Sadao Yamanaka

出生 : 1909-11-07,

死亡 : 1938-09-17

略歴

Sadao Yamanaka (山中 貞雄, Yamanaka Sadao, November 7, 1909 – September 17, 1938) was a Japanese film director and screenwriter who directed 26 films between 1932 and 1938. He was a contemporary of Yasujirō Ozu, Mikio Naruse and Kenji Mizoguchi and one of the primary figures in the development of the jidaigeki, or historical film. Yamanaka began his career in the Japanese film industry at the age of 20 as a writer and assistant director for the Makino company. In 1932, he began working for Kanjuro Productions, a small, independent film company similar to many others founded during the same period as it was centered around a popular jidaigeki film star, this time Kanjuro Arashi. Here, he began directing his first films, all of which were jidaigeki. During his first year at Kanjuro, he made six films. He was "discovered" by the critic Matsuo Kishi and gained a reputation for creating films that escaped clichés and focused on social injustices. Early on, he had stated an interest in blurring the lines between several genres: comedy, historical epics, and comedy-dramas focusing on average people. Viewers and critics note in his surviving films the genesis of ideas later explored by the internationally successful Akira Kurosawa, Kenji Mizoguchi, Yasujirō Ozu and Seijun Suzuki. He formed the Narutaki-gumi with his friends, and they wrote under the pseudonym Kimpachi Kajiwara. Yamanaka has been characterized as a minimalist, one whose style favoured elegance and rhythm. During the 1930s he moved between several film companies, eventually settling in Kyoto and working for the Nikkatsu Company. Most of his films were silent films as sound did not gain a prominence in Japan until 1935-36. He worked twice with the Japanese theatre troupe Zenshin-za: first on The Village Tattooed Man (Machi no Irezumi-mono, 1935) and on his final film, Humanity and Paper Balloons. Yamanaka died of dysentery in Manchuria after being drafted into the Imperial Japanese Army. He is the uncle of the Japanese film director Tai Kato, who wrote a book about Yamanaka, Eiga kantoku Yamanaka Sadao. Only three of his films survive in nearly complete form. Description from the Wikipedia article Sadao Yamanaka, licensed under CC-BY-SA.

参加作品

恋と十手と巾着切
Original Story
腕に自慢の巾着切りが間違って仇討免状をスリ取ったことからとんだ事件に巻きこまれる物語をコミカルなタッチで描いた軽妙時代劇。
戦国群盗傳
Screenplay
Lord Taro must deliver a money chest but is robbed by brigands led by Jibu. One of Jibu's men, Rokuro, steals the money from Jibu, but after meeting and befriending Taro, Rokuro decides to return the money to Taro. But Taro's unscrupulous brother Jiro falsely accuse Taro of the theft, and Taro reactively joins the outlaw band and encourages them to steal from the nobles and give to the poor.
朱鞘罷り通る
Original Story
その前夜
Original Concept
A forceful indictment of the devastating effects of war and nationalistic fanaticism on the average man, who, in the face of the absurdity of violence, is reduced to apathy or victimhood.
人情紙風船
Director
江戸の貧乏長屋で浪人の首吊りが発生、役人が調べに来る。長屋の住人である髪結いの新三は、長屋の連中で浪人の為にお通夜をしてやろうと言い、大家を説き伏せて酒をせしめる。お通夜が行われるが、長屋の連中は酒がただで飲めると喜び陽気な馬鹿騒ぎを行う。山中貞雄監督の遺作。
森の石松
Screenplay
The film recounts the tragedy of a young outlaw.
森の石松
Director
The film recounts the tragedy of a young outlaw.
Sengoku gunto-den - Dai nibu: Akatsuki no zenshin
Writer
Story of a bandit king part 2.
戦国群盗伝 前篇 虎狼
Writer
Story of a bandit king.
河内山宗俊
Writer
居酒屋に居候する河内山宗俊と、用心棒の金子市之丞。その日暮らしの生活を送る彼らにとって、甘酒屋の娘・お浪は心の慰めだった。ある日、お浪が不良の弟・広太郎の借金のために身売りすることを知った宗俊と市之丞は、彼女を救うべく手を組むが...。
河内山宗俊
Director
居酒屋に居候する河内山宗俊と、用心棒の金子市之丞。その日暮らしの生活を送る彼らにとって、甘酒屋の娘・お浪は心の慰めだった。ある日、お浪が不良の弟・広太郎の借金のために身売りすることを知った宗俊と市之丞は、彼女を救うべく手を組むが...。
街の入墨者
Screenplay
A tragic period film about a gangster who comes out of prison and finds it hard to find a place again in society.
街の入墨者
Director
A tragic period film about a gangster who comes out of prison and finds it hard to find a place again in society.
丹下左膳餘話 百萬兩の壺
Director
A man gets rid of a cheap pot without knowing it contains a map to a treasure. As word spreads, many join in hunting it.
水戸黄門 血刃の巻
Writer
Final installment of the Okochi / Arai / Yamanaka Mito Komon series and just as good as the others (a good deal longer, as well). Again, this film like the other two is similar in tone and spirit to the Yamanaka Tange Sazen film and would appeal to fans of that film.
国定忠次
Story
Japanese historical film.
国定忠次
Director
Japanese historical film.
水戸黄門 密書の巻
Writer
Adaptation of the novel by Osaragi Jirō. Again scripted by the legendary Yamanaka Sadao
雁太郎街道
Director
Gantaro Path
水戸黄門 来国次の巻
Screenplay
Adaptation of the novel by Osaragi Jirō.
風流活人剣
Writer
This film tells the story of a ronin's search for his parents, but primarily is a group portrait of life in a Tokugawa-era tenement.
風流活人剣
Director
This film tells the story of a ronin's search for his parents, but primarily is a group portrait of life in a Tokugawa-era tenement.
鼠小僧次郎吉 再び江戸の巻
Screenplay
A lost film that tells a story of Jirokichi, a notorious thief
鼠小僧次郎吉 再び江戸の巻
Director
A lost film that tells a story of Jirokichi, a notorious thief
Nezumikozô Jirokichi: Edo no maki
Screenplay
Jirokichi the Rat is a notorious thief. While on the run from the law, he discovers an unexpectedly honourable side of himself, and maybe some form of redemption.
Nezumikozô Jirokichi: Edo no maki
Director
Jirokichi the Rat is a notorious thief. While on the run from the law, he discovers an unexpectedly honourable side of himself, and maybe some form of redemption.
Nezumikozô Jirokichi: Dôchû no maki
Screenplay
A lost film telling a story of Jirokichi the Rat, a notorious thief
Nezumikozô Jirokichi: Dôchû no maki
Director
A lost film telling a story of Jirokichi the Rat, a notorious thief
盤嶽の一生
Director
Yamanaka Sadao's fourth feature film. The Life of Bangaku
盤嶽の一生
Screenplay
Yamanaka Sadao's fourth feature film. The Life of Bangaku
小笠原壱岐守
Screenplay
小笠原壱岐守
Director
磯の源太 抱寝の長脇差
Screenplay
磯の源太 抱寝の長脇差
Director
Umon torimonochô - Rokuban tegara
Writer
An important silent film survives, Kumahiko Nishina's Umon torimonocho rokuban tegara jinenji kidan (The Samurai Detective, aka The Detective Records of Umon, aka Detective Umon Diary: Exploit Number Six, 1930). Umon on his shining white horse stops a conspiracy against the Shogun. Umon was played by Kanjuro Arashi in this early film, & long after in the post-Occupation jidaigeki revival he reprised the role in Kajiro Yamamoto's Muttsuri Umon torimonocho (1955), helping to launch the renewed interest in such films.
右門一番手柄 南蛮幽霊
Screenplay
The movie begins with a mysterious murder and Umon Kondo, a Doshin, so called drag-ass Umon, who dallies away lying sprawled all day long, launches an investigation.