Dean Lent

Jazmin Biltmore é uma designer de moda plus size, que decide criar uma linha sensual para mulheres tamanho GG. Porém, ela não consegue financiamento para mesma. Cansada de sempre receber não como resposta, Jazmin é surpreendida ao ganhar uma viagem com tudo pago para um maravilhoso resort, onde acredita que encontrará o homem da sua vida.

Uh-Oh! is the story of Jonny, a silly, good-hearted, bumbling man with an uncommon streak of bad luck, until he meets a sea captain. He goes through several jobs and sets of circumstances where he inevitably messes up, thus revealing the meaning of the film title - he spends most of his time saying "uh oh!" as he watches fiasco after fiasco unfurl, with him as the catalyst.

Short documentary about the making of the 1987 film.

Rick, a dope fiend, believes his goal in life is to track down Ginger, a famous porn star who is currently staying in her Beverly Hills hideaway. Rick is obsessed with Ginger, watches her movies obsessively, and deals drugs on the side, all to the chagrin of his lover Tamara. He decides to seek out Ginger while on the road, and along the way picks up Jules, a neurotic virgin.

Two G-Men, returning from hell, must perform good deeds to save themselves from a doomed fate.

A taxi driver (Naveen Andrews) picks up a fare (Barbara Hershey) in Manhattan. She offers the driver a large sum to drive her to the desert. While the pair drive across the country, the woman tries various strategies to lure the driver into conversation. Despite his reticence, the pair begins a tumultuous and steamy relationship.

Grandma Lee tours the California wilderness in a motor home with her Americanized family, teaching them Tai Chi and the ancient Chinese way to deal with modern American life.

Jack Frost é um perigoso assassino que morre após um acidente de estrada em que ele se choca com um caminhão carregando material genético. Seu corpo se mistura com a neve e ele se transforma num terrível mostro de neve, com dentes afiados e desejo de matar.

A revenge movie about a thief, Michael (John Bradley) who escapes from prison to take a vengeance on the partner, Kelly (Christopher Mayer) who double-crossed and sent him to prison.

Film producer Sy Lerner makes a bet with a fellow film executive that he can turn any nobody into a star at the Cannes Film Festival. A New York cab driver who is visiting the festival is chosen as the test subject to settle the bet and Sy uses his skills of hype and manipulation to try and turn the cab driver named Frank into the talk of the town. Many celebrities make cameos throughout the film.

No futuro, uma escola é aterrorizada por gangues de delinqüentes juvenis. Até a chegada de um novo professor - na verdade, um andróide -, com métodos próprios de lidar com a violência, e que acaba entrando em conflito com os humanos ao se apaixonar por uma bela professora.

An erotic thriller actress becomes the prime suspect in the murder of a B-movie producer, leading her to hide out and engage in sexual thrills with a pair of innocents.

Nora, a single mother raising two teenage daughters, Shade and Trudi, waits tables at a truck-stop diner in a small New Mexico town. The beautiful and rebellious Trudi drops out of school and gets a job alongside Nora, while the younger Shade whittles away her time at Spanish movie matinees. Their lives are turned upside down when Trudi becomes pregnant and the girls' absent father returns.

Before carving out a niche as one of the most distinct voices in nineties American cinema, Allison Anders made her debut, alongside codirectors and fellow UCLA film school students Kurt Voss and Dean Lent, with 1987’s Border Radio. A low-key, semi-improvised postpunk diary that took four years to complete, Border Radio features legendary rocker Chris D., of the Flesh Eaters, as a singer/songwriter who has stolen loot from a club and gone missing, leaving his wife (Luanna Anders), a no-nonsense rock journalist, to track him down with the help of his friends (John Doe of the band X; Chris Shearer). With its sprawling Southern Californian and Mexican landscapes, captured in evocative 16mm black and white, Border Radio is a singular, DIY memento of the indie film explosion in America.

Before carving out a niche as one of the most distinct voices in nineties American cinema, Allison Anders made her debut, alongside codirectors and fellow UCLA film school students Kurt Voss and Dean Lent, with 1987’s Border Radio. A low-key, semi-improvised postpunk diary that took four years to complete, Border Radio features legendary rocker Chris D., of the Flesh Eaters, as a singer/songwriter who has stolen loot from a club and gone missing, leaving his wife (Luanna Anders), a no-nonsense rock journalist, to track him down with the help of his friends (John Doe of the band X; Chris Shearer). With its sprawling Southern Californian and Mexican landscapes, captured in evocative 16mm black and white, Border Radio is a singular, DIY memento of the indie film explosion in America.

Before carving out a niche as one of the most distinct voices in nineties American cinema, Allison Anders made her debut, alongside codirectors and fellow UCLA film school students Kurt Voss and Dean Lent, with 1987’s Border Radio. A low-key, semi-improvised postpunk diary that took four years to complete, Border Radio features legendary rocker Chris D., of the Flesh Eaters, as a singer/songwriter who has stolen loot from a club and gone missing, leaving his wife (Luanna Anders), a no-nonsense rock journalist, to track him down with the help of his friends (John Doe of the band X; Chris Shearer). With its sprawling Southern Californian and Mexican landscapes, captured in evocative 16mm black and white, Border Radio is a singular, DIY memento of the indie film explosion in America.

Travis Henderson, um vagabundo sem objetivo que está desaparecido há quatro anos, vagueia pelo deserto fora e tem de voltar a estabelecer laços com a sociedade, ele mesmo, a sua vida e a sua família.

In the midst of family confusion, Randy goes on a road trip with his school friends to discover his sexuality in the 1970s.

In the midst of family confusion, Randy goes on a road trip with his school friends to discover his sexuality in the 1970s.