she knows that she'll leave this place to lead the life she's always dreamed of.
Screenplay
Paris, 1830: Octave, betrayed by his mistress, sinks into despair and debauchery. His father's death leads him to the country where he meets Brigitte, a widow who is ten years his elder. Octave falls in love passionately, but will he have the courage to believe in it?
Director
Paris, 1830: Octave, betrayed by his mistress, sinks into despair and debauchery. His father's death leads him to the country where he meets Brigitte, a widow who is ten years his elder. Octave falls in love passionately, but will he have the courage to believe in it?
Screenplay
Paris, 1977. Eleven year old Stella knows poker better than grammar when she starts the year at a prestigious new school. There, she discovers the possibilities of a whole new world outside her parents' bar.
Director
Paris, 1977. Eleven year old Stella knows poker better than grammar when she starts the year at a prestigious new school. There, she discovers the possibilities of a whole new world outside her parents' bar.
Director
"Cold Blooded" - The meeting between a fragile woman and a depressed soldier builds a dangerous alliance.
Writer
Featuring a mix of Thai Boxing and Ultimate Fighting, SCORPION has been dubbed The French Fight Club. It stars Jerome Le Banner, who is also known as Hyper Battle Cyborg and The Bulldog of Paris, a true kickboxer, famous for his aggressive style - 43 of his 57 wins have come by knockout.
Producer
Jeanne attends the birthday party of a friend of her husband. There she meets a dancer named Marie and there is instant chemistry between them. Jeanne falls for Marie and they embark on an extramarital affair.
Director
Jeanne attends the birthday party of a friend of her husband. There she meets a dancer named Marie and there is instant chemistry between them. Jeanne falls for Marie and they embark on an extramarital affair.
Writer
Jeanne attends the birthday party of a friend of her husband. There she meets a dancer named Marie and there is instant chemistry between them. Jeanne falls for Marie and they embark on an extramarital affair.
Screenplay
Johan has three children with different women. Two adult daughters: Sophie and Virginie, and a young son in Amsterdam. Loïc gave Johan diamonds of a criminal origin. Her husband Simon thought they were his and murdered her. Then he set out his hunt for the diamonds and for killing Johan. The police thought that Johan had murdered Loïc and called his daughters, who had not known about each other. Afterwards Sophie receives a note to take a certain train to Amsterdam. A young boy gives Virginie the oral message "The treasure is in the trout". She immediately understands that this trout must be in her mother's freezer, unknown to the mother. Both girls take the train. Simon contacts them as a helpful fellow-passenger. The girls soon detect his aim of murdering them. In Brussels they escape the train. Virginie steals a car but is not as good at driving as at stealing (she will prove this again).
Director
Johan has three children with different women. Two adult daughters: Sophie and Virginie, and a young son in Amsterdam. Loïc gave Johan diamonds of a criminal origin. Her husband Simon thought they were his and murdered her. Then he set out his hunt for the diamonds and for killing Johan. The police thought that Johan had murdered Loïc and called his daughters, who had not known about each other. Afterwards Sophie receives a note to take a certain train to Amsterdam. A young boy gives Virginie the oral message "The treasure is in the trout". She immediately understands that this trout must be in her mother's freezer, unknown to the mother. Both girls take the train. Simon contacts them as a helpful fellow-passenger. The girls soon detect his aim of murdering them. In Brussels they escape the train. Virginie steals a car but is not as good at driving as at stealing (she will prove this again).
Writer
Loic and Sophie are siblings living with their mother in a block of flats. The impetuous, promiscuous Loic is a talented photographer about to make it to the big time, but being pulled back by loyalty to his best friend and ex-lover, both junkies. Sophie, a schoolgirl on holidays, is quietly undergoing a sexual awakening, observing from a distance Loic's milieu; she begins an affair with his business partner to Loic's quasi-incestuous disapproval. Loic is spotted by a prominent editor, but becomes increasingly unhinged, by his friend's violent struggles with dealers, by his lover's demands, by Sophie's 'betrayal', by his own 'demons'. Tragedy inevitably strikes.
Director
Loic and Sophie are siblings living with their mother in a block of flats. The impetuous, promiscuous Loic is a talented photographer about to make it to the big time, but being pulled back by loyalty to his best friend and ex-lover, both junkies. Sophie, a schoolgirl on holidays, is quietly undergoing a sexual awakening, observing from a distance Loic's milieu; she begins an affair with his business partner to Loic's quasi-incestuous disapproval. Loic is spotted by a prominent editor, but becomes increasingly unhinged, by his friend's violent struggles with dealers, by his lover's demands, by Sophie's 'betrayal', by his own 'demons'. Tragedy inevitably strikes.
Cécile thinks one thing and its opposite. She wants one thing and its opposite. She doesn't know what she thinks or what she wants. So she talks about one thing and its opposite.
