Puppets! Pixels! Anime! Live action! Stock footage!
Lumpennerd Johannes Grenzfurthner gives an ideotaining cinematic revue about important political concepts. Everyone is talking about freedom! Privacy! Identity! Resistance! The Market! The Left! But, yikes, Johannes can't tolerate ignorant and topically abusive comments on the "Internet" anymore! Supported by writer Ishan Raval, in this film, Johannes explains, re-evaluates, and sometimes sacrifices political golden calves of discourse.
Not to be used with false consciousness or silicone-based lubricant.
Andreas and Stefan lead a happy and passionate life: Together with their beloved tomcat Moses, they live in a beautiful old house in Vienna's vineyards. They work as a musician and as a scheduler in the same orchestra and they love their large circle of friends. An unexpected and inexplicable outburst of violence suddenly shakes up the relationship and calls everything into question - the blind spot that resides in all of us.
Mae quit school and ran away from home. After her brother’s death her family is broken. Only his red shoes (Chucks) remain. Mae has to start working in a social institution where she meets Paul. He is funny, sensitive, takes Mae as she is - and he is terminally ill. In a book named Chucks Mae writes down her own story about growing up between life and death: wild, tender and absolutely honest.
She is a phone operator, he is a cab driver. In the evening they meet again in their shared apartment to read comics and have sex. He watches football on TV, she has a bath. Indecisively they try out other possibilities, gestures, stylings. The preparations for breakfast are a routine of well-coordinated motions. In just 18 minutes the film takes a lot of time to show the course of events in their duration and repetition.
Herbert Krcal (Roland Düringer) and his wife Margit (Nina Proll) dream of owning a home. They prefer to do this in the "Blue Lagoon", a prefabricated house park in the south of Vienna, where they regularly go on pilgrimage with their son Philipp. Just as regularly, they have to recognize the bitter truth that they cannot actually afford the dream house they have visited.
