Puppets! Pixels! Anime! Live action! Stock footage!
Lumpennerd Johannes Grenzfurthner gives an ideotaining cinematic revue about important political concepts. Everyone is talking about freedom! Privacy! Identity! Resistance! The Market! The Left! But, yikes, Johannes can't tolerate ignorant and topically abusive comments on the "Internet" anymore! Supported by writer Ishan Raval, in this film, Johannes explains, re-evaluates, and sometimes sacrifices political golden calves of discourse.
Not to be used with false consciousness or silicone-based lubricant.
안드레스와 스테판은 그들이 사랑하는 고양이 모세스와 함께 비엔나의 포도밭에 있는 오래되고 아름다운 집에서 행복하게 살고 있다. 둘은 같은 오케스트라에서 함께 일하며 음악에 대한 열정과 많은 친구, 그리고 고양이 모세스가 함께 하는 현재의 삶에 만족한다. 그러던 어느 날 스테판의 예기치 못한 폭력적 사건이 일어나면서 둘 사이에 금이 가게 되고, 이후 둘 사이에 넘을 수 없는 벽이 생긴다. (2016년 제6회 서울프라이드영화제)
Mae quit school and ran away from home. After her brother’s death her family is broken. Only his red shoes (Chucks) remain. Mae has to start working in a social institution where she meets Paul. He is funny, sensitive, takes Mae as she is - and he is terminally ill. In a book named Chucks Mae writes down her own story about growing up between life and death: wild, tender and absolutely honest.
She is a phone operator, he is a cab driver. In the evening they meet again in their shared apartment to read comics and have sex. He watches football on TV, she has a bath. Indecisively they try out other possibilities, gestures, stylings. The preparations for breakfast are a routine of well-coordinated motions. In just 18 minutes the film takes a lot of time to show the course of events in their duration and repetition.
Herbert Krcal (Roland Düringer) and his wife Margit (Nina Proll) dream of owning a home. They prefer to do this in the "Blue Lagoon", a prefabricated house park in the south of Vienna, where they regularly go on pilgrimage with their son Philipp. Just as regularly, they have to recognize the bitter truth that they cannot actually afford the dream house they have visited.
