The film takes place in two spaces of time. Modern history tells the story of a passing relationship crisis doctor James with her teacher Maria. During the night shift, Jacob is trying to calm the boy. Experiencing a shock that pushes him into the inner journey in time past, in the regions of childhood, to the genesis of his fears and frustrations. The second story waged simultaneously with the first takes place in the nineteenth century, in a nobleman's manor where Maria takes care of the ailing heiress Elizabeth. Elizabeth's daughter, Zofia, is expecting a baby. — Polish Wikipedia
Inspirado no diário espiritual de Santa Faustina, narra as revelações de Jesus a ela, e as experiências espirituais extraordinárias que ela viveu. Em 1931, Jesus lhe confia uma missão especial. Ele lhe apareceu vestido de branco, tendo a mão direita levanta no ato de abençoar e a esquerda pousava no peito, deixando sair dois grandes raios, um vermelho e outro branco. Disse-lhe Jesus: "Pinta uma imagem de acordo com o modelo que você está vendo, com a inscrição: Jesus, eu confio em Vós! Desejo que esta imagem seja venerada no mundo inteiro". Faustina dedicou toda sua vida para relançar no mundo a mensagem da misericórdia de Deus que acompanha cada pessoa.
Shortly after World War II an American soldier (Norman) and a Polish refugee (Emilia) fall in love. Eventually he will return to the U.S. and both expect that she will soon follow him with her mother. Emilia's mother is sick, but will recover with the right medicine. But the mother, and not Emilia, knows that there will only be one ticket...
This is part one of a two-part biopic about Karl Liebknecht. In 1914, Germany is arming itself for war. Karl Liebknecht, left-wing revolutionary Social Democrat, workers’ leader and a virulent antimilitarist, is one among 110 SPD members of Parliament who vote against approving war loans. From then on, he is considered un-German and a traitor to the fatherland, and his own party’s leadership turns against him. Despite threats, Liebknecht speaks up against the war and writes the manifesto “The Main Enemy Is at Home.” Even when he is arrested and charged with treason, he does not surrender.
A young man, Kuba, is returning from the army. At home, an image of misery and despair remains: the father is seriously ill, and the mother has become emotionally attached to the man who exploits her and intends to take over the farm. After the death of his father, the young man guards the farm, but his girlfriend leaves him. Unable to bear the atmosphere of envy and resentment, Kuba leaves for the city.
