Animation
Sigue a The Assassin a través de un mundo imponente de almas torturadas, búnkeres decrépitos y monstruosidades miserables forjadas a partir de los horrores más primordiales de la mente subconsciente. Cada decorado, criatura y efigie de esta macabra obra maestra está hecho a mano y minuciosamente animado utilizando técnicas tradicionales de stop-motion. MAD GOD es una obra de amor, un testimonio del poder del valor creativo y un homenaje al arte atemporal de la animación stop-motion. Prepara tus ojos. Prepara tu espíritu. Prepárate para conocer a tu creador.
Animation
Join a demon, a puppy and a rat in this stop-motion headtrip about a mysterious, magically summoned apple tree. With its innovative, intricate character design and intoxicatingly evocative, genuinely strange world, Oldboy’s Apples makes for tactile, ritualistic viewing – a rabbit hole of idolatry and the id.
Animation
At a time when the moon could be reached by ladder, Captain Millipede, his daughter, a deaf milk miner, a beautiful accordionist, and a wannabe pole dancer make their final expedition unaware of what they had, blind to what they'd lose.
Director
At a time when the moon could be reached by ladder, Captain Millipede, his daughter, a deaf milk miner, a beautiful accordionist, and a wannabe pole dancer make their final expedition unaware of what they had, blind to what they'd lose.
Animation
We hear from Coppola, Spielberg, director of photography Gordon Willis, consulting restoration cinematographer Allen Daviau, film archivist Robert A. Harris, Paramount Post Production executive VP Martin Cohen, MPI senior technical advisor Daniel Rosen, MPI scanning technician Chris Gillaspie, senior digital artist Steven A. Sanchez, digital artist Valerie V. McMahon, and MPI technical director and senior colorist Jan Yarbrough as they offer interesting facts about the original cinematography, details on the restoration of the three films.
Graphic Designer
We hear from Coppola, Spielberg, director of photography Gordon Willis, consulting restoration cinematographer Allen Daviau, film archivist Robert A. Harris, Paramount Post Production executive VP Martin Cohen, MPI senior technical advisor Daniel Rosen, MPI scanning technician Chris Gillaspie, senior digital artist Steven A. Sanchez, digital artist Valerie V. McMahon, and MPI technical director and senior colorist Jan Yarbrough as they offer interesting facts about the original cinematography, details on the restoration of the three films.
