The film takes place in two spaces of time. Modern history tells the story of a passing relationship crisis doctor James with her teacher Maria. During the night shift, Jacob is trying to calm the boy. Experiencing a shock that pushes him into the inner journey in time past, in the regions of childhood, to the genesis of his fears and frustrations. The second story waged simultaneously with the first takes place in the nineteenth century, in a nobleman's manor where Maria takes care of the ailing heiress Elizabeth. Elizabeth's daughter, Zofia, is expecting a baby. — Polish Wikipedia
Territorio alemán, que ha pasado a Polonia tras la II Guerra Mundial. Emilia vive con su madre en condiciones penosas, aguardando el improbable regreso de su esposo, en paradero desconocido desde que servía en el ejército. Un destacamento de soldados estadounidenses investiga crímenes de guerra en la zona. Uno de ellos, Norman, ayuda a las dos mujeres, y enseguida se ve atraído por Emilia, que duda acerca de aventurarse en un romance con él.
This is part one of a two-part biopic about Karl Liebknecht. In 1914, Germany is arming itself for war. Karl Liebknecht, left-wing revolutionary Social Democrat, workers’ leader and a virulent antimilitarist, is one among 110 SPD members of Parliament who vote against approving war loans. From then on, he is considered un-German and a traitor to the fatherland, and his own party’s leadership turns against him. Despite threats, Liebknecht speaks up against the war and writes the manifesto “The Main Enemy Is at Home.” Even when he is arrested and charged with treason, he does not surrender.
A young man, Kuba, is returning from the army. At home, an image of misery and despair remains: the father is seriously ill, and the mother has become emotionally attached to the man who exploits her and intends to take over the farm. After the death of his father, the young man guards the farm, but his girlfriend leaves him. Unable to bear the atmosphere of envy and resentment, Kuba leaves for the city.
