Shunichi Nagasaki
출생 : 1956-06-18, Yokohama, Japan
약력
Shunichi Nagasaki (長崎俊一 Nagasaki Shun'ichi, 18 June 1956) is a Japanese film director, producer and screenwriter.
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Director
Toshihide works as a doctor at a clinic located by the sea. One day, he meets Ako. She looks exactly like the woman he admires. Due to her, his heart flutters. Soon, Toshihide realizes that Ako is not his ideal woman. A case leads to Ako to begin living with Toshihide and his family. Living with the warm-hearted family, Ako slowly regains herself and becomes a person with a truthful and honest mind.
Editor
Nagasaki's most recent film
Screenplay
Nagasaki's most recent film
Director
Nagasaki's most recent film
Director
Four high school girls, who are part of the legendary theatrical group known as "Rashinban," stops performing due to the sudden death of one member. Four years later the explanation of the girl's death is revealed and the other girls start a plan for revenge...
Director
요양 차 시골로 이사온 소년 야마다는 공터에서 버려진 토종 일본 개를 만난다. 굶주린 그 개에게 단팥 빵을 사주면서 친구가 된 두 사람. 소년 아마다는 개 이름을 ‘포치’라고 지었다. 평소와 다름 없이 공을 던지며 놀고 있던 어느 날, 소년 야마다는 천식이 심해져 동경의 병원으로 갑자기 실려간다. 외톨이가 되어버린 ‘포치’……이제 혼자서 야마다를 찾아 먼 길을 떠난다. 도중에 다양한 사람들을 만나게 되는 포치. 포치는 그들에게 만남, 이별, 사랑을 가르쳐주는 주는 ‘친구’ 이상의 존재가 되어간다.
Screenplay
중학교 진학을 눈 앞에 둔 소녀 마이는 등교 거부를 하며 숲에 사는 서쪽 마녀와 함께 시간을 보내게 된다. 서쪽 마녀는 마이의 외할머니로 그녀가 마녀 가문의 자손이기 때문에 붙여진 별명. 외할머니와 함께 살며 '일찍 자고 일찍 일어나기', '밥은 꼬박꼬박 챙겨먹기', '운동하기'가 얼마나 중요한 일인지 배워나가는 마이. 규칙적인 생활을 하는 '마녀수행'에 당혹스러워하면서도 마이는 요리와 청소, 세탁, 정원 꾸미기 등에 열중하기 시작한다.
Director
중학교 진학을 눈 앞에 둔 소녀 마이는 등교 거부를 하며 숲에 사는 서쪽 마녀와 함께 시간을 보내게 된다. 서쪽 마녀는 마이의 외할머니로 그녀가 마녀 가문의 자손이기 때문에 붙여진 별명. 외할머니와 함께 살며 '일찍 자고 일찍 일어나기', '밥은 꼬박꼬박 챙겨먹기', '운동하기'가 얼마나 중요한 일인지 배워나가는 마이. 규칙적인 생활을 하는 '마녀수행'에 당혹스러워하면서도 마이는 요리와 청소, 세탁, 정원 꾸미기 등에 열중하기 시작한다.
Director
Set in 1932, amid the rise of militarism after the establishment of the Manchukuo colony in Northeast China, the story centers on a trio of karateka. Studying under their aging master in a small dojo in the woods of central Kyushu, Choei, Taikan and Giryu face a company of kempeitai military police come to requisition their dojo for use as a military base.
Director
This new version of Nagasaki's Yami utsu shinzô (1982) is neither a remake nor a sequel. It is both those things, and at the same time it is also a documentary, a portrait of the consequences of passing time, and an occasionally very funny reflection on what the hell the point is of all this filmmaking business anyway. Shigeru Muroi and Takashi Naito, back then young hopefuls willing to take chances, now among the most established and recognisable actors in Japan, return to play the roles they assumed in the 1982 film, each of their characters having gone their own way. Alongside, another young couple (Honda and the ever-brilliant Eguchi) find themselves in the exact same situation as their older counterparts 25 years earlier. Their paths cross, an opportunity arises: for the elder two to redeem part of their own lives, for the younger couple to find a helping hand in their darkest hour.
Screenplay
This new version of Nagasaki's Yami utsu shinzô (1982) is neither a remake nor a sequel. It is both those things, and at the same time it is also a documentary, a portrait of the consequences of passing time, and an occasionally very funny reflection on what the hell the point is of all this filmmaking business anyway. Shigeru Muroi and Takashi Naito, back then young hopefuls willing to take chances, now among the most established and recognisable actors in Japan, return to play the roles they assumed in the 1982 film, each of their characters having gone their own way. Alongside, another young couple (Honda and the ever-brilliant Eguchi) find themselves in the exact same situation as their older counterparts 25 years earlier. Their paths cross, an opportunity arises: for the elder two to redeem part of their own lives, for the younger couple to find a helping hand in their darkest hour.
Director
This new version of Nagasaki's Yami utsu shinzô (1982) is neither a remake nor a sequel. It is both those things, and at the same time it is also a documentary, a portrait of the consequences of passing time, and an occasionally very funny reflection on what the hell the point is of all this filmmaking business anyway. Shigeru Muroi and Takashi Naito, back then young hopefuls willing to take chances, now among the most established and recognisable actors in Japan, return to play the roles they assumed in the 1982 film, each of their characters having gone their own way. Alongside, another young couple (Honda and the ever-brilliant Eguchi) find themselves in the exact same situation as their older counterparts 25 years earlier. Their paths cross, an opportunity arises: for the elder two to redeem part of their own lives, for the younger couple to find a helping hand in their darkest hour.
Screenplay
A Japanese remake of the South Korean film of the same name.
Director
A Japanese remake of the South Korean film of the same name.
Editor
Kasumi is in the midst of an affair with Ishiyama, one of her husband's clients. When Kasumi and her family visit Ishiyama's villa in Hokkaido, she plans to abandon them to be with Ishiyama. The next morning, her daughter Yuka disappears, which throws Kasumi's life into turmoil. Years later, Yuka remains missing, and Kasumi journeys back to Hokkaido with Utsumi, a terminally-ill former detective, and tries to follow any leads she can.
Screenplay
Kasumi is in the midst of an affair with Ishiyama, one of her husband's clients. When Kasumi and her family visit Ishiyama's villa in Hokkaido, she plans to abandon them to be with Ishiyama. The next morning, her daughter Yuka disappears, which throws Kasumi's life into turmoil. Years later, Yuka remains missing, and Kasumi journeys back to Hokkaido with Utsumi, a terminally-ill former detective, and tries to follow any leads she can.
Director
Kasumi is in the midst of an affair with Ishiyama, one of her husband's clients. When Kasumi and her family visit Ishiyama's villa in Hokkaido, she plans to abandon them to be with Ishiyama. The next morning, her daughter Yuka disappears, which throws Kasumi's life into turmoil. Years later, Yuka remains missing, and Kasumi journeys back to Hokkaido with Utsumi, a terminally-ill former detective, and tries to follow any leads she can.
Director
15년 만에 고향에 돌아 온 히나코는 어릴 적 친구 사요리가 물에 빠져 죽었다는 사실을 알고 충격을 받는다. 게다가 사요리의 엄마는 딸을 다시 살리겠다며 미친 듯이 사찰을 순례하고 다니고 있다. 사요리의 영혼이 맴돌고 사람들이 까닭 모르게 죽어 가는 불길한 마을에서 히나코는 사요리의 연인이자 자신의 옛 친구인 후미야와 사랑에 빠지는데...
Writer
A tough woman is dragging a weaker man deeper and deeper into crime. Woman cop Miki is chasing a wanted man when she stumbles on a crashed car and sees the driver, Koichi, ignite spilled petrol to kill himself and his passenger. She drags Koichi to safety, but the passenger dies. Miki says nothing to challenge the inquest finding of `accidental death', and when she visits Koichi in hospital he begins to understand that her complicity in his crime implies a sexual invitation. But a gumshoe has photos of the crash, and the only way to stall his blackmail is to kill him, the first of several murders...
Director
A tough woman is dragging a weaker man deeper and deeper into crime. Woman cop Miki is chasing a wanted man when she stumbles on a crashed car and sees the driver, Koichi, ignite spilled petrol to kill himself and his passenger. She drags Koichi to safety, but the passenger dies. Miki says nothing to challenge the inquest finding of `accidental death', and when she visits Koichi in hospital he begins to understand that her complicity in his crime implies a sexual invitation. But a gumshoe has photos of the crash, and the only way to stall his blackmail is to kill him, the first of several murders...
Screenplay
The life of a urban planning official and that of an old fellow student, now project developer, are turned upside down by a chance encounter with a beauty obsessed by UFOs.
Director
The life of a urban planning official and that of an old fellow student, now project developer, are turned upside down by a chance encounter with a beauty obsessed by UFOs.
Screenplay
In four chapters, the film anatomises the chaotic life of a radio agony uncle.who is having simultaneous affairs with a sado-masochistic call-girl and the wife of an aggrieved tour-bus driver
Director
In four chapters, the film anatomises the chaotic life of a radio agony uncle.who is having simultaneous affairs with a sado-masochistic call-girl and the wife of an aggrieved tour-bus driver
Director
A drama about a nurse starring Hiroko Yakushimaru
Director
Kono Takeshi has given up work as an electrician to run a gift-shop business with his partner/mistress Rieko, who's a couple of years older than him. When the company faces bankruptcy Kono wants to quit, but Rieko strings him along with the promise of a large cash investment, the proceeds of a real-estate deal. Her actual plan to raise the money is to kidnap a young woman and demand a ransom for her release. The trouble is, it never occurs to her to keep the victim alive before trying to extort the cash. And when things start to go wrong, Rieko responds by murdering another girl and attempting another ransom scam..
Man Looking at the Bunny Picture
오빠와 여동생이 있었다. 여동생은 오빠를 무척 사랑해서 언젠가는 오빠의 연인이 되고 싶다고 마음 속으로 바랐다. 어느 날 오빠가 기억을 잃었다 . 여동생은 오빠의 기억이 되돌아올 때까지 오빠의 연인이 되기로 결심했다. 얼음의 계절과 꽃의 계절 사이에 3월이 있다. 3월은 폭풍의 계절.
Screenplay
남자에게 속아 남성 불신증이 된 여주인공을 쫓아다니는 수수께끼의 남자 때문에 벌어지는 일들.
Director
남자에게 속아 남성 불신증이 된 여주인공을 쫓아다니는 수수께끼의 남자 때문에 벌어지는 일들.
Writer
A Tokyo psychiatrist is hoping to better his career by marrying the daughter of a prominent doctor. The match is threatened however when an attractive but very troubled tourist guide comes to him for consultation...
Director
A Tokyo psychiatrist is hoping to better his career by marrying the daughter of a prominent doctor. The match is threatened however when an attractive but very troubled tourist guide comes to him for consultation...
Director
Screenplay
Four young high school students who dream of being in a rock band must deal with the unexpected deaths of their friends while making concert decisions.
Director
Four young high school students who dream of being in a rock band must deal with the unexpected deaths of their friends while making concert decisions.
Director
While attending a screening of his film at the London Film Festival, a Japanese man tries to track down a woman from his past after receiving a mysterious phone call.
Editor
Ryo once rode with a biker gang; ever since his friend Tetsuji died riding in September, he's retired from biking, trying to forget the past.
Writer
Ryo once rode with a biker gang; ever since his friend Tetsuji died riding in September, he's retired from biking, trying to forget the past.
Director
Ryo once rode with a biker gang; ever since his friend Tetsuji died riding in September, he's retired from biking, trying to forget the past.
Writer
Film director Shunichi Nagasaki reflects on a near-fatal motorcycle accident that occurred while shooting his commercial feature debut The Lonely Hearts Club Band in September.
Director
Film director Shunichi Nagasaki reflects on a near-fatal motorcycle accident that occurred while shooting his commercial feature debut The Lonely Hearts Club Band in September.
Film director Shunichi Nagasaki reflects on a near-fatal motorcycle accident that occurred while shooting his commercial feature debut The Lonely Hearts Club Band in September.
Screenplay
A boy and girl struggle to understand their place in 1980s Japan, retiring to copulate and probe each other for answers.
Director
A boy and girl struggle to understand their place in 1980s Japan, retiring to copulate and probe each other for answers.
Producer
나츠코의 동료 에츠코는 그녀에게 남자에 대한 느낌을 묻는다. 애프터눈 브리즈는 실제 신문 기사를 바탕으로 나츠코의 억압된 레즈비언 주의를 자신의 룸메이트 미쓰에 대한 집착으로 전개한다.
Screenplay
나츠코의 동료 에츠코는 그녀에게 남자에 대한 느낌을 묻는다. 애프터눈 브리즈는 실제 신문 기사를 바탕으로 나츠코의 억압된 레즈비언 주의를 자신의 룸메이트 미쓰에 대한 집착으로 전개한다.
This is Yamakawa's first feature film in 16mm. A group of university students who grew up in an era of rapid economic growth yearn for "another side" of life as they face romantic conflicts and the suicide of a fellow student.
Writer
A journalist, his pyromaniac girlfriend, and an ex-baseball player team up to rip off a gangster, with violent consequences.
Director
A journalist, his pyromaniac girlfriend, and an ex-baseball player team up to rip off a gangster, with violent consequences.
Producer
A female vocalist breaks with her manager and sets to work with an old man of his band. The involvement of the gay, Super8 addicted friend of the manager leads to increasingly high waves of frustration, treachery, humiliation and cruelty.
Editor
A female vocalist breaks with her manager and sets to work with an old man of his band. The involvement of the gay, Super8 addicted friend of the manager leads to increasingly high waves of frustration, treachery, humiliation and cruelty.
Screenplay
A female vocalist breaks with her manager and sets to work with an old man of his band. The involvement of the gay, Super8 addicted friend of the manager leads to increasingly high waves of frustration, treachery, humiliation and cruelty.
Director
A female vocalist breaks with her manager and sets to work with an old man of his band. The involvement of the gay, Super8 addicted friend of the manager leads to increasingly high waves of frustration, treachery, humiliation and cruelty.
Producer
The first 16mm film to depict the terrorism and betrayal of a public security spy, set against a backdrop of internal strife. One of the origins of Nagasaki's work.
Writer
The first 16mm film to depict the terrorism and betrayal of a public security spy, set against a backdrop of internal strife. One of the origins of Nagasaki's work.
Director
The first 16mm film to depict the terrorism and betrayal of a public security spy, set against a backdrop of internal strife. One of the origins of Nagasaki's work.