Sylvie Verheyde
출생 : 1967-01-01,
약력
After studying geography, music and drawing, Sylvie Verheyde stood out with her short films (Entre Chien et Loups, La Maison verte) at the start of the 90s, which won awards at festivals. The young woman then embarked on the writing and directing of A Brother, her first feature film, which was released in cinemas in 1997. Selected at the 50th Cannes Film Festival in the Cinemas section in France, this film which stages the revolts of a sister and her brother is hailed by the critics, winning the Cyril Collard Prize in 1998 and offering the César for Best Female Newcomer to Emma de Caunes.
In 2000, Sylvie Verheyde reunited with Emma de Caunes for Princesses, in which she also directed Jean-Hugues Anglade. She then worked for the small screen, notably signing the television films Un amour de femme and Sang froid, which won an award at the La Rochelle Festival. In 2007, after a parenthesis of seven years, the filmmaker returned to the cinema by signing the screenplay for the action film Scorpion, carried by Clovis Cornillac. In 2008, she directed Stella, her third feature film, which explores the daily life of a young high school student. Guillaume Depardieu appears there in one of his very last roles.
Costume Design
For Stella, it’s her final year. But she says she doesn’t care! That year, she discovers the famous Parisian club, the Bains Douches, 80’s and its crazy nights. Her friends are just studying, her father has left with another woman and her mother is depressed. And then there is André who dances like a God… That year will decide her whole life. She pretends not to think about it…
Writer
For Stella, it’s her final year. But she says she doesn’t care! That year, she discovers the famous Parisian club, the Bains Douches, 80’s and its crazy nights. Her friends are just studying, her father has left with another woman and her mother is depressed. And then there is André who dances like a God… That year will decide her whole life. She pretends not to think about it…
Director
For Stella, it’s her final year. But she says she doesn’t care! That year, she discovers the famous Parisian club, the Bains Douches, 80’s and its crazy nights. Her friends are just studying, her father has left with another woman and her mother is depressed. And then there is André who dances like a God… That year will decide her whole life. She pretends not to think about it…
Screenplay
Esther is at the end of her career as Head Seamstress at Dior Avenue Montaigne workshop. One day, she gets her handbag stolen in the metro by a 20 years old girl, Jade. Instead of calling the police she decides to take care of Jade. She sees in her the opportunity to pass on her skills, the craft of dressmaking, her only wealth. In the frenetic world of Haute Couture, Esther will give Jade la beauté du geste, a way to reach beyond herself.
Writer
60년대 파리. 유명 인사들을 상대로 고급 매춘조직을 운영하는 마담 클로드. 우아한 이미지로 포장된 그녀의 제국은 상류층뿐 아니라 지하 세계까지 뻗어있다. 영원히 번성할 것 같았던 제국은 그러나 한 여성의 등장으로 흔들리기 시작한다.
Director
60년대 파리. 유명 인사들을 상대로 고급 매춘조직을 운영하는 마담 클로드. 우아한 이미지로 포장된 그녀의 제국은 상류층뿐 아니라 지하 세계까지 뻗어있다. 영원히 번성할 것 같았던 제국은 그러나 한 여성의 등장으로 흔들리기 시작한다.
Ava
Lila has just broken up with her cheating boyfriend and is disappointed, frustrated and hurt. Looking for love and intimacy, she engages in a series of short-term relationships, while her friends offer up bad advice and her ex tries to win her back.
Writer
베르지니는 런던 상류사회의 잘 나가는 고급 콜걸이다. 돈 많은 늙은 남자들과 침대에서 뒹굴고 지갑을 두둑하게 챙겨 호화로운 생활을 즐기던 중, 우연히 클럽에서 만난 루퍼트에게 끌린다. 하지만 자신의 직업 때문에 쉽사리 루퍼트에게 다가가지 못하고, 그에게 향하는 마음이 강해질수록 자신의 직업과 삶에 염증을 느끼게 된다. 그러나 베르지니가 루퍼트에게 마음을 연 순간, 그가 그녀에게 의도적으로 접근한 사실을 알게 되는데...
Director
베르지니는 런던 상류사회의 잘 나가는 고급 콜걸이다. 돈 많은 늙은 남자들과 침대에서 뒹굴고 지갑을 두둑하게 챙겨 호화로운 생활을 즐기던 중, 우연히 클럽에서 만난 루퍼트에게 끌린다. 하지만 자신의 직업 때문에 쉽사리 루퍼트에게 다가가지 못하고, 그에게 향하는 마음이 강해질수록 자신의 직업과 삶에 염증을 느끼게 된다. 그러나 베르지니가 루퍼트에게 마음을 연 순간, 그가 그녀에게 의도적으로 접근한 사실을 알게 되는데...
Dialogue
The 1980s. Stéphanie grows up in La Courneuve, on the outskirts of Paris, in a home where her mother is rarely there and her step-father is brutal. She quickly decides to escape her morose everyday life. Thanks to her grandmother's love, reading, her passion for dance, and for French pop-star Jean-Jacques Goldman, Stéphanie copes in this colorful neighborhood where friendship is primordial. One day, she knows that she'll leave this place to lead the life she's always dreamed of.
Adaptation
The 1980s. Stéphanie grows up in La Courneuve, on the outskirts of Paris, in a home where her mother is rarely there and her step-father is brutal. She quickly decides to escape her morose everyday life. Thanks to her grandmother's love, reading, her passion for dance, and for French pop-star Jean-Jacques Goldman, Stéphanie copes in this colorful neighborhood where friendship is primordial. One day, she knows that she'll leave this place to lead the life she's always dreamed of.
Scenario Writer
The 1980s. Stéphanie grows up in La Courneuve, on the outskirts of Paris, in a home where her mother is rarely there and her step-father is brutal. She quickly decides to escape her morose everyday life. Thanks to her grandmother's love, reading, her passion for dance, and for French pop-star Jean-Jacques Goldman, Stéphanie copes in this colorful neighborhood where friendship is primordial. One day, she knows that she'll leave this place to lead the life she's always dreamed of.
Screenplay
세기의 아이의 고백은 Alfred de Musset의 1836 년 자전 소설을 바탕으로 Sylvie Verheyde가 각본 및 감독을 맡은 2012 년 역사 드라마 영화입니다. 이 영화는 2012 년 칸 영화제 불확정 부문에서 경쟁했다
Director
세기의 아이의 고백은 Alfred de Musset의 1836 년 자전 소설을 바탕으로 Sylvie Verheyde가 각본 및 감독을 맡은 2012 년 역사 드라마 영화입니다. 이 영화는 2012 년 칸 영화제 불확정 부문에서 경쟁했다
Screenplay
1977년, 11살의 스텔라는 파리 근교의 노동자 구역에 살고 있다. 유명한 파리의 학교에 입학하게 된 스텔라는 아르헨티나계 유대인 인텔리 집안 출신의 새 친구 글래디를 만나게 되고, 그녀의 도움으로 현실 세계에 첫 발자국을 내딛게 된다. 깜직한 소녀의 이유 있는 반항이 섬세하게 그려진 이 영화는 단지 성장영화에 멈추지 않는다.
Director
1977년, 11살의 스텔라는 파리 근교의 노동자 구역에 살고 있다. 유명한 파리의 학교에 입학하게 된 스텔라는 아르헨티나계 유대인 인텔리 집안 출신의 새 친구 글래디를 만나게 되고, 그녀의 도움으로 현실 세계에 첫 발자국을 내딛게 된다. 깜직한 소녀의 이유 있는 반항이 섬세하게 그려진 이 영화는 단지 성장영화에 멈추지 않는다.
Director
"Cold Blooded" - The meeting between a fragile woman and a depressed soldier builds a dangerous alliance.
Writer
Featuring a mix of Thai Boxing and Ultimate Fighting, SCORPION has been dubbed The French Fight Club. It stars Jerome Le Banner, who is also known as Hyper Battle Cyborg and The Bulldog of Paris, a true kickboxer, famous for his aggressive style - 43 of his 57 wins have come by knockout.
Producer
Jeanne attends the birthday party of a friend of her husband. There she meets a dancer named Marie and there is instant chemistry between them. Jeanne falls for Marie and they embark on an extramarital affair.
Director
Jeanne attends the birthday party of a friend of her husband. There she meets a dancer named Marie and there is instant chemistry between them. Jeanne falls for Marie and they embark on an extramarital affair.
Writer
Jeanne attends the birthday party of a friend of her husband. There she meets a dancer named Marie and there is instant chemistry between them. Jeanne falls for Marie and they embark on an extramarital affair.
Screenplay
Johan has three children with different women. Two adult daughters: Sophie and Virginie, and a young son in Amsterdam. Loïc gave Johan diamonds of a criminal origin. Her husband Simon thought they were his and murdered her. Then he set out his hunt for the diamonds and for killing Johan. The police thought that Johan had murdered Loïc and called his daughters, who had not known about each other. Afterwards Sophie receives a note to take a certain train to Amsterdam. A young boy gives Virginie the oral message "The treasure is in the trout". She immediately understands that this trout must be in her mother's freezer, unknown to the mother. Both girls take the train. Simon contacts them as a helpful fellow-passenger. The girls soon detect his aim of murdering them. In Brussels they escape the train. Virginie steals a car but is not as good at driving as at stealing (she will prove this again).
Director
Johan has three children with different women. Two adult daughters: Sophie and Virginie, and a young son in Amsterdam. Loïc gave Johan diamonds of a criminal origin. Her husband Simon thought they were his and murdered her. Then he set out his hunt for the diamonds and for killing Johan. The police thought that Johan had murdered Loïc and called his daughters, who had not known about each other. Afterwards Sophie receives a note to take a certain train to Amsterdam. A young boy gives Virginie the oral message "The treasure is in the trout". She immediately understands that this trout must be in her mother's freezer, unknown to the mother. Both girls take the train. Simon contacts them as a helpful fellow-passenger. The girls soon detect his aim of murdering them. In Brussels they escape the train. Virginie steals a car but is not as good at driving as at stealing (she will prove this again).
Writer
Loic and Sophie are siblings living with their mother in a block of flats. The impetuous, promiscuous Loic is a talented photographer about to make it to the big time, but being pulled back by loyalty to his best friend and ex-lover, both junkies. Sophie, a schoolgirl on holidays, is quietly undergoing a sexual awakening, observing from a distance Loic's milieu; she begins an affair with his business partner to Loic's quasi-incestuous disapproval. Loic is spotted by a prominent editor, but becomes increasingly unhinged, by his friend's violent struggles with dealers, by his lover's demands, by Sophie's 'betrayal', by his own 'demons'. Tragedy inevitably strikes.
Director
Loic and Sophie are siblings living with their mother in a block of flats. The impetuous, promiscuous Loic is a talented photographer about to make it to the big time, but being pulled back by loyalty to his best friend and ex-lover, both junkies. Sophie, a schoolgirl on holidays, is quietly undergoing a sexual awakening, observing from a distance Loic's milieu; she begins an affair with his business partner to Loic's quasi-incestuous disapproval. Loic is spotted by a prominent editor, but becomes increasingly unhinged, by his friend's violent struggles with dealers, by his lover's demands, by Sophie's 'betrayal', by his own 'demons'. Tragedy inevitably strikes.
Cécile thinks one thing and its opposite. She wants one thing and its opposite. She doesn't know what she thinks or what she wants. So she talks about one thing and its opposite.
