Sadao Yamanaka

Nacimiento : 1909-11-07,

Muerte : 1938-09-17

Historia

Sadao Yamanaka (山中 貞雄, Yamanaka Sadao, November 7, 1909 – September 17, 1938) was a Japanese film director and screenwriter who directed 26 films between 1932 and 1938. He was a contemporary of Yasujirō Ozu, Mikio Naruse and Kenji Mizoguchi and one of the primary figures in the development of the jidaigeki, or historical film. Yamanaka began his career in the Japanese film industry at the age of 20 as a writer and assistant director for the Makino company. In 1932, he began working for Kanjuro Productions, a small, independent film company similar to many others founded during the same period as it was centered around a popular jidaigeki film star, this time Kanjuro Arashi. Here, he began directing his first films, all of which were jidaigeki. During his first year at Kanjuro, he made six films. He was "discovered" by the critic Matsuo Kishi and gained a reputation for creating films that escaped clichés and focused on social injustices. Early on, he had stated an interest in blurring the lines between several genres: comedy, historical epics, and comedy-dramas focusing on average people. Viewers and critics note in his surviving films the genesis of ideas later explored by the internationally successful Akira Kurosawa, Kenji Mizoguchi, Yasujirō Ozu and Seijun Suzuki. He formed the Narutaki-gumi with his friends, and they wrote under the pseudonym Kimpachi Kajiwara. Yamanaka has been characterized as a minimalist, one whose style favoured elegance and rhythm. During the 1930s he moved between several film companies, eventually settling in Kyoto and working for the Nikkatsu Company. Most of his films were silent films as sound did not gain a prominence in Japan until 1935-36. He worked twice with the Japanese theatre troupe Zenshin-za: first on The Village Tattooed Man (Machi no Irezumi-mono, 1935) and on his final film, Humanity and Paper Balloons. Yamanaka died of dysentery in Manchuria after being drafted into the Imperial Japanese Army. He is the uncle of the Japanese film director Tai Kato, who wrote a book about Yamanaka, Eiga kantoku Yamanaka Sadao. Only three of his films survive in nearly complete form. Description from the Wikipedia article Sadao Yamanaka, licensed under CC-BY-SA.

Películas

Love And Order
Original Story
Saga of the Vagabonds
Screenplay
Lord Taro must deliver a money chest but is robbed by brigands led by Jibu. One of Jibu's men, Rokuro, steals the money from Jibu, but after meeting and befriending Taro, Rokuro decides to return the money to Taro. But Taro's unscrupulous brother Jiro falsely accuse Taro of the theft, and Taro reactively joins the outlaw band and encourages them to steal from the nobles and give to the poor.
朱鞘罷り通る
Original Story
The Day Before
Original Concept
A forceful indictment of the devastating effects of war and nationalistic fanaticism on the average man, who, in the face of the absurdity of violence, is reduced to apathy or victimhood.
Humanidad y globos de papel
Director
Un samurai sale adelante haciendo globos de papel pero un buen día su vida da un giro cuando es perseguido debido a un altercado en el que se involucra por casualidad. La película está considerada como una de las mejores de Sadao Yamanaka y una de las más plausibles del cine japonés
Ishimatsu from the Forest
Screenplay
The film recounts the tragedy of a young outlaw.
Ishimatsu from the Forest
Director
The film recounts the tragedy of a young outlaw.
Saga of the Vagabonds, Part Two: Forward at Dawn
Writer
Story of a bandit king part 2.
A Tale of Thieves in War Time: Part 1 - Tiger and Wolf
Writer
Story of a bandit king.
Priest of Darkness
Writer
A boy steals a knife from an old samurai, unaware of its value, setting off a strange chain of events.
Priest of Darkness
Director
A boy steals a knife from an old samurai, unaware of its value, setting off a strange chain of events.
The Village Tattooed Man
Screenplay
A tragic period film about a gangster who comes out of prison and finds it hard to find a place again in society.
The Village Tattooed Man
Director
A tragic period film about a gangster who comes out of prison and finds it hard to find a place again in society.
Tange Sazen and the Pot Worth a Million Ryo
Director
Se habla de una vieja vasija con aspecto pobre que contiene un mapa indicando el lugar donde se oculta el tesoro de un millón de ryo. Desconocedor de este secreto, el hijo mayor de los Yagyu la regala a su hermano menor, creyéndola una baratija, y este a su vez la vende a unos chatarreros. Una serie de casualidades llevarán la vasija a manos de Yasu, un chico pequeño cuyo padre ha sido asesinado. Será Tange Sazen quien le de asilo en su casa, donde cuidará de él
Mito Komon - The Bloody Swords
Writer
Final installment of the Okochi / Arai / Yamanaka Mito Komon series and just as good as the others (a good deal longer, as well). Again, this film like the other two is similar in tone and spirit to the Yamanaka Tange Sazen film and would appeal to fans of that film.
Kunisada Chūji
Story
Japanese historical film.
Kunisada Chūji
Director
Japanese historical film.
Mito Komon - The Secret Letter
Writer
Adaptation of the novel by Osaragi Jirō. Again scripted by the legendary Yamanaka Sadao
Gantaro Path
Director
Gantaro Path
Mito Kômon: Rai Kunitsugu no maki
Screenplay
Adaptation of the novel by Osaragi Jirō.
The Elegant Swordsman
Writer
This film tells the story of a ronin's search for his parents, but primarily is a group portrait of life in a Tokugawa-era tenement.
The Elegant Swordsman
Director
This film tells the story of a ronin's search for his parents, but primarily is a group portrait of life in a Tokugawa-era tenement.
Jirokichi the Rat-Kid: Edo Reel Part 2
Screenplay
A lost film that tells a story of Jirokichi, a notorious thief
Jirokichi the Rat-Kid: Edo Reel Part 2
Director
A lost film that tells a story of Jirokichi, a notorious thief
Jirokichi the Rat-Kid: Edo Reel
Screenplay
Jirokichi the Rat is a notorious thief. While on the run from the law, he discovers an unexpectedly honourable side of himself, and maybe some form of redemption.
Jirokichi the Rat-Kid: Edo Reel
Director
Jirokichi the Rat is a notorious thief. While on the run from the law, he discovers an unexpectedly honourable side of himself, and maybe some form of redemption.
Jirokichi the Rat-Kid: The Journey
Screenplay
A lost film telling a story of Jirokichi the Rat, a notorious thief
Jirokichi the Rat-Kid: The Journey
Director
A lost film telling a story of Jirokichi the Rat, a notorious thief
Bangaku no issho
Director
Yamanaka Sadao's fourth feature film. The Life of Bangaku
Bangaku no issho
Screenplay
Yamanaka Sadao's fourth feature film. The Life of Bangaku
Ogasawara Ikinokami
Screenplay
Ogasawara Ikinokami
Director
Iso-no-genta's Sword
Screenplay
Iso-no-genta's Sword
Director
Detective Umon's Diary, Story No. 6
Writer
An important silent film survives, Kumahiko Nishina's Umon torimonocho rokuban tegara jinenji kidan (The Samurai Detective, aka The Detective Records of Umon, aka Detective Umon Diary: Exploit Number Six, 1930). Umon on his shining white horse stops a conspiracy against the Shogun. Umon was played by Kanjuro Arashi in this early film, & long after in the post-Occupation jidaigeki revival he reprised the role in Kajiro Yamamoto's Muttsuri Umon torimonocho (1955), helping to launch the renewed interest in such films.
Umon's First Exploit
Screenplay
The movie begins with a mysterious murder and Umon Kondo, a Doshin, so called drag-ass Umon, who dallies away lying sprawled all day long, launches an investigation.