Billy MacKinnon
Nacimiento : , Glasgow, Scotland, UK
Screenplay
The story is set in Palestine in 1947, during the British mandate period. The Zionists are fighting for the establishment of a Jewish state, and four comrades in arms pressure the young Elisha to overcome his moral qualms and fully commit to the armed struggle.
Executive Producer
A privileged music student and an off-the-rails youth share an unlikely moment of intimacy with a violin.
Writer
The story is set some time in the past, or maybe some time in the future. Given a time-frame, we would say somewhere between the American moonwalk, and Coca- Cola's serious ambition to turn the moon into an advertising logo. Our central character, the young lift operator, is formed by experience into cynicism, detachment, and apathy. The story builds to its crescendo: of public outrage and state crackdown; the banality of commercial interest and the monumental rape of nature. Set in a large newspaper office, the Lift is a place of relative safety. But floor by floor, with each passenger in his or her tableau, the atmosphere of mayhem seeps in. Finally our young character leaves the situation, far-gone in hopelessness and disinterest.
Writer
When he is released from a young Offender's Institute, Bobby Brewer a wayward 16 year old, is forced to take to the road with his errant troubadour father, Ronnie.
Screenplay
Primeros años setenta. Desencantada de los convencionalismos de la vida inglesa, la joven Julia viaja a Marruecos con sus hijos, Lucy, de seis años, y la precoz Bea de ocho. Alojados en un destartalado hotel de Marrakesh, el trio sobrevive vendiendo muñecas fabricadas por ellos mismos y con los pocos cheques que les envía su padre.
Producer
Retrato de una familia trabajadora con tres hijos en el Glasgow de 1968, centrada, especialmente, en el hijo más pequeño, de 13 años, y su introducción en el mundo de las bandas de delincuencia locales.
Producer
Ann (Kerry Walker) cleans for a living. She confronts problems like a vacuum cleaner sucks up dirt from the carpet. She shares everything she has with her two moody children (Noah Taylor, Sarah Hooper) and her equally erratic neighbours. She also shares everything her rich and constantly out-of-town employers have. While Ann vacuums her clients’ penthouses, her friends enjoy the million dollar views, luxury appointments, home gyms, cocktails by the pool - the things they have always wanted, but could never in their wildest dreams afford.
Script Editor
Film sobre las relaciones humanas y familiares, la superstición, el miedo y los esfuerzos para conservar el amor en un mundo que no se puede controlar. El debut de Campion constituye un estudio de caracteres femeninos más bien desequilibrados.
Co-Producer
Film sobre las relaciones humanas y familiares, la superstición, el miedo y los esfuerzos para conservar el amor en un mundo que no se puede controlar. El debut de Campion constituye un estudio de caracteres femeninos más bien desequilibrados.