Four
You're Invited
장르 : 음악, 공포, 코미디
상영시간 : 14분
연출 : Abram Martinez
시놉시스
A compilation of four film edits.
열라 빠른 슈퍼 달팽이 '터보’가 온다! 카레이싱 중계를 보며 세상에서 가장 빨리 달리고 싶은 ‘터보’는 세계적인 레이싱 챔피언 ‘기 가니에’ 와 맞서 경주하는 것을 꿈꾸는 달팽이. 하지만 다른 달팽이들은 ‘터보’에게 이룰 수 없는 꿈이라며 놀리기 일쑤! 그러던 어느 날, ‘터보’는 우연한 사고로 열라 빠른 슈퍼 스피드 파워가 생기게 된다. 멋진 달팽이 레이싱 팀과 형 ‘체트’의 도움으로 그 어떤 꿈도 이룰 수 있다는 것을 증명하기 위해 경기에 나서지만, 느린 달팽이라는 것 때문에 비웃음만 사는 ‘터보’. 씽씽~ 넘치는 질주 본능을 마음껏 펼치게 된 달팽이 ‘터보’! 쌩쌩~ 무섭게 달리는 ‘기 가니에’와 사람들의 눈총을 이겨내고 우승할 수 있을까?
범법자의 신분으로 경찰에게 쫓기는 도미닉(빈 디젤)은 사랑하는 여인 레티(미셸 로드리게즈)의 갑작스런 죽음을 접하고 복수를 위해 LA로 돌아온다. 한편 LA 최대 갱단의 두목을 쫓고 있던 브라이언(폴 워커)은 범죄의 중심에 자신의 친구이기도 했던 레티의 죽음이 연관되어 있음을 직감한다. 위장 잠입한 갱단 소굴에서 서로 만나게 된 도미닉과 브라이언. 서로 쫓고 쫓기는 경찰과 도망자의 관계이지만, 서로의 우정과 믿음에 이끌린 두 사람은, 여인과 친구의 복수를 위해 잠시 손을 잡기로 한다. 하지만, 적의 실체에 점점 다가갈수록 목숨을 건 위험한 액션은 점점 극으로 치닫는데...
로마의 유복한 집안에서 자란 마르첼로는 어린 시절의 트라우마와 정신병원에 입원해 있는 아버지로 인해 불안에 시달린다. 남들처럼 평범하게 살아가는 것이 유일한 목적인 그는 평범한 가정을 이루고자 중산층 집안의 줄리아와 결혼하고, 대중의 강력한 지지를 받는 무솔리니 정권의 비밀경찰에 자원한다. 첫 임무로, 자신의 스승이자 프랑스에서 정치적 망명 중인 반독재 인사 콰드리 교수의 암살을 지시받은 마르첼로는 파리로 신혼여행을 떠나 콰드리 교수와 그의 아내 안나에게 접근한다. 처음엔 경계와 의심을 늦추지 않던 이들 부부는 그를 차차 신뢰하게 되지만, 안나에게 걷잡을 수 없이 끌리게 된 마르첼로는 자신의 본심과 임무 사이에서 혼란을 겪게 되는데…
A high-speed drive through the streets of Paris.
Lisbon, 1938. Mr. Pereira is the editor of the culture section of an evening paper. Although fascism is on the rise in Europe, like in nearby civil war Spain or even inside Portugal itself in the form of Salazar's regime, Pereira only concerns himself with writing bios and translating French novels. Things change after he hires a young writer as his assistant, getting to know also his girlfriend – both opponents to the regime – and reluctantly helps them when they begin to get in trouble for subversive activities. Eventually, he's forced to take a stand...
At the end of the Spanish Civil War, the members of a group of vaudeville performers have been stripped of everything: all they have left is hunger and the instinct to survive. Day after day, agonizingly, lost and helpless between the victors and the vanquished, the musician Jorge, the ventriloquist Enrique, the couplet singer Rocío and the orphan Miguel search tirelessly for something to eat and a safe place to live.
In 1925, young Florentine typographer Mario moves to via del Corno to be near his girlfriend Bianca. Here befriends Maciste, his landlord, and Ugo, anti-fascists both of them. After a resident is beaten by the fascists, Mario meets her wife Milena at the hospital, falling in love with her and leaving Bianca. Maciste is killed, again by fascists, while Ugo is wounded and he seeks shelter in a nearby house. Here he falls in love with Gesuina and the two marry. Milena's husband dies, but she and Mario part ways. Later, Mario is arrested by the police.
The true history of the anti-government extremist terrorist group's century of violence. Focusing on the group which has caused nationwide rioting and violence, The film – which undermines the mainstream media’s depiction of the group as “just an idea” – has already been censored by YouTube and Vimeo.
Working with children led Barskaya to create superb direct sound and an inspired style of shooting. Don’t look for conventional cinematic syntax here. The film is chaotic in the way that Soviet films still knew how to be, and Langlois couldn’t help but be seduced by its rebellious spirit, its anarchy and love of children, comparable to Vigo’s Zero de conduite.
As well as being a film made with and for children, it offers a complex take on Western society. Pre-Nazi Germany is not named as such but is carefully reconstructed, possibly under advice from Karl Radek, and children offer a playful reflection of class struggle – doubly excluded, as proletarians and as minors. “They play in the same way that they live”, one intertitle says. The interaction between their comical games and the yet more ludicrous ones played by adults is developed on several levels.
This film is the first of a two-part historical and biographical portrait of the communist politician and anti-fascist Ernst Thälmann. In early November 1918, Ernst Thälmann is an unwilling soldier serving on the western front. As the revolutionary movement at home is threatened by the betrayal of the Social Democrats and fissures in the working class, Thälmann calls on his fellow soldiers to put down their weapons and unite with the workers in the communist struggle at home. Thälmann’s qualms about which side he is fighting on continue, but when the local police attempt to prevent a shipment of provisions and supplies from reaching the people in Petrograd, he intervenes and the ship is unloaded. With this moment of clarity, Thälmann continues to follow his political convictions and joins the workers at the Hamburg uprising in October 1923.
스페인 프랑코 정권을 전복시키기 위해 비밀공작을 벌이는 디에고는 노쇠한 좌파 혁명가다. 피곤에 지친 디에고는 조직의 일원인 마리안과 편안한 삶을 살고 싶어하지만 과격한 대학생 나딘과 만나면서 갈등을 겪는다. 레네 감독은 이 영화에서 직업 혁명가가 일상적인 삶과 직면했을 때 어떤 선택의 문제가 발생하는가를 보여준다.
During the 20 months before Italy's liberation from Fascism, a group of university students trade empty rhetoric for action by joining the Partisans into the mountains of Nazi-occupied northern Italy. There, group leader Gigi falls in love with his best friend's girl. As the Resistance struggle continues, some of the "little teachers" are killed, and the brutal reality of war leaves its mark on their youthful idealism.
Crossfire is Lauren Southern's third documentary film project focusing on the issues surrounding policing, brutality, race, law and order. A heated debate today which has led to a massive political divide between those supporting officers, those defending reform and even many rioting violently in the streets.
In Venice in 1943, a group of partisans led by Renato Braschi organize a series of autonomous terrorist attacks against the fascists while the National Liberation Committee urges caution. Renato is determined to carry out his ideas, risking his own life, and not only that...
July, 1936. The terrible Spanish Civil War begins. When the streets are taken by the working class, the social revolution begins as well. The public shows are socialized, a model of production and exhibition of films, never seen before in the history of cinema, is created, where the workers are the owners and managers of the industry, through the unions.
A compilation of four film edits.
This film is the second of a two-part historical and biographical portrait of the communist politician and anti-fascist Ernst Thälmann. Autumn, 1918: Somewhere on Germany’s western front, Ernst Thälmann, age twenty-four, is calling on his fellow soldiers to put down their guns and join him in the communist struggle at home. When Hamburg’s Police Commissioner blocks a much-needed food shipment to the workers of Petrograd, Ernst battles to see it allowed through. Until his murder on August 18, 1944, Ernst remained true to his political convictions in the face of many setbacks.
During the Spanish Civil War (1936-1939) and the Second World War (1939-1945), around three thousand people managed to elude their pursuers, and probably also avoided being killed, thanks to the heroic and very efficient efforts of the Ponzán Team, a brave group of people — mountain guides, forgers, safe house keepers and many others —, led by Francisco Ponzán Vidal, who managed to save their lives, both on one side and the other of the border between Spain and France.