Jolanta Dylewska

A storm causes damage to a bridge that connects the world of the living with the world of the dead. For this reason, the information about Maria’s own death reaches her with delay.

Shortly before his death, Marek Edelman (1919-2009), former commander of the Warsaw Ghetto Uprising (1943) against the Nazi occupation, wonders about several basic themes of human existence in relation to the Shoah: how was it possible to enjoy love, tenderness, passion and lust while the whole world was crumbling and burning around.

Shortly before his death, Marek Edelman (1919-2009), former commander of the Warsaw Ghetto Uprising (1943) against the Nazi occupation, wonders about several basic themes of human existence in relation to the Shoah: how was it possible to enjoy love, tenderness, passion and lust while the whole world was crumbling and burning around.

Shortly before his death, Marek Edelman (1919-2009), former commander of the Warsaw Ghetto Uprising (1943) against the Nazi occupation, wonders about several basic themes of human existence in relation to the Shoah: how was it possible to enjoy love, tenderness, passion and lust while the whole world was crumbling and burning around.

Ayka acaba de dar a luz, pero no puede permitirse tener un hijo. Es ilegal en Moscú, no tiene trabajo y tiene que pagar demasiadas deudas. No tiene ni siquiera un lugar donde dormir. Y sin embargo, la naturaleza pone todo en orden. Después de dar a luz a su hijo, lo deja en el hospital. Sin embargo, algún tiempo después, su instinto maternal le lleva a intentos desesperados de encontrar al niño abandonado.

Janina Duszejko, ex ingeniera, astróloga y vegetariana, vive en un pequeño pueblo en las montañas de Los Sudetes. Una noche, se encuentra un cadáver cerca de su casa. La víctima es un cazador furtivo que murió en extrañas circunstancias. Con el paso del tiempo, se encontrarán en la zona más cuerpos: todos de cazadores que, según Janina, han sido asesinados por animales salvajes. Tras un último descubrimiento, Janina se convertirá en principal sospechosa de la policía y el devenir de los eventos no dejará lugar a dudas a los agentes.

Es 1943, la ciudad polaca de Lvov está ocupada por los nazis. La pobreza crece. Un día el ladrón y egoísta Leopold Socha se encuentra con un grupo de refugiados judíos y los oculta junto al dinero en el laberinto de las alcantarillas de la ciudad. En un primer momento sólo está interesado en el negocio lucrativo, pero poco a poco duda de su cometido. Finalmente arriesga su propia vida por los refugiados...

Bogus Kowalski is such a radical 17-year-old rebel that he even decides to have a "Fuck Off" tattoo on his forehead. His anger and frustration cannot be diminished by anyone, including his mother, Polish teacher and priest.

Tras finalizar su servicio militar, Asa se dispone a regresar a su pueblo natal en la agreste estepa de Kazajistán, donde su hermana mayor y su marido son pastores de ovejas. Pronto aprenderá que si quiere tener su propio rebaño deberá encontrar una mujer con la que casarse. El problema es que las jóvenes solteras no abundan en la zona. Tulpan, hija de una familia de pastores, parece la única candidata posible, pero ella tiene otros planes: abandonar el campo para poder estudiar, y la única excusa que se le ocurre para rechazar a Asa es que tiene las orejas muy grandes. A pesar de ello, Asa no se rinde y, con la colaboración de su amigo Boni, se esforzará en demostrar a todo el mundo que puede ser un buen ovejero y un adecuado pretendiente para Tulpan.

Unique archives show a world that no longer exists: pre-war Poland in which two cultures: Jewish and Polish, coexisted wall-in-wall; cottage in a cottage; town next to town. "Po-lin" - meaning "we will stop here" in Yiddish - does not deny the painful past. It only shows that there was something more next to them. Worth remembering and - perhaps - reconstruction.

Unique archives show a world that no longer exists: pre-war Poland in which two cultures: Jewish and Polish, coexisted wall-in-wall; cottage in a cottage; town next to town. "Po-lin" - meaning "we will stop here" in Yiddish - does not deny the painful past. It only shows that there was something more next to them. Worth remembering and - perhaps - reconstruction.

Unique archives show a world that no longer exists: pre-war Poland in which two cultures: Jewish and Polish, coexisted wall-in-wall; cottage in a cottage; town next to town. "Po-lin" - meaning "we will stop here" in Yiddish - does not deny the painful past. It only shows that there was something more next to them. Worth remembering and - perhaps - reconstruction.

Cologne towards the end of the Second World War. The city is in ruins, everyone is afraid, many are dead. It is a time of great inhumanity. Cologne’s young Edelweiss Pirates refuse to submit to the pressure of the Nazi regime. They fight with the Hitler Youth and scrawl anti-war propaganda on walls. Karl is an Edelweiss Pirate; his younger brother, Peter, is in the Hitler Youth movement. The two young men have been alone ever since their mother’s death in a bombing raid; their father is serving at the front, and their older brother, Otto, has been killed in action. Otto’s financée, Cilly, is doing her best to survive the war with her children. Carl is trying to help her.

The film takes place in two spaces of time. Modern history tells the story of a passing relationship crisis doctor James with her teacher Maria. During the night shift, Jacob is trying to calm the boy. Experiencing a shock that pushes him into the inner journey in time past, in the regions of childhood, to the genesis of his fears and frustrations. The second story waged simultaneously with the first takes place in the nineteenth century, in a nobleman's manor where Maria takes care of the ailing heiress Elizabeth. Elizabeth's daughter, Zofia, is expecting a baby. — Polish Wikipedia