Shunichi Nagasaki

Toshihide works as a doctor at a clinic located by the sea. One day, he meets Ako. She looks exactly like the woman he admires. Due to her, his heart flutters. Soon, Toshihide realizes that Ako is not his ideal woman. A case leads to Ako to begin living with Toshihide and his family. Living with the warm-hearted family, Ako slowly regains herself and becomes a person with a truthful and honest mind.

Nagasaki's most recent film

Nagasaki's most recent film

Nagasaki's most recent film

Four high school girls, who are part of the legendary theatrical group known as "Rashinban," stops performing due to the sudden death of one member. Four years later the explanation of the girl's death is revealed and the other girls start a plan for revenge...

A series of short stories explore the connection of love between dogs and people.

A 13-year-old girl named Mai refuses to go to school due to her asthma. Her parents send her to to stay with her British grandmother in the countryside. Thinking her grandmother is a witch, Mai asks for witch lessons. Her grandmother plays along, but instead ends up teaching Mai lessons which help her become more responsible and enjoy the simple aspects of life.

A 13-year-old girl named Mai refuses to go to school due to her asthma. Her parents send her to to stay with her British grandmother in the countryside. Thinking her grandmother is a witch, Mai asks for witch lessons. Her grandmother plays along, but instead ends up teaching Mai lessons which help her become more responsible and enjoy the simple aspects of life.

Ambientada en Japón, durante los primeros años de la Era Showa (1932). Un trío de karatekas de un pequeño dojo, ubicado en los bosques del centro de Kyushu, están bajo la tutela del anciano maestro llamado Eiken Shibahara. Entre ellos se debaten el Kuroi Obi, que designará al sucesor del dojo. Choei, Taiken y Giryu se enfrentan a una compañía de la policía militar Kenpeitai, que ha llegado a requisar su dojo para usarlo como una base militar.

This new version of Nagasaki's Yami utsu shinzô (1982) is neither a remake nor a sequel. It is both those things, and at the same time it is also a documentary, a portrait of the consequences of passing time, and an occasionally very funny reflection on what the hell the point is of all this filmmaking business anyway. Shigeru Muroi and Takashi Naito, back then young hopefuls willing to take chances, now among the most established and recognisable actors in Japan, return to play the roles they assumed in the 1982 film, each of their characters having gone their own way. Alongside, another young couple (Honda and the ever-brilliant Eguchi) find themselves in the exact same situation as their older counterparts 25 years earlier. Their paths cross, an opportunity arises: for the elder two to redeem part of their own lives, for the younger couple to find a helping hand in their darkest hour.

This new version of Nagasaki's Yami utsu shinzô (1982) is neither a remake nor a sequel. It is both those things, and at the same time it is also a documentary, a portrait of the consequences of passing time, and an occasionally very funny reflection on what the hell the point is of all this filmmaking business anyway. Shigeru Muroi and Takashi Naito, back then young hopefuls willing to take chances, now among the most established and recognisable actors in Japan, return to play the roles they assumed in the 1982 film, each of their characters having gone their own way. Alongside, another young couple (Honda and the ever-brilliant Eguchi) find themselves in the exact same situation as their older counterparts 25 years earlier. Their paths cross, an opportunity arises: for the elder two to redeem part of their own lives, for the younger couple to find a helping hand in their darkest hour.

This new version of Nagasaki's Yami utsu shinzô (1982) is neither a remake nor a sequel. It is both those things, and at the same time it is also a documentary, a portrait of the consequences of passing time, and an occasionally very funny reflection on what the hell the point is of all this filmmaking business anyway. Shigeru Muroi and Takashi Naito, back then young hopefuls willing to take chances, now among the most established and recognisable actors in Japan, return to play the roles they assumed in the 1982 film, each of their characters having gone their own way. Alongside, another young couple (Honda and the ever-brilliant Eguchi) find themselves in the exact same situation as their older counterparts 25 years earlier. Their paths cross, an opportunity arises: for the elder two to redeem part of their own lives, for the younger couple to find a helping hand in their darkest hour.

A Japanese remake of the South Korean film of the same name.

A Japanese remake of the South Korean film of the same name.

Kasumi is in the midst of an affair with Ishiyama, one of her husband's clients. When Kasumi and her family visit Ishiyama's villa in Hokkaido, she plans to abandon them to be with Ishiyama. The next morning, her daughter Yuka disappears, which throws Kasumi's life into turmoil. Years later, Yuka remains missing, and Kasumi journeys back to Hokkaido with Utsumi, a terminally-ill former detective, and tries to follow any leads she can.

Kasumi is in the midst of an affair with Ishiyama, one of her husband's clients. When Kasumi and her family visit Ishiyama's villa in Hokkaido, she plans to abandon them to be with Ishiyama. The next morning, her daughter Yuka disappears, which throws Kasumi's life into turmoil. Years later, Yuka remains missing, and Kasumi journeys back to Hokkaido with Utsumi, a terminally-ill former detective, and tries to follow any leads she can.

Kasumi is in the midst of an affair with Ishiyama, one of her husband's clients. When Kasumi and her family visit Ishiyama's villa in Hokkaido, she plans to abandon them to be with Ishiyama. The next morning, her daughter Yuka disappears, which throws Kasumi's life into turmoil. Years later, Yuka remains missing, and Kasumi journeys back to Hokkaido with Utsumi, a terminally-ill former detective, and tries to follow any leads she can.

Years after moving to Tokyo with her parents, Hinako returns to her hometown in rural Shikoku. She soon learns that her childhood friend, Sayuri, died several years ago and that Sayuri's mother, who used to perform seances and exorcisms, has gone almost insane with grief. After seeing Sayuri's ghost several times during the night, Hinako consults with some local experts on the paranormal and discovers that Sayuri's mother has something planned for her daughter...

A tough woman is dragging a weaker man deeper and deeper into crime. Woman cop Miki is chasing a wanted man when she stumbles on a crashed car and sees the driver, Koichi, ignite spilled petrol to kill himself and his passenger. She drags Koichi to safety, but the passenger dies. Miki says nothing to challenge the inquest finding of `accidental death', and when she visits Koichi in hospital he begins to understand that her complicity in his crime implies a sexual invitation. But a gumshoe has photos of the crash, and the only way to stall his blackmail is to kill him, the first of several murders...

A tough woman is dragging a weaker man deeper and deeper into crime. Woman cop Miki is chasing a wanted man when she stumbles on a crashed car and sees the driver, Koichi, ignite spilled petrol to kill himself and his passenger. She drags Koichi to safety, but the passenger dies. Miki says nothing to challenge the inquest finding of `accidental death', and when she visits Koichi in hospital he begins to understand that her complicity in his crime implies a sexual invitation. But a gumshoe has photos of the crash, and the only way to stall his blackmail is to kill him, the first of several murders...

The life of a urban planning official and that of an old fellow student, now project developer, are turned upside down by a chance encounter with a beauty obsessed by UFOs.

The life of a urban planning official and that of an old fellow student, now project developer, are turned upside down by a chance encounter with a beauty obsessed by UFOs.

In four chapters, the film anatomises the chaotic life of a radio agony uncle.who is having simultaneous affairs with a sado-masochistic call-girl and the wife of an aggrieved tour-bus driver

In four chapters, the film anatomises the chaotic life of a radio agony uncle.who is having simultaneous affairs with a sado-masochistic call-girl and the wife of an aggrieved tour-bus driver

A drama about a nurse starring Hiroko Yakushimaru

Kono Takeshi has given up work as an electrician to run a gift-shop business with his partner/mistress Rieko, who's a couple of years older than him. When the company faces bankruptcy Kono wants to quit, but Rieko strings him along with the promise of a large cash investment, the proceeds of a real-estate deal. Her actual plan to raise the money is to kidnap a young woman and demand a ransom for her release. The trouble is, it never occurs to her to keep the victim alive before trying to extort the cash. And when things start to go wrong, Rieko responds by murdering another girl and attempting another ransom scam..

The film begins with some Polaroids of a young boy and a young girl. A female voice over tells us who these people are...they are brother and sister, she is seven and he is eight. She goes on to say that when she was seven and he was eight, she told her brother that she would marry him.

After serving time for bank fraud, Kiriko now lives a quiet life as a taxi driver working night shifts... but her peace is shattered by a relentless stalker in a Land Cruiser.

After serving time for bank fraud, Kiriko now lives a quiet life as a taxi driver working night shifts... but her peace is shattered by a relentless stalker in a Land Cruiser.

A Tokyo psychiatrist is hoping to better his career by marrying the daughter of a prominent doctor. The match is threatened however when an attractive but very troubled tourist guide comes to him for consultation...

A Tokyo psychiatrist is hoping to better his career by marrying the daughter of a prominent doctor. The match is threatened however when an attractive but very troubled tourist guide comes to him for consultation...

Four young high school students who dream of being in a rock band must deal with the unexpected deaths of their friends while making concert decisions.

Four young high school students who dream of being in a rock band must deal with the unexpected deaths of their friends while making concert decisions.

While attending a screening of his film at the London Film Festival, a Japanese man tries to track down a woman from his past after receiving a mysterious phone call.

Ryo once rode with a biker gang; ever since his friend Tetsuji died riding in September, he's retired from biking, trying to forget the past.

Ryo once rode with a biker gang; ever since his friend Tetsuji died riding in September, he's retired from biking, trying to forget the past.

Ryo once rode with a biker gang; ever since his friend Tetsuji died riding in September, he's retired from biking, trying to forget the past.

Film director Shunichi Nagasaki reflects on a near-fatal motorcycle accident that occurred while shooting his commercial feature debut The Lonely Hearts Club Band in September.

Film director Shunichi Nagasaki reflects on a near-fatal motorcycle accident that occurred while shooting his commercial feature debut The Lonely Hearts Club Band in September.

Film director Shunichi Nagasaki reflects on a near-fatal motorcycle accident that occurred while shooting his commercial feature debut The Lonely Hearts Club Band in September.

A boy and girl struggle to understand their place in 1980s Japan, retiring to copulate and probe each other for answers.

A boy and girl struggle to understand their place in 1980s Japan, retiring to copulate and probe each other for answers.

La compañera de trabajo de Natsuko, Etsuko, le pregunta qué siente por los hombres. "No para mí", dice ella, "no me degradaré". Basado en una historia real de un periódico, Afternoon Breezes presenta el lesbianismo reprimido de Natsuko como un enamoramiento que se convierte en una obsesión con su compañera de cuarto Mitsu.

La compañera de trabajo de Natsuko, Etsuko, le pregunta qué siente por los hombres. "No para mí", dice ella, "no me degradaré". Basado en una historia real de un periódico, Afternoon Breezes presenta el lesbianismo reprimido de Natsuko como un enamoramiento que se convierte en una obsesión con su compañera de cuarto Mitsu.

This is Yamakawa's first feature film in 16mm. A group of university students who grew up in an era of rapid economic growth yearn for "another side" of life as they face romantic conflicts and the suicide of a fellow student.

A journalist, his pyromaniac girlfriend, and an ex-baseball player team up to rip off a gangster, with violent consequences.

A journalist, his pyromaniac girlfriend, and an ex-baseball player team up to rip off a gangster, with violent consequences.

A female vocalist breaks with her manager and sets to work with an old man of his band. The involvement of the gay, Super8 addicted friend of the manager leads to increasingly high waves of frustration, treachery, humiliation and cruelty.

A female vocalist breaks with her manager and sets to work with an old man of his band. The involvement of the gay, Super8 addicted friend of the manager leads to increasingly high waves of frustration, treachery, humiliation and cruelty.

A female vocalist breaks with her manager and sets to work with an old man of his band. The involvement of the gay, Super8 addicted friend of the manager leads to increasingly high waves of frustration, treachery, humiliation and cruelty.

A female vocalist breaks with her manager and sets to work with an old man of his band. The involvement of the gay, Super8 addicted friend of the manager leads to increasingly high waves of frustration, treachery, humiliation and cruelty.

The first 16mm film to depict the terrorism and betrayal of a public security spy, set against a backdrop of internal strife. One of the origins of Nagasaki's work.

The first 16mm film to depict the terrorism and betrayal of a public security spy, set against a backdrop of internal strife. One of the origins of Nagasaki's work.

The first 16mm film to depict the terrorism and betrayal of a public security spy, set against a backdrop of internal strife. One of the origins of Nagasaki's work.