Jean-Pierre Limosin

A “Cinéma, de notre temps” series episode directed by french film critic Alain Bergala and filmmaker Jean-Pierre Limosin, originally aired 18 March 2018.

A look at the work of Japanese woodblock printing artist Katsushika Hokusai (1760-1849).

Meet the Japanese Mafia's latest son: a 20 year old named Naoki, part of a surging, decade-long wave of juvenile delinquency in Japan. As Naoki rejects school, jobs and family, his desperate mother decides to take one last chance to save him--by handing him over to the Mafia for one year and letting him choose his own path.

A “Cinéma, de notre temps” series episode directed by french film filmmaker Jean-Pierre Limosin, originally aired sometime around 2006.

Carmen, a bonobo female, flees from the research center in linguistics where she is being kept. She takes refuge at a young couple's place, Mercier and his pregnant wife Myriam. Mercier, beginning at a new job, is reluctant to welcome the ape. But Myriam makes friend with her.

Carmen, a bonobo female, flees from the research center in linguistics where she is being kept. She takes refuge at a young couple's place, Mercier and his pregnant wife Myriam. Mercier, beginning at a new job, is reluctant to welcome the ape. But Myriam makes friend with her.

Twenty years after The Traveler was made, Kiarostami's son filmed his father as he reunited with the film's child star, now in his 30s.

After an injury, Graham suffers from short-term memory loss, which causes him to fall back into the abyss of amnesia every 10 minutes. Those around him both profit and suffer from his condition -- his sex-crazed boss, Sabine, tricks him into regular trysts, while his family tries to come to terms with the situation. But when temp Irene starts working at Graham's company, they fall into an affair that begins to make a mark on his memory.

After an injury, Graham suffers from short-term memory loss, which causes him to fall back into the abyss of amnesia every 10 minutes. Those around him both profit and suffer from his condition -- his sex-crazed boss, Sabine, tricks him into regular trysts, while his family tries to come to terms with the situation. But when temp Irene starts working at Graham's company, they fall into an affair that begins to make a mark on his memory.

Jean-Pierre Limosin follows Takeshi Kitano on the set of Kikujiro, films it during an interview with Shiguehiko Hasumi, president of the University of Tokyo and who, as a great film buff, was one of the first to recognize directorial talents of Takeshi Kitano

Jean-Pierre Limosin follows Takeshi Kitano on the set of Kikujiro, films it during an interview with Shiguehiko Hasumi, president of the University of Tokyo and who, as a great film buff, was one of the first to recognize directorial talents of Takeshi Kitano

This film reveals, under the image of the provocative, misanthropic Austrian writer whose life was peppered with scandals and altercations, a funny and cheerful character, a "ruthless anarchist".

Tóquio, final do século. A polícia está atrás de um misterioso criminoso chamado "Quatro-Olhos", um justiceiro solitário que persegue suas vítimas com estranhos óculos que deformam sua visão. Enquanto o policial Roy (Tetta Sugimoto) é confundido pelos ataques aleatórios, sua irmã mais nova, Hinano (Hinano Yoshikawa), entediada com seu trabalho, decide assumir o papel de investigadora usando seu astuto conhecimento das ruas e trens da cidade para seguir o misterioso homem. Mas, quando a suposta ameaça à sociedade se revela um belo rapaz da sua idade (Shinji Takeda), obcecado por discos, games e que sai pela cidade com uma filmadora gravando tudo o que vê, Hinano tenta o entender e vai simpatizando com aquelas atividades à medida que vai se apaixonando pelo jovem.

Tóquio, final do século. A polícia está atrás de um misterioso criminoso chamado "Quatro-Olhos", um justiceiro solitário que persegue suas vítimas com estranhos óculos que deformam sua visão. Enquanto o policial Roy (Tetta Sugimoto) é confundido pelos ataques aleatórios, sua irmã mais nova, Hinano (Hinano Yoshikawa), entediada com seu trabalho, decide assumir o papel de investigadora usando seu astuto conhecimento das ruas e trens da cidade para seguir o misterioso homem. Mas, quando a suposta ameaça à sociedade se revela um belo rapaz da sua idade (Shinji Takeda), obcecado por discos, games e que sai pela cidade com uma filmadora gravando tudo o que vê, Hinano tenta o entender e vai simpatizando com aquelas atividades à medida que vai se apaixonando pelo jovem.

A “Cinéma, de notre temps” series episode directed by french filmmaker Jean-Pierre Limosin, originally aired 26 January 1996.

A documentary about Iranian film director Abbas Kiarostami first aired on the French television series Cinema de Notre Temps.

A documentary about Iranian film director Abbas Kiarostami first aired on the French television series Cinema de Notre Temps.

When Éric and Marie go to meet their parents at the harbor for the holidays, the latter are victims of an overnight hit-and-run. Marie hides the truth from Éric, investigates the accident alone, and soon finds the presumed culprit.

When Éric and Marie go to meet their parents at the harbor for the holidays, the latter are victims of an overnight hit-and-run. Marie hides the truth from Éric, investigates the accident alone, and soon finds the presumed culprit.

When Éric and Marie go to meet their parents at the harbor for the holidays, the latter are victims of an overnight hit-and-run. Marie hides the truth from Éric, investigates the accident alone, and soon finds the presumed culprit.

With an off-beat sense of humor to match its erratic central character, this original comedy-drama features Jean-Philippe Ecoffey as Yves, a young man who works as a cop at night. The catch is that Yves turns to petty crime during the day, partly to impress Aurore (Aurelle Doazan), a nurse he idolizes from afar. His criminal hobby seems hard to understand, since it's doubtful that they will really get him anywhere with Aurore; besides, she already has a boyfriend. Nevertheless, Yves starts out by robbing a post office and ends up trying to run over Aurore's boyfriend, an act which finally gets him into serious trouble.

With an off-beat sense of humor to match its erratic central character, this original comedy-drama features Jean-Philippe Ecoffey as Yves, a young man who works as a cop at night. The catch is that Yves turns to petty crime during the day, partly to impress Aurore (Aurelle Doazan), a nurse he idolizes from afar. His criminal hobby seems hard to understand, since it's doubtful that they will really get him anywhere with Aurore; besides, she already has a boyfriend. Nevertheless, Yves starts out by robbing a post office and ends up trying to run over Aurore's boyfriend, an act which finally gets him into serious trouble.

After committing a hit and run, a man insinuates himself into the lives of the victim's family.