The film takes place in two spaces of time. Modern history tells the story of a passing relationship crisis doctor James with her teacher Maria. During the night shift, Jacob is trying to calm the boy. Experiencing a shock that pushes him into the inner journey in time past, in the regions of childhood, to the genesis of his fears and frustrations. The second story waged simultaneously with the first takes place in the nineteenth century, in a nobleman's manor where Maria takes care of the ailing heiress Elizabeth. Elizabeth's daughter, Zofia, is expecting a baby. — Polish Wikipedia
Faustina is a 1995 Polish film directed by Jerzy Łukaszewicz about Blessed Sister Faustina Kowalska, a saint of the Roman Catholic Church who was canonized by Pope John Paul II in 2000. It is the first feature film of its kind in Poland, and far from the path of modern cinema.
에밀리와 그녀의 노모는 적군파에 의해 해방된 폴란드의 난민이다. 그들은 미국 전쟁포로의 생사확인을 위해 파견된 연합군 위원회의 운전병 노만을 만나게 된다. 말이 통하지 않음에도 불구하고 노만과 에밀리는 첫눈에 사랑에 빠진다. 노만은 에밀리와 그녀의 어머니를 미국으로 데려가려 하지만, 유일한 방법은 국경을 넘어 불법탈출하는 것이다. 에밀리는 노만이 준 돈으로 안내자를 구하지만 병약한 어머니는 탈출을 시도하기엔 이미 너무 쇠약한 상태다. 딸의 앞길에 방해가 되지 않기 위해 어머니는 몰래 목숨을 끊는다. 어머니의 장례식 후, 에밀리는 어머니가 자신을 위해 희생했다는 사실을 알게 되고 결국 서베를린에서 기다리는 노만을 버려 둔 채 이 곳에 남기로 결심한다. 수년이 흐른 뒤 에밀리는 또 다른 여행을 준비한다.
This is part one of a two-part biopic about Karl Liebknecht. In 1914, Germany is arming itself for war. Karl Liebknecht, left-wing revolutionary Social Democrat, workers’ leader and a virulent antimilitarist, is one among 110 SPD members of Parliament who vote against approving war loans. From then on, he is considered un-German and a traitor to the fatherland, and his own party’s leadership turns against him. Despite threats, Liebknecht speaks up against the war and writes the manifesto “The Main Enemy Is at Home.” Even when he is arrested and charged with treason, he does not surrender.
A young man, Kuba, is returning from the army. At home, an image of misery and despair remains: the father is seriously ill, and the mother has become emotionally attached to the man who exploits her and intends to take over the farm. After the death of his father, the young man guards the farm, but his girlfriend leaves him. Unable to bear the atmosphere of envy and resentment, Kuba leaves for the city.
