Shunichi Nagasaki

Toshihide works as a doctor at a clinic located by the sea. One day, he meets Ako. She looks exactly like the woman he admires. Due to her, his heart flutters. Soon, Toshihide realizes that Ako is not his ideal woman. A case leads to Ako to begin living with Toshihide and his family. Living with the warm-hearted family, Ako slowly regains herself and becomes a person with a truthful and honest mind.

Nagasaki's most recent film

Nagasaki's most recent film

Nagasaki's most recent film

Four high school girls, who are part of the legendary theatrical group known as "Rashinban," stops performing due to the sudden death of one member. Four years later the explanation of the girl's death is revealed and the other girls start a plan for revenge...

「犬の名前」…子どもの頃に飼い犬が死んで以来、犬嫌いになってしまった一郎。しかし妻の美里は、そんな夫にお構いなしに大型犬をもらってきてしまう。とても頭の良い犬に、徐々に心を開いていく一郎。だがそんな矢先、一郎の身に“ある異変”が起き始める…。「お母さんは心配性」…息子の結婚披露宴中に、初めてのお留守番をさせてきた愛犬が心配でたまらなくなった美知代は…!?　「バニラのかけら」…愛犬を亡くした悲しみからいつまで経っても立ち直れない奈津子は、ある日、公園でかつての愛犬そっくりの犬と出会う。…ほか3篇。

中学生になったばかりのまい（高橋真悠）は登校拒否になり、大好きなおばあちゃん（サチ・パーカー）の住む田舎で過ごすことになる。日本に長年住むイギリス人のおばあちゃんは、西の魔女と呼ばれていた。まいはおばあちゃんから魔女の手ほどきを受け、何でも自分で決めるということを教わる。

中学生になったばかりのまい（高橋真悠）は登校拒否になり、大好きなおばあちゃん（サチ・パーカー）の住む田舎で過ごすことになる。日本に長年住むイギリス人のおばあちゃんは、西の魔女と呼ばれていた。まいはおばあちゃんから魔女の手ほどきを受け、何でも自分で決めるということを教わる。

Set in 1932, amid the rise of militarism after the establishment of the Manchukuo colony in Northeast China, the story centers on a trio of karateka. Studying under their aging master in a small dojo in the woods of central Kyushu, Choei, Taikan and Giryu face a company of kempeitai military police come to requisition their dojo for use as a military base.

This new version of Nagasaki's Yami utsu shinzô (1982) is neither a remake nor a sequel. It is both those things, and at the same time it is also a documentary, a portrait of the consequences of passing time, and an occasionally very funny reflection on what the hell the point is of all this filmmaking business anyway. Shigeru Muroi and Takashi Naito, back then young hopefuls willing to take chances, now among the most established and recognisable actors in Japan, return to play the roles they assumed in the 1982 film, each of their characters having gone their own way. Alongside, another young couple (Honda and the ever-brilliant Eguchi) find themselves in the exact same situation as their older counterparts 25 years earlier. Their paths cross, an opportunity arises: for the elder two to redeem part of their own lives, for the younger couple to find a helping hand in their darkest hour.

This new version of Nagasaki's Yami utsu shinzô (1982) is neither a remake nor a sequel. It is both those things, and at the same time it is also a documentary, a portrait of the consequences of passing time, and an occasionally very funny reflection on what the hell the point is of all this filmmaking business anyway. Shigeru Muroi and Takashi Naito, back then young hopefuls willing to take chances, now among the most established and recognisable actors in Japan, return to play the roles they assumed in the 1982 film, each of their characters having gone their own way. Alongside, another young couple (Honda and the ever-brilliant Eguchi) find themselves in the exact same situation as their older counterparts 25 years earlier. Their paths cross, an opportunity arises: for the elder two to redeem part of their own lives, for the younger couple to find a helping hand in their darkest hour.

This new version of Nagasaki's Yami utsu shinzô (1982) is neither a remake nor a sequel. It is both those things, and at the same time it is also a documentary, a portrait of the consequences of passing time, and an occasionally very funny reflection on what the hell the point is of all this filmmaking business anyway. Shigeru Muroi and Takashi Naito, back then young hopefuls willing to take chances, now among the most established and recognisable actors in Japan, return to play the roles they assumed in the 1982 film, each of their characters having gone their own way. Alongside, another young couple (Honda and the ever-brilliant Eguchi) find themselves in the exact same situation as their older counterparts 25 years earlier. Their paths cross, an opportunity arises: for the elder two to redeem part of their own lives, for the younger couple to find a helping hand in their darkest hour.

A Japanese remake of the South Korean film of the same name.

A Japanese remake of the South Korean film of the same name.

Kasumi is in the midst of an affair with Ishiyama, one of her husband's clients. When Kasumi and her family visit Ishiyama's villa in Hokkaido, she plans to abandon them to be with Ishiyama. The next morning, her daughter Yuka disappears, which throws Kasumi's life into turmoil. Years later, Yuka remains missing, and Kasumi journeys back to Hokkaido with Utsumi, a terminally-ill former detective, and tries to follow any leads she can.

Kasumi is in the midst of an affair with Ishiyama, one of her husband's clients. When Kasumi and her family visit Ishiyama's villa in Hokkaido, she plans to abandon them to be with Ishiyama. The next morning, her daughter Yuka disappears, which throws Kasumi's life into turmoil. Years later, Yuka remains missing, and Kasumi journeys back to Hokkaido with Utsumi, a terminally-ill former detective, and tries to follow any leads she can.

Kasumi is in the midst of an affair with Ishiyama, one of her husband's clients. When Kasumi and her family visit Ishiyama's villa in Hokkaido, she plans to abandon them to be with Ishiyama. The next morning, her daughter Yuka disappears, which throws Kasumi's life into turmoil. Years later, Yuka remains missing, and Kasumi journeys back to Hokkaido with Utsumi, a terminally-ill former detective, and tries to follow any leads she can.

Years after moving to Tokyo with her parents, Hinako returns to her hometown in rural Shikoku. She soon learns that her childhood friend, Sayuri, died several years ago and that Sayuri's mother, who used to perform seances and exorcisms, has gone almost insane with grief. After seeing Sayuri's ghost several times during the night, Hinako consults with some local experts on the paranormal and discovers that Sayuri's mother has something planned for her daughter...

A tough woman is dragging a weaker man deeper and deeper into crime. Woman cop Miki is chasing a wanted man when she stumbles on a crashed car and sees the driver, Koichi, ignite spilled petrol to kill himself and his passenger. She drags Koichi to safety, but the passenger dies. Miki says nothing to challenge the inquest finding of `accidental death', and when she visits Koichi in hospital he begins to understand that her complicity in his crime implies a sexual invitation. But a gumshoe has photos of the crash, and the only way to stall his blackmail is to kill him, the first of several murders...

A tough woman is dragging a weaker man deeper and deeper into crime. Woman cop Miki is chasing a wanted man when she stumbles on a crashed car and sees the driver, Koichi, ignite spilled petrol to kill himself and his passenger. She drags Koichi to safety, but the passenger dies. Miki says nothing to challenge the inquest finding of `accidental death', and when she visits Koichi in hospital he begins to understand that her complicity in his crime implies a sexual invitation. But a gumshoe has photos of the crash, and the only way to stall his blackmail is to kill him, the first of several murders...

タイプも生き方も違う二人の男、不動産業者の柴田と市役所勤めの安西。二人がひとりの奔放な女性・霧子と出会った。３人でいる時、彼らの心は何故か浮き立ち、１０代の少年少女のように自由になっていく。それぞれの思いや人生を抱きかかえながら、３人のガラス細工のような時間が過ぎていく。

タイプも生き方も違う二人の男、不動産業者の柴田と市役所勤めの安西。二人がひとりの奔放な女性・霧子と出会った。３人でいる時、彼らの心は何故か浮き立ち、１０代の少年少女のように自由になっていく。それぞれの思いや人生を抱きかかえながら、３人のガラス細工のような時間が過ぎていく。

In four chapters, the film anatomises the chaotic life of a radio agony uncle.who is having simultaneous affairs with a sado-masochistic call-girl and the wife of an aggrieved tour-bus driver

In four chapters, the film anatomises the chaotic life of a radio agony uncle.who is having simultaneous affairs with a sado-masochistic call-girl and the wife of an aggrieved tour-bus driver

A drama about a nurse starring Hiroko Yakushimaru

Kono Takeshi has given up work as an electrician to run a gift-shop business with his partner/mistress Rieko, who's a couple of years older than him. When the company faces bankruptcy Kono wants to quit, but Rieko strings him along with the promise of a large cash investment, the proceeds of a real-estate deal. Her actual plan to raise the money is to kidnap a young woman and demand a ransom for her release. The trouble is, it never occurs to her to keep the victim alive before trying to extort the cash. And when things start to go wrong, Rieko responds by murdering another girl and attempting another ransom scam..

The film begins with some Polaroids of a young boy and a young girl. A female voice over tells us who these people are...they are brother and sister, she is seven and he is eight. She goes on to say that when she was seven and he was eight, she told her brother that she would marry him.

After serving time for bank fraud, Kiriko now lives a quiet life as a taxi driver working night shifts... but her peace is shattered by a relentless stalker in a Land Cruiser.

After serving time for bank fraud, Kiriko now lives a quiet life as a taxi driver working night shifts... but her peace is shattered by a relentless stalker in a Land Cruiser.

A Tokyo psychiatrist is hoping to better his career by marrying the daughter of a prominent doctor. The match is threatened however when an attractive but very troubled tourist guide comes to him for consultation...

A Tokyo psychiatrist is hoping to better his career by marrying the daughter of a prominent doctor. The match is threatened however when an attractive but very troubled tourist guide comes to him for consultation...

Four young high school students who dream of being in a rock band must deal with the unexpected deaths of their friends while making concert decisions.

Four young high school students who dream of being in a rock band must deal with the unexpected deaths of their friends while making concert decisions.

While attending a screening of his film at the London Film Festival, a Japanese man tries to track down a woman from his past after receiving a mysterious phone call.

Ryo once rode with a biker gang; ever since his friend Tetsuji died riding in September, he's retired from biking, trying to forget the past.

Ryo once rode with a biker gang; ever since his friend Tetsuji died riding in September, he's retired from biking, trying to forget the past.

Ryo once rode with a biker gang; ever since his friend Tetsuji died riding in September, he's retired from biking, trying to forget the past.

Film director Shunichi Nagasaki reflects on a near-fatal motorcycle accident that occurred while shooting his commercial feature debut The Lonely Hearts Club Band in September.

Film director Shunichi Nagasaki reflects on a near-fatal motorcycle accident that occurred while shooting his commercial feature debut The Lonely Hearts Club Band in September.

Film director Shunichi Nagasaki reflects on a near-fatal motorcycle accident that occurred while shooting his commercial feature debut The Lonely Hearts Club Band in September.

A boy and girl struggle to understand their place in 1980s Japan, retiring to copulate and probe each other for answers.

A boy and girl struggle to understand their place in 1980s Japan, retiring to copulate and probe each other for answers.

美津の誕生日。 夏子はお揃いの乙女座のネックレスとバラの花を買って来る。しかしアパートの窓には白いハンカチ。それは美津の恋人・英男が来ている合図だった。 ひそかに美津を愛してしまった夏子。彼女を独り占めしようと思うがゆえに英男に近づく夏子は・・・真夏の午後、世界を震撼させた衝撃のラストが―

美津の誕生日。 夏子はお揃いの乙女座のネックレスとバラの花を買って来る。しかしアパートの窓には白いハンカチ。それは美津の恋人・英男が来ている合図だった。 ひそかに美津を愛してしまった夏子。彼女を独り占めしようと思うがゆえに英男に近づく夏子は・・・真夏の午後、世界を震撼させた衝撃のラストが―

This is Yamakawa's first feature film in 16mm. A group of university students who grew up in an era of rapid economic growth yearn for "another side" of life as they face romantic conflicts and the suicide of a fellow student.

A journalist, his pyromaniac girlfriend, and an ex-baseball player team up to rip off a gangster, with violent consequences.

A journalist, his pyromaniac girlfriend, and an ex-baseball player team up to rip off a gangster, with violent consequences.

A female vocalist breaks with her manager and sets to work with an old man of his band. The involvement of the gay, Super8 addicted friend of the manager leads to increasingly high waves of frustration, treachery, humiliation and cruelty.

A female vocalist breaks with her manager and sets to work with an old man of his band. The involvement of the gay, Super8 addicted friend of the manager leads to increasingly high waves of frustration, treachery, humiliation and cruelty.

A female vocalist breaks with her manager and sets to work with an old man of his band. The involvement of the gay, Super8 addicted friend of the manager leads to increasingly high waves of frustration, treachery, humiliation and cruelty.

A female vocalist breaks with her manager and sets to work with an old man of his band. The involvement of the gay, Super8 addicted friend of the manager leads to increasingly high waves of frustration, treachery, humiliation and cruelty.

The first 16mm film to depict the terrorism and betrayal of a public security spy, set against a backdrop of internal strife. One of the origins of Nagasaki's work.

The first 16mm film to depict the terrorism and betrayal of a public security spy, set against a backdrop of internal strife. One of the origins of Nagasaki's work.

The first 16mm film to depict the terrorism and betrayal of a public security spy, set against a backdrop of internal strife. One of the origins of Nagasaki's work.