Billy MacKinnon

Nascimento : , Glasgow, Scotland, UK

Filmes

Dawn
Screenplay
The story is set in Palestine in 1947, during the British mandate period. The Zionists are fighting for the establishment of a Jewish state, and four comrades in arms pressure the young Elisha to overcome his moral qualms and fully commit to the armed struggle.
Violin
Executive Producer
A privileged music student and an off-the-rails youth share an unlikely moment of intimacy with a violin.
Aufzug
Writer
The story is set some time in the past, or maybe some time in the future. Given a time-frame, we would say somewhere between the American moonwalk, and Coca- Cola's serious ambition to turn the moon into an advertising logo. Our central character, the young lift operator, is formed by experience into cynicism, detachment, and apathy. The story builds to its crescendo: of public outrage and state crackdown; the banality of commercial interest and the monumental rape of nature. Set in a large newspaper office, the Lift is a place of relative safety. But floor by floor, with each passenger in his or her tableau, the atmosphere of mayhem seeps in. Finally our young character leaves the situation, far-gone in hopelessness and disinterest.
Wayfaring Stranger
Writer
When he is released from a young Offender's Institute, Bobby Brewer a wayward 16 year old, is forced to take to the road with his errant troubadour father, Ronnie.
O Expresso de Marrakesh
Screenplay
Uma mulher britânica viaja com suas duas filhas pequenas de Londres para o Marrocos. Neste novo lugar, elas tentam se adaptar à nova cultura, enquanto a mãe busca uma vida de liberdade e amor.
Small Faces
Producer
Three teenage brothers, gang-member Bobby, troubled mama's boy Alan and self-assured prankster Lex, reside in a downtrodden section of Glasgow, Scotland, circa 1968. But while Bobby and Alan are beginning to experience the power of raging hormones, the story focuses on Lex, who begins a downward spiral after he accidentally shoots the leader of Bobby's gang. Lex's cockiness and immaturity unfortunately prevent him from understanding the effect his subsequent crimes will have on both himself, and on those around him.
The Last Crop
Producer
Ann (Kerry Walker) cleans for a living. She confronts problems like a vacuum cleaner sucks up dirt from the carpet. She shares everything she has with her two moody children (Noah Taylor, Sarah Hooper) and her equally erratic neighbours. She also shares everything her rich and constantly out-of-town employers have. While Ann vacuums her clients’ penthouses, her friends enjoy the million dollar views, luxury appointments, home gyms, cocktails by the pool - the things they have always wanted, but could never in their wildest dreams afford.
Sweetie
Script Editor
Conservadora e supersticiosa, Kay tenta levar uma vida normal com o novo namorado Louis. Isso até Sweetie, sua irmã despreocupada, voltar para casa depois de um tempo fora, expondo as raízes podres de sua família e colocando pressão no relacionamento de Kay e Louis.
Sweetie
Co-Producer
Conservadora e supersticiosa, Kay tenta levar uma vida normal com o novo namorado Louis. Isso até Sweetie, sua irmã despreocupada, voltar para casa depois de um tempo fora, expondo as raízes podres de sua família e colocando pressão no relacionamento de Kay e Louis.