Ri Crawford

참여 작품

매드 갓
Animation
잠재의식 속 가장 원시적인 공포에서 착안하게 이미지화된 고문당한 영혼들, 노쇠한 벙커 그리고 일그러진 괴물들이 있는 세계를 ‘어쌔신(The Assassin)’을 따라가보자. 이 영화 속 모든 세트, 생물체, 형상은 모두 전통적인 스톱 모션 기법을 활용해 수작업으로 제작한 이 애니메이션 걸작은 스톱 모션 애니메이션의 시대를 넘어선 예술에 대한 오마주일 것이다.
Oldboy's Apples
Animation
Join a demon, a puppy and a rat in this stop-motion headtrip about a mysterious, magically summoned apple tree. With its innovative, intricate character design and intoxicatingly evocative, genuinely strange world, Oldboy’s Apples makes for tactile, ritualistic viewing – a rabbit hole of idolatry and the id.
The Moon’s Milk
Animation
At a time when the moon could be reached by ladder, Captain Millipede, his daughter, a deaf milk miner, a beautiful accordionist, and a wannabe pole dancer make their final expedition unaware of what they had, blind to what they'd lose.
The Moon’s Milk
Director
At a time when the moon could be reached by ladder, Captain Millipede, his daughter, a deaf milk miner, a beautiful accordionist, and a wannabe pole dancer make their final expedition unaware of what they had, blind to what they'd lose.
Emulsional Rescue: Revealing 'The Godfather'
Animation
We hear from Coppola, Spielberg, director of photography Gordon Willis, consulting restoration cinematographer Allen Daviau, film archivist Robert A. Harris, Paramount Post Production executive VP Martin Cohen, MPI senior technical advisor Daniel Rosen, MPI scanning technician Chris Gillaspie, senior digital artist Steven A. Sanchez, digital artist Valerie V. McMahon, and MPI technical director and senior colorist Jan Yarbrough as they offer interesting facts about the original cinematography, details on the restoration of the three films.
Emulsional Rescue: Revealing 'The Godfather'
Graphic Designer
We hear from Coppola, Spielberg, director of photography Gordon Willis, consulting restoration cinematographer Allen Daviau, film archivist Robert A. Harris, Paramount Post Production executive VP Martin Cohen, MPI senior technical advisor Daniel Rosen, MPI scanning technician Chris Gillaspie, senior digital artist Steven A. Sanchez, digital artist Valerie V. McMahon, and MPI technical director and senior colorist Jan Yarbrough as they offer interesting facts about the original cinematography, details on the restoration of the three films.