Animation
Siga O Assassino em um mundo profano de almas torturadas, bunkers abandonados e monstros que se formaram dos horrores de seu subconsciente. Cada criatura neste filme foi feita à mão e meticulosamente animada usando técnicas tradicionais de stop-motion. MAD GOD é uma prova de amor e uma homenagem à arte atemporal da animação stop-motion. Prepare seus olhos. Prepare seu espírito. Prepare-se para conhecer seu criador.
Animation
Join a demon, a puppy and a rat in this stop-motion headtrip about a mysterious, magically summoned apple tree. With its innovative, intricate character design and intoxicatingly evocative, genuinely strange world, Oldboy’s Apples makes for tactile, ritualistic viewing – a rabbit hole of idolatry and the id.
Animation
At a time when the moon could be reached by ladder, Captain Millipede, his daughter, a deaf milk miner, a beautiful accordionist, and a wannabe pole dancer make their final expedition unaware of what they had, blind to what they'd lose.
Director
At a time when the moon could be reached by ladder, Captain Millipede, his daughter, a deaf milk miner, a beautiful accordionist, and a wannabe pole dancer make their final expedition unaware of what they had, blind to what they'd lose.
Animation
We hear from Coppola, Spielberg, director of photography Gordon Willis, consulting restoration cinematographer Allen Daviau, film archivist Robert A. Harris, Paramount Post Production executive VP Martin Cohen, MPI senior technical advisor Daniel Rosen, MPI scanning technician Chris Gillaspie, senior digital artist Steven A. Sanchez, digital artist Valerie V. McMahon, and MPI technical director and senior colorist Jan Yarbrough as they offer interesting facts about the original cinematography, details on the restoration of the three films.
Graphic Designer
We hear from Coppola, Spielberg, director of photography Gordon Willis, consulting restoration cinematographer Allen Daviau, film archivist Robert A. Harris, Paramount Post Production executive VP Martin Cohen, MPI senior technical advisor Daniel Rosen, MPI scanning technician Chris Gillaspie, senior digital artist Steven A. Sanchez, digital artist Valerie V. McMahon, and MPI technical director and senior colorist Jan Yarbrough as they offer interesting facts about the original cinematography, details on the restoration of the three films.
