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Four

You're Invited

ジャンル : 音楽, ホラー, コメディ

上映時間 : 14分

演出 : Abram Martinez

シノプシス

A compilation of four film edits.

出演

Oscar Green
Oscar Green
Snacko
Anthony Rivera
Anthony Rivera
Love Interest
Pristine Chan
Pristine Chan
Harvey
Carlos Blitz
Carlos Blitz
Lucille
Rachel Laubach
Rachel Laubach
Raqel

製作陣

Abram Martinez
Abram Martinez
Director

似たような映画

ターボ
人間世界のカーレースに憧れ、レーサーになることを夢見ているカタツムリのテオ。ある日テオは車のエンジンに巻き込まれるトラブルに見舞われ、気づくと超スピードで走れるようになっていた。彼は自らを“ターボ”と名乗り、夢を実現させるべく憧れのインディレースに出場することを決意する。
ワイルド・スピード MAX
ドミニクは南米でガソリン運搬車を強奪するグループのリーダーを務めていたが、警察の捜査の手は彼にジワジワと伸びてきていた。それを感じ取った彼は仲間に解散を促し、一緒にいればレティを危険な目に遭わせることに悩み、黙って彼女の元を去ってしまう。その後、ドミニクは妹のミアから「レティが殺された」という衝撃的な報せにより、ある男への復讐のために危険を承知で再びアメリカへ舞い戻るのだった。 一方、ブライアンはマイアミでの活躍によってFBI入りを果たし、職務を果たす日々を過ごしていた。彼はとある麻薬密輸組織の捜査をしていたが、ドミニクが国境を越えて戻って来た事を知る。ブライアンにはその理由がわかっていた。複雑な思いを胸に彼は捜査を続けるが、その先で計らずもドミニクと再会することになる。追っている相手が同じだったのである。 しかし、以前の経緯と立場の違いから、二人は手を組むこと無く別々に相手を追い始め、そして麻薬組織のボスが仕切るストリート・レースにそれぞれ参加する。
暗殺の森
A weak-willed Italian man becomes a fascist flunky who goes abroad to arrange the assassination of his old teacher, now a political dissident.
Rendezvous
A high-speed drive through the streets of Paris.
Pereira Declares
Lisbon, 1938. Mr. Pereira is the editor of the culture section of an evening paper. Although fascism is on the rise in Europe, like in nearby civil war Spain or even inside Portugal itself in the form of Salazar's regime, Pereira only concerns himself with writing bios and translating French novels. Things change after he hires a young writer as his assistant, getting to know also his girlfriend – both opponents to the regime – and reluctantly helps them when they begin to get in trouble for subversive activities. Eventually, he's forced to take a stand...
Paper Birds
At the end of the Spanish Civil War, the members of a group of vaudeville performers have been stripped of everything: all they have left is hunger and the instinct to survive. Day after day, agonizingly, lost and helpless between the victors and the vanquished, the musician Jorge, the ventriloquist Enrique, the couplet singer Rocío and the orphan Miguel search tirelessly for something to eat and a safe place to live.
Chronicle of Poor Lovers
In 1925, young Florentine typographer Mario moves to via del Corno to be near his girlfriend Bianca. Here befriends Maciste, his landlord, and Ugo, anti-fascists both of them. After a resident is beaten by the fascists, Mario meets her wife Milena at the hospital, falling in love with her and leaving Bianca. Maciste is killed, again by fascists, while Ugo is wounded and he seeks shelter in a nearby house. Here he falls in love with Gesuina and the two marry. Milena's husband dies, but she and Mario part ways. Later, Mario is arrested by the police.
Antifa:  Rise of the Black Flags
The true history of the anti-government extremist terrorist group's century of violence. Focusing on the group which has caused nationwide rioting and violence, The film – which undermines the mainstream media’s depiction of the group as “just an idea” – has already been censored by YouTube and Vimeo.
Torn Boots
Working with children led Barskaya to create superb direct sound and an inspired style of shooting. Don’t look for conventional cinematic syntax here. The film is chaotic in the way that Soviet films still knew how to be, and Langlois couldn’t help but be seduced by its rebellious spirit, its anarchy and love of children, comparable to Vigo’s Zero de conduite. As well as being a film made with and for children, it offers a complex take on Western society. Pre-Nazi Germany is not named as such but is carefully reconstructed, possibly under advice from Karl Radek, and children offer a playful reflection of class struggle – doubly excluded, as proletarians and as minors. “They play in the same way that they live”, one intertitle says. The interaction between their comical games and the yet more ludicrous ones played by adults is developed on several levels.
Ernst Thälmann – Son of the Working Class
This film is the first of a two-part historical and biographical portrait of the communist politician and anti-fascist Ernst Thälmann. In early November 1918, Ernst Thälmann is an unwilling soldier serving on the western front. As the revolutionary movement at home is threatened by the betrayal of the Social Democrats and fissures in the working class, Thälmann calls on his fellow soldiers to put down their weapons and unite with the workers in the communist struggle at home. Thälmann’s qualms about which side he is fighting on continue, but when the local police attempt to prevent a shipment of provisions and supplies from reaching the people in Petrograd, he intervenes and the ship is unloaded. With this moment of clarity, Thälmann continues to follow his political convictions and joins the workers at the Hamburg uprising in October 1923.
The War Is Over
Diego is one of the chiefs of the Spanish Communist Party. On his way from Madrid to Paris, he is arrested at the border for an ID check but manages to get free. When he arrives in Paris, he starts searching for one of his comrade to prevent him from going to Madrid where he could be arrested.
I piccoli maestri
During the 20 months before Italy's liberation from Fascism, a group of university students trade empty rhetoric for action by joining the Partisans into the mountains of Nazi-occupied northern Italy. There, group leader Gigi falls in love with his best friend's girl. As the Resistance struggle continues, some of the "little teachers" are killed, and the brutal reality of war leaves its mark on their youthful idealism.
Crossfire
Crossfire is Lauren Southern's third documentary film project focusing on the issues surrounding policing, brutality, race, law and order. A heated debate today which has led to a massive political divide between those supporting officers, those defending reform and even many rioting violently in the streets.
The Terrorist
In Venice in 1943, a group of partisans led by Renato Braschi organize a series of autonomous terrorist attacks against the fascists while the National Liberation Committee urges caution. Renato is determined to carry out his ideas, risking his own life, and not only that...
Celuloide colectivo: el cine en guerra
July, 1936. The terrible Spanish Civil War begins. When the streets are taken by the working class, the social revolution begins as well. The public shows are socialized, a model of production and exhibition of films, never seen before in the history of cinema, is created, where the workers are the owners and managers of the industry, through the unions.
Four
A compilation of four film edits.
Ernst Thälmann – Leader of the Working Class
This film is the second of a two-part historical and biographical portrait of the communist politician and anti-fascist Ernst Thälmann. Autumn, 1918: Somewhere on Germany’s western front, Ernst Thälmann, age twenty-four, is calling on his fellow soldiers to put down their guns and join him in the communist struggle at home. When Hamburg’s Police Commissioner blocks a much-needed food shipment to the workers of Petrograd, Ernst battles to see it allowed through. Until his murder on August 18, 1944, Ernst remained true to his political convictions in the face of many setbacks.
Секретный фарватер
The Ponzán Network
During the Spanish Civil War (1936-1939) and the Second World War (1939-1945), around three thousand people managed to elude their pursuers, and probably also avoided being killed, thanks to the heroic and very efficient efforts of the Ponzán Team, a brave group of people — mountain guides, forgers, safe house keepers and many others —, led by Francisco Ponzán Vidal, who managed to save their lives, both on one side and the other of the border between Spain and France.