Dean Lent

Historia alrededor de Jazmin Biltmore (Mo'Nique), una ingeniosa aspirante a diseñadora de moda, y sus "rellenitas" amigas, obsesionadas con su peso y con encontrar el amor y aceptarse a sí mismas en un mundo lleno de "tías buenas" delgadas.

Uh-Oh! is the story of Jonny, a silly, good-hearted, bumbling man with an uncommon streak of bad luck, until he meets a sea captain. He goes through several jobs and sets of circumstances where he inevitably messes up, thus revealing the meaning of the film title - he spends most of his time saying "uh oh!" as he watches fiasco after fiasco unfurl, with him as the catalyst.

Short documentary about the making of the 1987 film.

Rick, a dope fiend, believes his goal in life is to track down Ginger, a famous porn star who is currently staying in her Beverly Hills hideaway. Rick is obsessed with Ginger, watches her movies obsessively, and deals drugs on the side, all to the chagrin of his lover Tamara. He decides to seek out Ginger while on the road, and along the way picks up Jules, a neurotic virgin.

Two G-Men, returning from hell, must perform good deeds to save themselves from a doomed fate.

A taxi driver (Naveen Andrews) picks up a fare (Barbara Hershey) in Manhattan. She offers the driver a large sum to drive her to the desert. While the pair drive across the country, the woman tries various strategies to lure the driver into conversation. Despite his reticence, the pair begins a tumultuous and steamy relationship.

Grandma Lee tours the California wilderness in a motor home with her Americanized family, teaching them Tai Chi and the ancient Chinese way to deal with modern American life.

Un asesino en serie muere y su alma se reencarna en un muñeco de nieve, que obviamente reinicia sus matanzas.

A revenge movie about a thief, Michael (John Bradley) who escapes from prison to take a vengeance on the partner, Kelly (Christopher Mayer) who double-crossed and sent him to prison.

Famoso productor de películas apuesta que puede convertir a desconocido en estrella en el Festival de Cannes.

John Bolen, un soldado robot escapado de la destrucción dos años atrás, usurpa el lugar de un profesor sustituto y comienza a imponer su propia ley en un instituto. Allí vive G. D. Ashes, un agente del gobierno que quiere a Bolen para usarlo como prototipo en un experimento. Ashes cree saber todo de Bolen pero... ¿realmente sabe todo?

An erotic thriller actress becomes the prime suspect in the murder of a B-movie producer, leading her to hide out and engage in sexual thrills with a pair of innocents.

El retrato de una madre que trabaja como camarera mientras trata de encontrar tiempo para sus dos hijas adolescentes en una pequeña y desértica ciudad de Nuevo México supuso el aclamado debut de Allison Anders como uno de los mejores títulos del cine independiente americano de los primeros años noventa, una brillante radiografía del alma de tres mujeres en la América profunda.

Before carving out a niche as one of the most distinct voices in nineties American cinema, Allison Anders made her debut, alongside codirectors and fellow UCLA film school students Kurt Voss and Dean Lent, with 1987’s Border Radio. A low-key, semi-improvised postpunk diary that took four years to complete, Border Radio features legendary rocker Chris D., of the Flesh Eaters, as a singer/songwriter who has stolen loot from a club and gone missing, leaving his wife (Luanna Anders), a no-nonsense rock journalist, to track him down with the help of his friends (John Doe of the band X; Chris Shearer). With its sprawling Southern Californian and Mexican landscapes, captured in evocative 16mm black and white, Border Radio is a singular, DIY memento of the indie film explosion in America.

Before carving out a niche as one of the most distinct voices in nineties American cinema, Allison Anders made her debut, alongside codirectors and fellow UCLA film school students Kurt Voss and Dean Lent, with 1987’s Border Radio. A low-key, semi-improvised postpunk diary that took four years to complete, Border Radio features legendary rocker Chris D., of the Flesh Eaters, as a singer/songwriter who has stolen loot from a club and gone missing, leaving his wife (Luanna Anders), a no-nonsense rock journalist, to track him down with the help of his friends (John Doe of the band X; Chris Shearer). With its sprawling Southern Californian and Mexican landscapes, captured in evocative 16mm black and white, Border Radio is a singular, DIY memento of the indie film explosion in America.

Before carving out a niche as one of the most distinct voices in nineties American cinema, Allison Anders made her debut, alongside codirectors and fellow UCLA film school students Kurt Voss and Dean Lent, with 1987’s Border Radio. A low-key, semi-improvised postpunk diary that took four years to complete, Border Radio features legendary rocker Chris D., of the Flesh Eaters, as a singer/songwriter who has stolen loot from a club and gone missing, leaving his wife (Luanna Anders), a no-nonsense rock journalist, to track him down with the help of his friends (John Doe of the band X; Chris Shearer). With its sprawling Southern Californian and Mexican landscapes, captured in evocative 16mm black and white, Border Radio is a singular, DIY memento of the indie film explosion in America.

Un hombre aparece andando en el desierto de Texas sin recordar quién es. Su hermano va en su busca, intentando que recuerde su vida cuatro años atrás, cuando abandonó a su mujer y a su hijo. Mientras la memoria va volviendo a él y recupera el contacto con personas de su pasado, descubre la oportunidad de rehacer su vida.

In the midst of family confusion, Randy goes on a road trip with his school friends to discover his sexuality in the 1970s.

In the midst of family confusion, Randy goes on a road trip with his school friends to discover his sexuality in the 1970s.