Sadao Yamanaka

출생 : 1909-11-07,

사망 : 1938-09-17

약력

Sadao Yamanaka (山中 貞雄, Yamanaka Sadao, November 7, 1909 – September 17, 1938) was a Japanese film director and screenwriter who directed 26 films between 1932 and 1938. He was a contemporary of Yasujirō Ozu, Mikio Naruse and Kenji Mizoguchi and one of the primary figures in the development of the jidaigeki, or historical film. Yamanaka began his career in the Japanese film industry at the age of 20 as a writer and assistant director for the Makino company. In 1932, he began working for Kanjuro Productions, a small, independent film company similar to many others founded during the same period as it was centered around a popular jidaigeki film star, this time Kanjuro Arashi. Here, he began directing his first films, all of which were jidaigeki. During his first year at Kanjuro, he made six films. He was "discovered" by the critic Matsuo Kishi and gained a reputation for creating films that escaped clichés and focused on social injustices. Early on, he had stated an interest in blurring the lines between several genres: comedy, historical epics, and comedy-dramas focusing on average people. Viewers and critics note in his surviving films the genesis of ideas later explored by the internationally successful Akira Kurosawa, Kenji Mizoguchi, Yasujirō Ozu and Seijun Suzuki. He formed the Narutaki-gumi with his friends, and they wrote under the pseudonym Kimpachi Kajiwara. Yamanaka has been characterized as a minimalist, one whose style favoured elegance and rhythm. During the 1930s he moved between several film companies, eventually settling in Kyoto and working for the Nikkatsu Company. Most of his films were silent films as sound did not gain a prominence in Japan until 1935-36. He worked twice with the Japanese theatre troupe Zenshin-za: first on The Village Tattooed Man (Machi no Irezumi-mono, 1935) and on his final film, Humanity and Paper Balloons. Yamanaka died of dysentery in Manchuria after being drafted into the Imperial Japanese Army. He is the uncle of the Japanese film director Tai Kato, who wrote a book about Yamanaka, Eiga kantoku Yamanaka Sadao. Only three of his films survive in nearly complete form. Description from the Wikipedia article Sadao Yamanaka, licensed under CC-BY-SA.

참여 작품

Love And Order
Original Story
Saga of the Vagabonds
Screenplay
Lord Taro must deliver a money chest but is robbed by brigands led by Jibu. One of Jibu's men, Rokuro, steals the money from Jibu, but after meeting and befriending Taro, Rokuro decides to return the money to Taro. But Taro's unscrupulous brother Jiro falsely accuse Taro of the theft, and Taro reactively joins the outlaw band and encourages them to steal from the nobles and give to the poor.
朱鞘罷り通る
Original Story
The Day Before
Original Concept
A forceful indictment of the devastating effects of war and nationalistic fanaticism on the average man, who, in the face of the absurdity of violence, is reduced to apathy or victimhood.
인정 종이풍선
Director
에도 시대의 도쿄 빈민가, 무사 계급이라 해도 돈이 없으면 하층민들 사이에서 겨우 입에 풀칠만 할 수밖에 없는 시대. 주인 없는 무사 마타주로는 아내가 집에서 싸구려 종이 풍선을 만드는 사이 일자리를 찾으러 다닌다. 한편, 어느 비 내리는 밤, 이발사 신자의 일당이 부유한 상인의 딸을 납치해 마타주로의 집에 숨긴다. 일당은 몸값을 요구하지만 일은 점점 꼬여만 가고, 마타주로 역시 곤경에 처한다. 자살로 시작된 영화는 자살로 막을 내리며, 봉건 제도 하의 일본에서 계급의 밑바닥을 살아가는 사람들의 삶이 얼마나 끔찍한지를 보여주는 야마나카의 비극적인 걸작. 야마나카가 그의 짧은 생애 동안 만든 작품 중 마지막 작품이자 현존하는 세 작품 중 하나. (2014 영화의 전당 미지의 일본 거장전 I : 시미즈 히로시 & 야마나카 사다오)
Ishimatsu from the Forest
Screenplay
The film recounts the tragedy of a young outlaw.
Ishimatsu from the Forest
Director
The film recounts the tragedy of a young outlaw.
Saga of the Vagabonds, Part Two: Forward at Dawn
Writer
Story of a bandit king part 2.
A Tale of Thieves in War Time: Part 1 - Tiger and Wolf
Writer
Story of a bandit king.
고우치야마 소슌
Writer
야쿠자 밑에서 일하는 가네코는 한창 오늘치 자릿세 수금을 하고 있다. 그러나 그는 남몰래 사랑하고 있는 오나미가 일하는 술집만은 지나친다. 가네코와 오래 알고 지낸 기타무라가 마침 그를 발견해 오나미의 가게로 이끄는데, 정신이 빠진 사이 가네코는 목숨보다 소중한 단검을 잃어버리고 만다. 한편, 남을 위한 희생 따위는 모르는, 조직의 우두머리 고우치야마 소슌이 단검을 찾기 위해 동분서주하는 가네코의 일에 휘말리게 된다.
고우치야마 소슌
Director
야쿠자 밑에서 일하는 가네코는 한창 오늘치 자릿세 수금을 하고 있다. 그러나 그는 남몰래 사랑하고 있는 오나미가 일하는 술집만은 지나친다. 가네코와 오래 알고 지낸 기타무라가 마침 그를 발견해 오나미의 가게로 이끄는데, 정신이 빠진 사이 가네코는 목숨보다 소중한 단검을 잃어버리고 만다. 한편, 남을 위한 희생 따위는 모르는, 조직의 우두머리 고우치야마 소슌이 단검을 찾기 위해 동분서주하는 가네코의 일에 휘말리게 된다.
The Village Tattooed Man
Screenplay
A tragic period film about a gangster who comes out of prison and finds it hard to find a place again in society.
The Village Tattooed Man
Director
A tragic period film about a gangster who comes out of prison and finds it hard to find a place again in society.
백만냥의 항아리
Director
A man gets rid of a cheap pot without knowing it contains a map to a treasure. As word spreads, many join in hunting it.
Mito Komon - The Bloody Swords
Writer
Final installment of the Okochi / Arai / Yamanaka Mito Komon series and just as good as the others (a good deal longer, as well). Again, this film like the other two is similar in tone and spirit to the Yamanaka Tange Sazen film and would appeal to fans of that film.
Kunisada Chūji
Story
Japanese historical film.
Kunisada Chūji
Director
Japanese historical film.
Mito Komon - The Secret Letter
Writer
Adaptation of the novel by Osaragi Jirō. Again scripted by the legendary Yamanaka Sadao
Gantaro Path
Director
Gantaro Path
Mito Kômon: Rai Kunitsugu no maki
Screenplay
Adaptation of the novel by Osaragi Jirō.
The Elegant Swordsman
Writer
This film tells the story of a ronin's search for his parents, but primarily is a group portrait of life in a Tokugawa-era tenement.
The Elegant Swordsman
Director
This film tells the story of a ronin's search for his parents, but primarily is a group portrait of life in a Tokugawa-era tenement.
Jirokichi the Rat-Kid: Edo Reel Part 2
Screenplay
A lost film that tells a story of Jirokichi, a notorious thief
Jirokichi the Rat-Kid: Edo Reel Part 2
Director
A lost film that tells a story of Jirokichi, a notorious thief
Jirokichi the Rat-Kid: Edo Reel
Screenplay
Jirokichi the Rat is a notorious thief. While on the run from the law, he discovers an unexpectedly honourable side of himself, and maybe some form of redemption.
Jirokichi the Rat-Kid: Edo Reel
Director
Jirokichi the Rat is a notorious thief. While on the run from the law, he discovers an unexpectedly honourable side of himself, and maybe some form of redemption.
Jirokichi the Rat-Kid: The Journey
Screenplay
A lost film telling a story of Jirokichi the Rat, a notorious thief
Jirokichi the Rat-Kid: The Journey
Director
A lost film telling a story of Jirokichi the Rat, a notorious thief
Bangaku no issho
Director
Yamanaka Sadao's fourth feature film. The Life of Bangaku
Bangaku no issho
Screenplay
Yamanaka Sadao's fourth feature film. The Life of Bangaku
Ogasawara Ikinokami
Screenplay
Ogasawara Ikinokami
Director
Iso-no-genta's Sword
Screenplay
Iso-no-genta's Sword
Director
Detective Umon's Diary, Story No. 6
Writer
An important silent film survives, Kumahiko Nishina's Umon torimonocho rokuban tegara jinenji kidan (The Samurai Detective, aka The Detective Records of Umon, aka Detective Umon Diary: Exploit Number Six, 1930). Umon on his shining white horse stops a conspiracy against the Shogun. Umon was played by Kanjuro Arashi in this early film, & long after in the post-Occupation jidaigeki revival he reprised the role in Kajiro Yamamoto's Muttsuri Umon torimonocho (1955), helping to launch the renewed interest in such films.
Umon's First Exploit
Screenplay
The movie begins with a mysterious murder and Umon Kondo, a Doshin, so called drag-ass Umon, who dallies away lying sprawled all day long, launches an investigation.