Puppets! Pixels! Anime! Live action! Stock footage!
Lumpennerd Johannes Grenzfurthner gives an ideotaining cinematic revue about important political concepts. Everyone is talking about freedom! Privacy! Identity! Resistance! The Market! The Left! But, yikes, Johannes can't tolerate ignorant and topically abusive comments on the "Internet" anymore! Supported by writer Ishan Raval, in this film, Johannes explains, re-evaluates, and sometimes sacrifices political golden calves of discourse.
Not to be used with false consciousness or silicone-based lubricant.
Viena 1945. Christine una niña acostumbrada a la guerra se tiene que hospedar junto a su familia en una acomodada casa a las afueras de Viena. Ahora tienen un techo donde cobijarse pero nada más. La gente del pueblo espera la llegada de los rusos. Todos tienen miedo, Chirstine no.
Andreas y Stefan viven en una casa acogedora en medio de la naturaleza. Son una pareja artística e interesada en la cultura, que aman la naturaleza y tienen un gato abandonado llamado Moses. La única pregunta es: ¿acaso Stefan tiene un secreto que no comparte con nadie? Un ataque de ira inexplicable trae la discordia al paraíso, la vida feliz de todos los días se ha tornado desafiante.
Mae quit school and ran away from home. After her brother’s death her family is broken. Only his red shoes (Chucks) remain. Mae has to start working in a social institution where she meets Paul. He is funny, sensitive, takes Mae as she is - and he is terminally ill. In a book named Chucks Mae writes down her own story about growing up between life and death: wild, tender and absolutely honest.
She is a phone operator, he is a cab driver. In the evening they meet again in their shared apartment to read comics and have sex. He watches football on TV, she has a bath. Indecisively they try out other possibilities, gestures, stylings. The preparations for breakfast are a routine of well-coordinated motions. In just 18 minutes the film takes a lot of time to show the course of events in their duration and repetition.
Herbert Krcal (Roland Düringer) and his wife Margit (Nina Proll) dream of owning a home. They prefer to do this in the "Blue Lagoon", a prefabricated house park in the south of Vienna, where they regularly go on pilgrimage with their son Philipp. Just as regularly, they have to recognize the bitter truth that they cannot actually afford the dream house they have visited.
