Jean-Pierre Limosin

A “Cinéma, de notre temps” series episode directed by french film critic Alain Bergala and filmmaker Jean-Pierre Limosin, originally aired 18 March 2018.

A look at the work of Japanese woodblock printing artist Katsushika Hokusai (1760-1849).

Meet the Japanese Mafia's latest son: a 20 year old named Naoki, part of a surging, decade-long wave of juvenile delinquency in Japan. As Naoki rejects school, jobs and family, his desperate mother decides to take one last chance to save him--by handing him over to the Mafia for one year and letting him choose his own path.

A “Cinéma, de notre temps” series episode directed by french film filmmaker Jean-Pierre Limosin, originally aired sometime around 2006.

Carmen, a bonobo female, flees from the research center in linguistics where she is being kept. She takes refuge at a young couple's place, Mercier and his pregnant wife Myriam. Mercier, beginning at a new job, is reluctant to welcome the ape. But Myriam makes friend with her.

Carmen, a bonobo female, flees from the research center in linguistics where she is being kept. She takes refuge at a young couple's place, Mercier and his pregnant wife Myriam. Mercier, beginning at a new job, is reluctant to welcome the ape. But Myriam makes friend with her.

Twenty years after The Traveler was made, Kiarostami's son filmed his father as he reunited with the film's child star, now in his 30s.

Graham es incapaz de recordar los acontecimientos durante más de diez minutos; sufre de lo que se llama una MCP: memoria a corto plazo. Irène se enamora de Graham y ella se propone acordarse de todo por los dos. Graham tarda en recuperar la memoria, y los que le quisieron ayer ya no pueden esperar. Y ella, que le quiere hoy, también sufre por no poder entenderle mejor. Si es cierto que enamorarse es, ante todo, construir una historia de amor, ¿Cómo podría Graham enamorarse de Irène si para él cada día es el primer día y cada vez la primera vez?...

Graham es incapaz de recordar los acontecimientos durante más de diez minutos; sufre de lo que se llama una MCP: memoria a corto plazo. Irène se enamora de Graham y ella se propone acordarse de todo por los dos. Graham tarda en recuperar la memoria, y los que le quisieron ayer ya no pueden esperar. Y ella, que le quiere hoy, también sufre por no poder entenderle mejor. Si es cierto que enamorarse es, ante todo, construir una historia de amor, ¿Cómo podría Graham enamorarse de Irène si para él cada día es el primer día y cada vez la primera vez?...

Jean-Pierre Limosin follows Takeshi Kitano on the set of Kikujiro, films it during an interview with Shiguehiko Hasumi, president of the University of Tokyo and who, as a great film buff, was one of the first to recognize directorial talents of Takeshi Kitano

Jean-Pierre Limosin follows Takeshi Kitano on the set of Kikujiro, films it during an interview with Shiguehiko Hasumi, president of the University of Tokyo and who, as a great film buff, was one of the first to recognize directorial talents of Takeshi Kitano

This film reveals, under the image of the provocative, misanthropic Austrian writer whose life was peppered with scandals and altercations, a funny and cheerful character, a "ruthless anarchist".

The police are tracking a man who shoots at people. But the young sister of a detective finds that he's not the mad vigilante portrayed in newspapers.

The police are tracking a man who shoots at people. But the young sister of a detective finds that he's not the mad vigilante portrayed in newspapers.

A “Cinéma, de notre temps” series episode directed by french filmmaker Jean-Pierre Limosin, originally aired 26 January 1996.

A documentary about Iranian film director Abbas Kiarostami first aired on the French television series Cinema de Notre Temps.

A documentary about Iranian film director Abbas Kiarostami first aired on the French television series Cinema de Notre Temps.

When Éric and Marie go to meet their parents at the harbor for the holidays, the latter are victims of an overnight hit-and-run. Marie hides the truth from Éric, investigates the accident alone, and soon finds the presumed culprit.

When Éric and Marie go to meet their parents at the harbor for the holidays, the latter are victims of an overnight hit-and-run. Marie hides the truth from Éric, investigates the accident alone, and soon finds the presumed culprit.

When Éric and Marie go to meet their parents at the harbor for the holidays, the latter are victims of an overnight hit-and-run. Marie hides the truth from Éric, investigates the accident alone, and soon finds the presumed culprit.

With an off-beat sense of humor to match its erratic central character, this original comedy-drama features Jean-Philippe Ecoffey as Yves, a young man who works as a cop at night. The catch is that Yves turns to petty crime during the day, partly to impress Aurore (Aurelle Doazan), a nurse he idolizes from afar. His criminal hobby seems hard to understand, since it's doubtful that they will really get him anywhere with Aurore; besides, she already has a boyfriend. Nevertheless, Yves starts out by robbing a post office and ends up trying to run over Aurore's boyfriend, an act which finally gets him into serious trouble.

With an off-beat sense of humor to match its erratic central character, this original comedy-drama features Jean-Philippe Ecoffey as Yves, a young man who works as a cop at night. The catch is that Yves turns to petty crime during the day, partly to impress Aurore (Aurelle Doazan), a nurse he idolizes from afar. His criminal hobby seems hard to understand, since it's doubtful that they will really get him anywhere with Aurore; besides, she already has a boyfriend. Nevertheless, Yves starts out by robbing a post office and ends up trying to run over Aurore's boyfriend, an act which finally gets him into serious trouble.

After committing a hit and run, a man insinuates himself into the lives of the victim's family.